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Don’t settle. You don’t have to. Not even at the end of the world.

LOVE AND MONSTERS 2020 | dir. Michael Matthews

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Nomadland Chloé Zhao. 2020

Badlands Door Trailhead, SD-240, Interior, SD 57750, USA See in map

See in imdb

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Carey Mulligan and Director Emerald Fennell on the set of Promising Young Woman.

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THE FATHER 2020 | dir. florian zeller

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Wolfwalkers

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VANESSA KIRBY AS MARTHA WEISS Pieces of a Woman (2020) dir. Kornél Mundruczó

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Chloé Zhao photograohed by Andrew Eccles for Variety

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Minari’s country of origin is...the United States. But okay then, HFPA. I guess we forgot what just won Best Picture at the Oscars last year.

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There might be a reason for what happened, but we are not gonna find it in this room. And if I stand here and ask for compensation or money, then I am- I’m saying that I can be compensated, and I can’t. I can’t bring her back. No money or verdicts or sentences can.. Can bring back what.. How can I give this pain to someone else? Someone who has already suffered? And I know she would not want that. At all. That is not why my daughter came into this world for the time that she did. PIECES OF A WOMAN (2020), dir. Kornél Mundruczó

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"The Father" (2020) dir. Florian Zeller

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Amanda Seyfried as Marion Davies MANK (2020) dir. David Fincher

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There’s two of us now.

WOLFWALKERS (2020) dir. Tomm Moore & Ross Stewart

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Congratulations to Chloé Zhaofor her first Oscar 2021 win for Best Directing on Nomadland.

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Congratulations to Yuh-Jung Youn for her first Oscar 2021 win for Best Supporting Actress on Minari.

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RIZ AHMED, FATIMA FARHEEN MIRZA 93rd Academy Awards, Los Angeles › April 25, 2021

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“It was a strange challenge. I had a former career as a dancer, and Thomas wanted that to be part of the film —but it was 30 years ago! Thomas wanted the scene to be ambivalent, to see a man who wants to fly and wants to fall at the same time. I was reluctant; I was afraid it could be pretentious in a film that’s so realistic. I eventually realized Thomas was right; dance was perfect for that. It’s not so much about the aesthetic of dancing, it’s about the inner journey of this character. He’s lost something dear to him, and also gained something dear to him, all within an hour. We wanted that reflected in the dance. I hadn’t danced in 30 years and it was tough and I was sore, but it felt liberating.”

MADS MIKKELSEN as Martin in ANOTHER ROUND (Druk) dir. Thomas Vinterberg