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“Bullitt” is the film that made the King of Cool, well, the King of Cool.

“Forget character, Bullitt’s an icon!”

My poster version for the iconic movie Bullit by the one and only King of Cool Steve McQueen

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“jusqu’ici tout va bien…”

my poster version for Mathieu Kassovitz’s masterpiece

La Haine (1995)

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My poster version for Dan Trachtenberg’s great production, my personal favorite Predator chapter : PREY

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"This Is Ripley, Last Survivor Of The Nostromo...Signing Off."

my poster version for the science fiction-horror movie of all time:

A L I E N

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“All those moments will be lost in time... like tears in rain…”

42 years after the world premiere, here is my own-version poster of the futuristic-noir masterpiece of all time, the iconic Blade Runner.

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"V A M P I R A "

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Illustration studies for a theme of VAMPIRA - a song by The Misfits 1981

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We are in the 1980’s New York city. My job in the film industry is to create a believable, authentic-looking environment. I paint graffiti, write tags ,make street doodlings and everything else which is appearing on the streets in time and place. The following is a selection of one of my most recent and largest work from the last years, where I created hundreds of graffiti and street writings for Lucy Forbes’s mini series ERIC.

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We are in the 1970’s.

My job in the film industry is to create a believable, authentic-looking environment. I paint graffiti, write tags ,make street doodlings and everything else which is appearing on the streets in time and place. The following is a selection of one of my most recent and largest work from the last years, where I created thousands of graffiti and street writings for the prequel of the famous John Wick saga, The Continental. About the styles : It was a bit of mix of ages, the production designer wanted to see more variety of styles, not just the classic 70’s styles, so I tried mix the late 70’s with the early 80’s. Thank you so much for the awesome hungarian and US team for being a part of this super-cool movie! It's always harder to do something authentically “not good” than to do something nice and preciese.

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my #poster for the masterpiece by Norman Jewison

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“Csak a sátrak vékony s mégis oly megnyugtató falai választottak el bennünket a külvilágtól. Végtelenül apróknak, elveszetteknek éreztük magunkat e végtelenség közepette. Körülöttünk a beláthatatlan tér, a sötétből felhangzó, különböző megszámlálhatatlan állat, megszámlálhatatlan veszély…Fel-felrémüldözve álmunkból, puskáink felé kapunk, a villanylámpa kéznél van, egy pillanatra elrévedezünk, a távoli Európa kényelmes otthonaira gondolunk, , majd újra elborít bennünket az ólomnehéz álom, s újra felriadunk, ha sátrunk közelében megreccsen egy ág, vagy felhangzik egy-egy ismeretlen vad üvöltés.

Ó afrikai éjszakák, mily tágasak vagytok, mily fenyegetően szépek, mily titokzatosak és megrendítőek.”

illusztrációm Attilio Gatti : Musungu c. könyvének (1933), “Az igazi emberek országa” fejezetéhez

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Thirty days of The Waiting Blues #30

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Thirty days of The Waiting Blues #29

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Thirty days of The Waiting Blues #28

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Thirty days of The Waiting Blues #27

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Thirty days of The Waiting Blues #26

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Thirty days of The Waiting Blues #25