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Naomi Nakazato

screenprint on seaweed (laver), 7.5 x 9.5 in.

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fatima aamer bilal, excerpt from moony moonless sky’s ‘i am an observer, but not by choice.’

[text id: my fist has always been clenched around the handle of an invisible suitcase. / i am always ready to leave. / there is not a single room in this world where i belong.]

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"going nowhere slowly" (2021) by julia schimautz and ines soutschka

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i can't explain the state that i'm in

the state of my heart, he was my best friend

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My favorite (and weirdest) equine images are collected in my horse gallery.

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my isolation really has become a lifestyle

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silly sheep from an abandoned village in sicily. shot with an old analog camera and expired film <3

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you could've come over to my side you could've let me know you could've tried to see the distance between us but it seemed to far for you to go do you remember?

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Aglow: my collection of vintage aurora borealis imagery.

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once again this bs back and forth. i'm so tired of this, why does it have to be so difficult? what am i being teached here?

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Before the “flower children” of the 1960s hippie movement, there were these vintage flower people.

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hate when people are like "trust your gut! listen to your intuition!" like okay well my gut is telling me every person i lay eyes on is hunting me for sport and my intuition is saying i should find a secluded cave and live there forever so what do you suggest i do with that information

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telepathically begging

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