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@zach When I messaged you the other day on Tumblr, you blocked me. The only reason I have been attempting to contact you was because of the fact, that I was willing to intervene and get you more up-to-date options in managing your music and the archives that you may not have access to, since I am able to do that.  I am not making fun of the pictures I found of you, or doing anything of that nature, as a matter of fact, the only reason that I have a sloppy method of messaging and Tweeting is because I canât release information, on the internet, and the process of messaging or contacting people, is always, hindered by the fact, I donât leave information out, so people can check it at their leisure. I also donât mind writing because I at least have something to signify that I put work into a particular topic.  So, I donât know, about Hollywood or anything, it is my guess that since weâve crossed swords via Twitter, it may have more to do with I am attempting, to outline, the way I would commit to an âintellectual pass timeâ if I was you, which in turn probably brings up a lot of sentiments about how our band was arguing back in 2000, over this and that, and so, just to make this clear.  If you had reciprocated with me, as soon as I had tweeted you, I would figure, you, Rob and I were all in the same boat as far as the racial issue is concerned, considering, us three are all very fond of African American culture, music, and that sort of thing, but blocking me, when I try to make points, about âactors getting kicked off the set, because they made eye contact with a cast member who was more prominent than themâ, doesnât leave as much of a âRace Cardâ for you to play.  Even when I was talking about the astrologer, for whatever reason, taking up these hobbies of either astrology or astronomy, seems to get me thru customs a lot easier, when I am on the way back from Jamaica, because I do look fishy, it is not like Iâve never burned a joint, or a blunt, but it got so bad that I did a lot of extra-curricular stuff, in order to not get, âprofiledâ for this nuance and that nuance.  That is why I jump thru hoops, referencing Hollywood, and 90210 and psychic numbers and all of this. You know, I need to stay in the spirit of this, walking the straight line, and you always have to back track, and figure out, how to keep your posture. So, you did block one of my Twitters, and I didnât Tweet you from another account, and I didnât leave the tweets up for strangers to look at, but I did, message the man who was hosting your songs, and I told him, your work isnât worth as much to me, due to the fact, that you, used the band to skip school and get in trouble.  That is where I am at. I also said that it was kind of poison and that it was causing us to argue, over and over about the work, the songs, to the extent, I feel like we should abandon it to obscurity, just so you arenât being empowered by the idea of âgood musicianshipâ, since their were devious things attached. You also seemingly lost the ability to make the host out to look as though he wasnât overly interested in African American culture, Rap Music, Social Work, or anything like that due to the fact, if you were so interested with that, you would ultimately have put a cleaner foot forward, and didnât resort to stealing anything, which would ensure people had less of a pretext to harass you when you were either recording with someone who was a rapper. The fact you were willing to use the Band, as a reason to come to Glen Cove, (my neighborhood) and get into trouble shows you were using to use it and abuse, it in order to have fun with your friends, and that makes us look terrible, I also donât feel you have the ability to put any credible effort into doing anything with African American culture, Jazz or anything related to âThe Harlem Renaissanceâ, like I have been doing.
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I think there are people who like to listen to me talk about âWarehouse Valueâ on the internet, because, I have been seeing that, I felt poisoned by the presence of the drummer, since he was skipping school to record music at my house, and all I have been doing, is feeling that quote, and thinking about where I would be now, if I was able to stick to that mantra, way back when. So I am pretty sure I was poisoned by this experience, and that it upset a lot of acquaintances I had, to the point, I donât enjoy listening to any of the work he has done.
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Hello! My friends from back in the day, what is going on with you in 2020? What is going on with the business, how did I come across it, what are you doing here, why am I involving you, so letâs Get that, done. You know we had a lot of African American friends coming by the practice area, when we had Warehouse Value, and we drifted into the category of Reggae, but, since their is a copyright issue here and there, I figured, my stake in all of this is to just, apply my political sympathies, or my cultural feelings about, âWhite Washingâ in Hollywood, and let it be so their is a record of my voicing my grievances towards this. âBuddhaâs Final Formâ, yes, I wrote this song, but I gave no consent to have it released. This doesnât suit my business deals because I took the term from a martial arts movie, and whatever, I know who the actresses are, I can name them because I have a fairly well read, summation of âXenonâ, âWu-tang cinemaâ, and so, I am not, necessarily going to apply any red tape against using this song, now, because it is not the use of it that bothers me, as opposed, to, âitâ being taken in a direction that is not well read on the subject matter. I donât necessarily condone it being used in the idiom it is in, because I know âHsu Fengâ, and âMichelle Yeohâ, took pictures together, and not using the name âHsu Fengâ, I originally didnât want to use her name, because I wanted to say, âyou used my song, that was named after a film, which you probably didnât know the name of, and you donât know any of the actors are, you shouldnât of did it and now look where you areâ, but alas, I had some issues with my older sister, when I wrote you a letter, the e-mail version of this.  My older sister came to the house and stuck an erroneous letter in my mail box, from Ohio, about my father, and her boyfriend who is on your friend list, e-mailed my younger sister. I am mad about your unread approach, to my affinity towards the woman of Martial Arts Cinema, dismissive and truant, but my sister was there at that time, and as I was writing it she creeped up on us, and put this weird thing about my father in our mail which, makes me feel, she had a negative effect on you during our upbringing.  Maybe her being there, effected the martial arts movie experience, to the effect, my perceived âwhite washingâ by you was in fact, a certain sense of reproach towards the dragon, (Marjorie was born in 1976, year of the dragon) sleeping in my basement, and that maybe a reason we didnât get a long.  I noticed the timing, and so I am unsure what to say, I certainly do say a lot, I know, but I am willing to work at it, and I intend to work at it.  I donât think you look bad, for using these songs titles, and not knowing anything about martial arts movies because I feel like the Wu-tang Clan who used these films, was kind of a, lets shall we say, âcomplicit idiomâ in terms of not giving anything for people to hang on to, as though it was a âMake Your Own Damn Movieâ thing that Lloyd Kaufman has put out. I have a book that cites Michelle Yeoh, and Ziji Zhangâs effort with Ang Lee, as certain type, of idiom that didnât give any up and coming film makers anything to âgrab on toâ in order to get in the industry. Iâve been kind of unhappy with Michelle and Z for a while, but I donât harbor anything that I can get rid of? You know, I like to get rid of negative energy, if possible, and being magnetically attracted to the franchise, doesnât suit me, since I usually get tangled up in the fishing nets of red tape, which separates fans from celebrities, that can be found at talent agencyâs and big Hollywood premiers.  So, I feel as though, I am going to be getting something by bringing all of this to you. I donât like to answer questions about my family business, it would be very devastating, if you were overly interested in gossipy family stuff, rather than the things that Iâve laid out, which, consists of artistry and analyzing the ability of moving up in the industry. I donât want to answer questions about anything personal, dealing with my family except to say, my sister, is very malevolent, and securing these things for you, in the industry helped me dodge her attempt at upsetting the serenity down here, because I have my films secured.  I feel like, I am not going to be heard, as someone who wants to make movies, and my only possible chance at receiving any commendable exhilaration, is by being a social worker in the industry and I am quite leery of being filed as a âgossip hag��� of sorts. Throw away the art, and delve into the soccer mom, talk. That fear that I have, trumps any fear of losing a copyright claim, to âBuddhas Final Formâ, because my direction, and my aim, is being pulled back by a mysterious force, in exchange for keeping an audience with you and entertaining the stuff you like.  This really gives Ziji Zhang and Michelle Yeoh a blank check, I think, when I am doing stuff like learning blender, and trying to use self taught C.G.I< for my work. we have a misunderstanding which puts them in a higher realm of affluence, where I trace back to ancient times, like the release of âHouse of Flying Daggersâ, and remembering how what makes the film enjoyable is the fact that itâs a departure from the soccer mom rhetoric. Â
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