"It is not the expansion outwards, but the return to the center what matters most. But the latter does not belong to the order of music: it is silence. What, in our opinion, is the characteristic of him is that thing which, in his music, gets as close as it is possible to that center, so that the sonorous density reach extreme tenuity and a perfect transparency." - Jean-Victor Hocquard
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Release: August 17, 1992
Lyrics:
Sun, sun
Spirits move me, every time I'm near you
Whirling like a cyclone in my mind
You're my life line, angel of my lifetime
Answer to all answers I can find
Baby I want you come, come, come into my arms
Let me feel the wonder of all of you
Could it be magic now, now, now and hold on fast
Could this be the magic at last?
Sun, sun
Sun, sun
baby take me high upon a hillside
High up where the stallion meets the sun
I could love you, yeah build my world around you
Never leave you 'til my life is done
Baby I want you come, come, come into my arms
Let me feel the wonder of all of you
Could it be magic now, now, now and hold on fast
Could this be the magic at last?
Woh woh woh time
Woh woh woh take me
Woh woh woh time
Woh woh woh
Songwriter:
Could it be magic now, now, now and hold on fast
Could this be the magic at last?
Baby I want you come, come, come into my arms
Let me feel the wonder of all of you
Could it be magic now?
Adrienne Anderson / Barry Manilow
SongFacts:
👉📖
Homepage:
Take That
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this is basically “describe Take That in a sentence” (x)
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howard word of the day:
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🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰🤰
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Serge Gainsbourg - L'eau à la bouche (1960)
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Books Are Burning (Demo Excerpt) - Andy Partridge
film from Antonioni's Zabriskie Point
I watched Zabriskie Point last night and was kind of haunted by the image of the exploding bookshelf. The uncanny 'beauty
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Blow Up - 1966 - Yardbirds - Jimmy Page & Jeff Beck
Che dire? L’impossibilità di suonare nel tempo è diventata l’impossibilità di ascoltare, questa come ogni altra musica, se non come archeologia o modernariato. Nel film di Antonioni era già vigente l’impossibilità di vedere la realtà. Nel pubblico del concerto ripreso dal regista sono insieme le due impossibilità. Sguardi già annebbiati dalle sostanze psicotrope. Abbigliamento che aveva esaurito, nel giro di solo qualche anno, tutte le sue possibilità innovative. Oggi, in realtà da tempo, hanno impacchettato il tutto e lo propinano, adeguatamente digitalizzato, all’enorme poltiglia che assedia le nostre orecchie e i nostri occhi inermi. R.I.P…. di nuovo.
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Just listen to the Horn Dance...wow
Bartok - Six Romanian Folk Dances, Sz. 56
I. Bot tánc / Jocul cu bâtă (Stick Dance) II. Brâul (Sash Dance) III. Topogó / Pe loc (In One Spot) IV. Bucsumí tánc / Buciumeana (Horn Dance) V. Román polka / Poarga Românească (Romanian Polka) VI. Aprózó / Mărunţel (Fast Dance) VII. Aprózó / Mărunţel (Fast Dance)
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