myonkyu

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Vinterlandskap / Winter Landscape, Gustaf Fjæstad. Swedish (1868 - 1948)

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Kittyinva: 1928 Daybed from the apartment of George Gershwin. From Ken Nailon, Facebook.

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Alécio de Andrade, The Louvre an it’s Visitors, 1980s

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Gleipnir (detail) by Walton Ford

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Giuseppe Penone, Biforcazione, 1987-92

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Victor Cicansky

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just saw a glimpse of me n my best friend’s future

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『雪村春樹 縄奉仕、それが俺の人生 18』S&Mスナイパー1997年1月号。モデル：小室瀬里奈

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Joseph Haeberle

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Flower tofu

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甘い思い出

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Metamorpolis - The Urban Rise of Chongqing by Tim Franco

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Lee Kun-Yong Body Drawing, 76-05, 1976

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“The Korean word for “hearing” is a homonym for the word “possessed,” as in possessed by a ghost or spirit; a homonym for “visiting” or “dropping in” at your own or somebody else’s house; and a homonym for “holding” something in your hand. So the same word is used for actions involved with the ear, ghost, house, and object. Which is to say, we hear things as if we are possessed by a ghost, then we hold something in our hands and let go of it as we enter then exit somebody’s house. While I was writing these poems, I was probably possessed by a ghost, listening to death, then I held death in my hand and entered the house of death. In Berlin, the angels in Wings of Desire do the “hearing,” and in Seoul, it’s the ears within poetry.”

— Kim Hyesoon (김혜순) in an interview with Don Mee Choi, 5 December 2017, on Autobiography of Death <죽음의 자서전> (via vfollia)