nirahsaooc

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Invader Zim sings a love song and gets interrupted by the Deadly Sin of Lust, Asmodeus.

I love the style of the song when Ozzy sings, James Monroe Iglehart just has a really nice voice. Also I love how his design has a bit Rooster Aesthetic to it, and he totally struts it. Which the interesting thing with Ozzy I think is he embodies the sin of Lust, but he is VERY big on Consent.

Though Moxxie's song for Millie is very sweet and romantic, and got to give it to him for sticking to it despite the pressure.

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I love the vibe of Fizz's song, artist that while he did get alot out of his work he was also exploited tremendously for profit while being manipulated.

Also a song about saying Fuck you to your abusive boss is always a good vibe.

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Loona: "Well I can blend in with humans easily enough." Blitzo: "Say that again." Loona: "I can blend in." Moxxie: "You have a human disguise!?" Loona: "Yeah, don't you?"

*Awkward pause*

Loona: "You three have been screwing around on earth this whole fucking time without human disguises!?"

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If Hell is forever, then Heaven must be a lie! If Angels can do whatever and remain in the sky The Rules are shades of gray when you don't do as you say When you make the wretched suffer just to kill them again! - Emily & Charlie 'Hazbin Hotel'

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Still one of my favorite sequences, arrogant villain that's studied the protagonist and thinks they know everything they can do. Only to find out, yeah she's been holding back, has a partner to get her ammo and she's called 'The Railgun' for a fucking reason.

Normally Misaka shoots coins with her railgun move, and those have a range of 50 meters before burning up due to the friction. Buuuut if she uses something bigger, well more mass equals long range.

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Watching the Battle for Khitomer again from ST6 The Undiscovered Country because its still one of my favorite sci fi battles. I just realized something that i hadn't thought about.

The modified torpedo is seen as the ace in the hole in the fight, sure fire way to get at Chang's Bird of Prey as it fires while cloaked.

On watching it again I just realized how big of a freaking gamble that torpedo actually was. As they literally modified a photon torpedo to go sniffing for Starship exhaust fumes and home in on them. There was a non-zero chance that that torpedo could have come to a spot where the ships paths had intersected at one point or another and ended up following The Enterprise or Excelsior's exhaust trail and promptly gone after them instead of Chang's Ship.

So the Enterprise kind of got really lucky that that torpedo didn't accidently change targets given its search parameters.

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cant stop thinking about this video

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STAR TREK: DEEP SPACE NINE Civil Defense 3x07

“Garak, this isn’t helping.”

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Still my favorite scene for Thrawn in rebels, his intro episode. Love how it shows just how different he is from your regular imperial with how he analyzes the situation.

Not to mention the 'Oh Crap' look Hera gets when Thrawn tells Slavin that the twi'lek relic Hera grabbed was a Kalikori, a family heirloom. Because she knows right then that Thrawn is dangerous because 99% of imperials would react like Slavin, calling it twi'lek trash and haughtily assuming they know everything they need to know. Where as Thrawn immediately demonstrates that he doesn't disregard anything.

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Man this reminds me of an early 2000s song and I love that energy from it. I do still love how randomly Bowsette became a big thing with so many people just from the speculation of that power up for Peachette being used by Bowser. Then came the Fanart, and "The Internet made it fucky" Alarm promptly went off at Nintendo HQ

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The incarnation of Death in Puss in Boots: The Last Wish is definitely a rather intimidating portrayal. Especially due to how nonchalant he is most of the time when he isn't being pissed off at Puss for frivolously wasting eight of his nine lives and constantly laughing in the face of death. Laughing at Death itself.

It is an interesting concept, pissing off Death so badly that it manifests corporeally just to come after you. Its like a counterpoint to the whole final destination movies of death coming for people that cheated it. Those movies death really isn't intimidating because he just initiates a rube goldberg series of events to off you painfully that you don't even see coming until its to late.

Versus Death in Puss in Boots who specifically stalks Puss and delights in terrifying him after all the times Puss laughed in his face. Not to mention the plays that show the supernatural elements to him, like one scene where he casually teleports around even appearing behind Puss when Puss had previously been looking right at him.

One thing I did particularly like from an auditory perspective was Death's footfalls, his gait isn't particularly heavy, but you can feel each impact of his stride in a steady thwump thwump rhythm when he's approaching.

I do enjoy his line early on how, "Everyone thinks they'll be the one to defeat me, but no one's escaped me yet." Because no one ever will as death comes for us all eventually.

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Still amazing the differences of the cartoon show versus the movie(Tim Burton was a producer for the cartoon.). The biggest one being how Beetlejuice is more of a crazy uncle that Lydia hangs out with versus the ah... more lecherous perverted villain one of the Movie. Which makes sense given the cartoon was made more for kids so certain attributes of Beetlejuice had to be excised to make him more family friendly.(Namely he was more of a prankster in the cartoon and wasn't really interested in actually killing people like in the movie.)

While I do like Winona Ryder as Lydia in the movie, I do prefer the Lydia of the cartoon. Mostly because I love the type of Goth that likes all the goth things but has a very upbeat attitude about it all. Also the simple design of her Neitherworld outfit is just really cool imo. Not to take away from Lydia from the movie as part of her attitude was due in part to depression and her mental state during a lot of the movie. Seeing how she became a lot happier and more well adjusted by the end of it.

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Warning: Video contains Sexual Situations and Content and depicts Sexual Abuse at certain points.

This song is catchy yet also so sad at the same time, given how Angel Dust's Soul is literally owned by Valentino who makes Angel work in his adult films. Yet due to most likely gaslighting by Valentino, Angel feels like it's all his fault due to the choices he made. When Valentino no doubt manipulated Angel into making a deal with him when Angel was at a low point.

Video does well at showing Angel shifting between the confident mask he puts off and the breaks in it because he obviously is not happy with his situation at all.

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Scene from the Hazbin Hotel Pilot from 2019. I really love characters like Alastor, how he presents himself as very charismatic, full of humor and cheer. And is utterly god damned terrifying because of what lurks beneath that Talk Show Persona.

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Will say that Adam has a great villain song, that song just freakin' slaps. Also shows how the angels don't care about morality given they don't even want to let sinners try to repent and change, because they think extermination is to much fun.

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Alien Ressurection, movie I enjoy despite it not being as good as Alien or Aliens. It does have alot of issues in different ways but I'm a sucker for Alien movies.

Though I did just recently realized just the sheer absurdity of the main starship in the movie, the USM Auriga. That ship is canonically about 12,000 feet long over two miles in length, yet had a crew of like under 50 people. Heck it really just had a few squads of Marines and a small science team.

Yeah the ship was automated and run by the AI Father, but it really just begs the question. What the heck did they do with all of that space onboard? A research ship that size should have several hundred scientists onboard conducting all kinds of experiments and could house a crap load more troops.

It's just a really weird disparity of the ships size coupled with such a tiny amount of people actually onboard.

By contrast the Sulaco was only around 1,295 feet long, and at least had the excuse of a lack of tons of people because of its mission. IE the higher ups sending the bare minimum to go check up on the colony rather than deploy even more resources on what they figured was nothing.

The Nostromo itself was only 1,095 feet long, its small crew was due to its mission of basically being a space truck that traveled around and hauled things from one destination to another. Only out in space for long enough to get the job done, afterwards regular maintenance can be done in a dock.

But the Auriga is over ten times the size, you could argue that they were rogue scientists and thus why the ship was so undercrewed. But if they had enough pull to acquire a ship that size, surely they had the pull to crew it properly to help their experiments? Since even though life support, engines, ect ect would take up alot of space there would still be a tone of space left over for crew.

I am very much over analyzing this all, but it's because I think they made the Auriga that big just for show, "We need a big ship in this alien movie its gonna be huge!" But story wise nothing would have changed with a more appropriately sized ship for the people crewing it. Since heck the Nostromo felt utterly gigantic on the inside despite being so much smaller in Alien.

I will say though, I do love the look of the Auriga it is a cool looking ship.

Also, still sick props to Sigourney Weaver for that over the shoulder blind basketball shot. Awesome that she made that, and I'm glad they still managed to edit it to keep it in the movie because Ron Pearlman broke character when it happened. Nothing against him, I'd of probably done the same in that situation because that was a freaking ace shot she did.

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Perspective, you spend a good part of your life trying to be cool like Raphael.

In reality, you're a socially awkward goof like Donatello.