nkn1

[nkn1]

“You're born, you take shit. You get out in the world, you take more shit. You climb a little higher, you take less shit. Till one day you're up in the rarefied atmosphere and you've forgotten what shit even looks like. Welcome to the layer cake son.”

My poster version for Matthew Vaughn’s super movie : Layer Cake

[nkn1]

“When NO is not an option…”

My poster version for Jonathan Glazer’s dark comedy masterpiece, the ‘most Guy Ritchie movie before Guy Ritchie : Sexy Beast

[nkn1]

“The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai.”

My poster versions for the wisest assassin of New York undergound : Ghost Dog

[nkn1]

-You look like you are going to funeral. -Maybe I am

My poster version for one of the Greatest of All times, the Man in black.

[nkn1]

Who are you? Doesn't matter. What do you want? To kill you.

My poster version for my personal favorite Noir classic : Le Samurai

[nkn1]

“This is K.A.B., Antonio Bay. Stevie Wayne here beaming a signal across the sea. To the men of the ''Sea Grass,'' fifteen miles out tonight, a warm hello and keep a watch out for that fog bank heading in from the east. Now, in the meantime, relax with me.”

My poster version to John Carpenter’s classic : The Fog

[nkn1]

We are on Pandora. In this production, I contributed to bringing the world of Borderlands to life with my work. This world is ruled by savage barbarian hordes, and my task was to create graffiti, murals, and scribbles as if they were made by these wild beings. Wild, crazy, deadly, insane, vandalistic and nasty!

[nkn1]

“Bullitt” is the film that made the King of Cool, well, the King of Cool.

“Forget character, Bullitt’s an icon!”

My poster version for the iconic movie Bullit by the one and only King of Cool Steve McQueen

[nkn1]

“jusqu’ici tout va bien…”

my poster version for Mathieu Kassovitz’s masterpiece

La Haine (1995)

[nkn1]

My poster version for Dan Trachtenberg’s great production, my personal favorite Predator chapter : PREY

[nkn1]

"This Is Ripley, Last Survivor Of The Nostromo...Signing Off."

my poster version for the science fiction-horror movie of all time:

A L I E N

[nkn1]

“All those moments will be lost in time... like tears in rain…”

42 years after the world premiere, here is my own-version poster of the futuristic-noir masterpiece of all time, the iconic Blade Runner.

[nkn1]

"V A M P I R A "

[nkn1]

Illustration studies for a theme of VAMPIRA - a song by The Misfits 1981

[nkn1]

We are in the 1980’s New York city. My job in the film industry is to create a believable, authentic-looking environment. I paint graffiti, write tags ,make street doodlings and everything else which is appearing on the streets in time and place. The following is a selection of one of my most recent and largest work from the last years, where I created hundreds of graffiti and street writings for Lucy Forbes’s mini series ERIC.

[nkn1]

We are in the 1970’s.

My job in the film industry is to create a believable, authentic-looking environment. I paint graffiti, write tags ,make street doodlings and everything else which is appearing on the streets in time and place. The following is a selection of one of my most recent and largest work from the last years, where I created thousands of graffiti and street writings for the prequel of the famous John Wick saga, The Continental. About the styles : It was a bit of mix of ages, the production designer wanted to see more variety of styles, not just the classic 70’s styles, so I tried mix the late 70’s with the early 80’s. Thank you so much for the awesome hungarian and US team for being a part of this super-cool movie! It's always harder to do something authentically “not good” than to do something nice and preciese.

[nkn1]

my #poster for the masterpiece by Norman Jewison