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on being yourself
@ brainsoupp_ on twitter// @stmichaelthearchangel// @ cybermrcury on twitter// @throughmy-eyez // @ shellerina on twitter// @caesarsaladinn// @ nelsoncj4 on twitter // @ heimberg_a on twitter// make your own kind of music by cass elliot// @ soledadfrancis on twitter// ? // @ sourcenectar on twitter// @superorganism
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Need to draw more men trying to kill each other again soon. Homoerotically
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when your mutuals are hornyposting and you’re just there like

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where can I purchase some dense fog for room decor
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a strange doll that was originally a magician's rabbit- the magician has long since passed, but the doll continues the act in his stead.
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Cleaned up some old jesse faden sketches I've been hoarding since I first played the game last year
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#fuck or die
content warning: #major character death
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draw it bad and draw it weird and draw it catered only to yourself and draw it wobbly and draw it too small and draw it with the default brush and draw it without using references and draw it and leave it unfinished and draw it for the first time and draw it
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In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.
SOMETHING GOOD [Alternate Version] (1898) Directed by William Selig
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