Text
Satyajit Ray seemed to debunk the dominant ideological perceptions about the portrayal of women in contemporary cinema. She journeys from the shelter of the home to the more complex world of conflicts, challenges, tensions and responsibilities while coping with the politics within home too.
মহানগর Mahanagar, The Big City (1963)
5 notes
·
View notes
Text
Murder Mubarak (2024)
40 notes
·
View notes
Text
Teri Baaton Mein Aisa Uljha Jiya (2024)
32 notes
·
View notes
Text
Uski Roti (1970) dir. Mani Kaul
26 notes
·
View notes
Text
“Life is my favourite game. Just like people have badminton and cricket, mine is life.”
Jab We Met (2007)
213 notes
·
View notes
Text
Bunty Aur Babli (2005)
81 notes
·
View notes
Text
দোসর Dosar, The Companion (2006)
129 notes
·
View notes
Text
Darr (1993)
295 notes
·
View notes
Text
Rehnaa Hai Terre Dil Mein (2001)
#rehnaa hai terre dil mein#dia mirza#r. madhavan#saif ali khan#hindi cinema#bollywood#edits#*#this soundtrack >>>
67 notes
·
View notes
Text
"The film is profoundly anchored in Bombay and describes contemporary Indian society. It is a universe in which the caste system is slowly evolving into a class system, and in which social divisions are still hard to overcome."
Sir (2018, dir. Rohena Gera)
213 notes
·
View notes
Text
Monsoon Wedding (2001)
188 notes
·
View notes
Audio
“Ennai Kaanavillaiye” - Kadhal Desam (1996)
6 notes
·
View notes
Photo
Charulata (1964)
#Charulata#The Lonely Wife#Satyajit Ray#Bengali Cinema#Indian Cinema#Shailen Mukherjee#Soumitra Chatterjee#Edits#*
411 notes
·
View notes
Photo
Gehraiyaan (2022)
166 notes
·
View notes
Photo
Kabhi Haan Kabhi Naa (1994)
137 notes
·
View notes
Photo
Kadhal Desam (1996)
37 notes
·
View notes