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My girl Agatha really just did her hair, put on jewelry and take her rabbit from its cage just to reveal herself as the bad guy and stream her very own villainous theme tune directly into Wanda's brain.

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I watched it twice to make sure, but I'm pretty certain that when Wanda leaves Agnes' sofa to check the basement, there's some purring in the background. Ebony the cat, maybe?

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I noticed this in the opening credits. I'm not sure who was writing it, but the way the letters are cut out remind me of the Loki logo

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I managed to weaponise my daddy issues and now I'm unstoppable

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The following commentary was written by @tenyai​, concept and storyboard artist for Hisirdoux Casperan on Wizards: Tales of Arcadia, in response to my meta on the closing scene of Wizards 107.Killahead Part 1 (link here):

Great analysis! You’re right on point!! I had the pleasure of boarding this scene and I’m so glad you picked up on a lot of the symbolism here. You’ll also notice Douxie, despite being told there is nothing that can be done, tells Jim that they will find a way to reverse his ailment.

It’s a huge part of who he is that even in this moment where he as to abide by Merlin’s orders he is still fighting for what he believes in, the need to fight relentlessly to save a life. He makes a promise he has full intention to keep, but it’s the very opposite of what Merlin would have done.

Other fun things to notice in this scene is the staging. You’ll notice Douxie is backed by the turning gears and green light of the Heart of Avalon. I staged him there because the chaotic spinning of the gears alluded to his chaotic turmoil emotionally and internally. And the green light symbolizes Merlin. Together the gears and the lighting are Merlin’s words and his way pressing down on Douxie’s soldiers and his conscience.

As contrast, Claire is backed by the square, rigid lines of the castle wall. She is rigid and is desperately pulling him towards what she believes is stability or something that can guarantee his survival. You’ll also notice directionality here. Left symbolizes staying in the past and going right means returning to the present. You’ll notice Claire pulls Jim leftward, and Douxie pulls him right.

But one key moment is the hand clasp (also the profile shot) where you are neither looking left (where Claire pulled him towards the past) nor are you looking right (at the Heart of Avalon). You look center, and this center symbolizes Douxie fighting for a third option. It is neither left (disruption of time, altered life by staying in the past) and it is neither right (returning to the present/certain doom). He is promising that he will help them find a way to save Jim, and to trust him.

That’s why that dialogue is specifically staged over those shots, and the hand clasp at that angle. In the boards, I actually had his bracer hand up, so you saw the blue light of his magic which was also symbolic of Douxie finding a third option, but they just had his right hand in the final (shucks!!! My symbolism!!).

If you also look closely at the composition you’ll also notice Claire and Jim are separated by the Bg elements, wall vs sky. And when Jim turns to tell Claire the news… You guessed it, he’s backed by the green rotating gears representative of Merlin. He is breaking to her the messed up reality that Merlin forewarned him of. 

Anywhere you see those gears and the green, it’s the weight of this decision pressing on the characters. And you already remarked on the end of the scene where Douxie takes accountability for his action. The staging there follows everything I just described as well, as does the lighting!!

Anyway, fun little tidbits for you! That was a super fun scene to craft, a lot of visual language and symbolism in there, all reinforcing and emphasizing the emotional state of the characters and their struggles :)

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Teny, having the person behind the story telling me exactly the kind of symbolism she intended in a scene is just… absolute gold. I love symbolism and parallelism and how narrative, characterization, and meaning are all supported by every tool in the visual narrative box. And as a fan-turning-pro, I’m still learning a LOT and commentary like this helps me see just how much care and thought went into this show, and validates the gut reaction all us fans have had about how narratively masterful Wizards (and the TOA universe) really is.

Like the directional symbolism! That blew my mind! Cuz in the end, we have Douxie leading them rightward (to the future), through Merlin’s green light, but guided fundamentally by his own staff’s blue and thus his own conscience. Also I wonder if the stable arcs behind Doux in that last GIF are a mirror to the unstable ones of Merlin’s Heart of Avalon––a way of pointing out that although Douxie is following the pattern set by Merlin’s shifting moral compass, he’s still holding to Claire’s stability. Using Merlin’s magic, but with his more constant, noble morality. (And going off that, these arcs mirror each other by cascading upward in opposite directions––Merlin’s arcs rising to the right and to the future, and Doux’s rising to the left and to the past, or Claire’s moral standard.)

Also the fact that Merlin’s Avalon arcs rotate downward in such a way that they cut through/push down on Douxie’s head, with an especially high-contrast panel––Unlike when he’s making the promise, in which the Heart of Avalon fades just a tad into the background and doesn’t rotate down on him so much as around him. In framing Douxie against the Heart, the shots move from a Medium Full Shot to a Medium Closeup and finally to a Closeup when he makes the promise––making him slowly larger against Merlin’s Heart of Avalon, his own morality against Merlin’s philosophy. Exquisite combination of prop design, lighting, shots, and narrative symbolism.

And the lighting you mentioned!! Jim’s is red, Merlin’s green, Douxie’s blue. Claire’s is purple, but here it’s also the natural, human light of the doorway she’s trying to draw Jim towards. And like you said, Jim choosing Merlin’s path puts him in the backdrop of the Heart of Avalon, bringing Claire into that moral space too. Now this sweet Jlaire moment is heightened by tension just knowing this symbolism!!!

I always loved the interplay of Merlin’s green magic with Douxie’s hair, and knowing your intentional purpose in clashing them makes me all the more excited for scenes like the one before Charlemagne destroys the staff, because the green in Doux’s hair is almost as strong as the blue––showing how much he doesn’t want to let go of Merlin, and how much his staff and his presence is overwhelming his own sense of self and confidence.

Thank you, Teny, for sharing your incredible thought process behind this pivotal scene and letting us know the kind of visual narrative techniques you’ve used to bring out the drama and poignancy of everyone involved. Your love for these characters and this show is truly inspiring. I’ve just started my animation degree at San Jose State University and interactions like yours inspires me to know that the kind of professional I want to be is out there making art, being a storyteller, nerding out, and being awesome. Thanks again!

all gifs are mine

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We all making jokes about Zuko working at the tea shop as firelord, and how humble he is towards his servants. But what if a diplomat from the earth kingdom shows up one day and catches Zuko in a more casual outfit while being ushered through the palace. The diplomat mentions something about how Lee must be very good at making tea if he was sent all the way to the fire nation and asks to be served during the meeting. Not one to turn down an offer Zuko obliges and disappears off into the kitchen. The diplomat sits down at the meeting table, awaiting the arrival of the firelord when his tea arrives. He pours a cup for everyone sat around the table including the firelord. The diplomat inquiries when the firelord will be joining, to which Zuko responds by sitting in the throne at the head of the table.

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Jessica (while she and Mike are "off" again for the 3rd time): guys only want one thing and it's disgusting

Bella (nodding sagely): Marriage.

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On the eve of several primaries, Joe tells voters that even if “Medicare for All” totally passed the House and Senate and had the support of the American people HE STILL WOULDN’T SUPPORT IT

because he’s a fucking ghoul who puts corporate interests before the wants and needs of the people.

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AGED UP AU MARINETTE

She’s got a hecking mansion and the past still haunts her™

Also sorry for not existing for almost a month and a half hahaha 

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everyone who reblogs this up until February 7th will get a short gothic based off the vibes I get from their blog

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Look, I have no idea what’s coming next after Prickly Pair, but I would love it if something like this happened lol

And there were several Linkin Park songs I considered for whatever Steven’s singing might sound like but ultimately I went with Given Up because it’s so unapologetically miserable and angry which are two feelings Steven desperately tries to cover up.

Also, it felt like a nice juxtaposition between a song that Steven sang in one of the mini shorts (Steven Song Time) called Still Not Giving Up. Usually when people are depressed, it’s important to try and look on the bright side, but I feel the opposite is true for Steven. His problem is his adamant refusal to acknowledge his negative feelings out of fear that these things make him weak/a burden and he’s ashamed of it, and it’s that unrelenting, virulent shame that’s holding him back from getting better. It’s the insistence that everything’s fine, it’s the need to sugarcoat or soften the pain he’s expressing that doesn’t allow him the move forward, so for him to sing a song without any kind of cushion of positivity or hope would be extremely cathartic for Steven. He certainly shouldn’t be in that headspace forever, but he needs to le it out if he wants to let it go, right?

Also, I like Linkin Park so there lol

For my other Steven Universe comics, you can check out my #su comic tag ^^

Steven Universe © Rebecca Sugar

Art © @wicked-ghoul

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KIPO and the Age of Wonderbeasts is AMAZING and why more people should be talking about it!!

I know this isn’t my main for animated series BUT I just watched KIPO and let me tell you it’s so good??? It’s not netflix but for some reason there’s been NO promo at all so i’m changing that!!

ALL main characters are poc (or a bug or a pig)

Kipo is half asian half black (and purple but that’s just an extra bonus imo), Wolf is black and Benson is brown/black/of unknown heritage (as far as I know)

Also???

Benson is gay and he just straight up SAYS so

Like, “Ya I’m gay” no hinting, no stereotypes no beating around the bush, he’s just gay that’s it and the entire scene is super natural? 

It has giant megadogs

And they’re super cute. So many mutes are super cute

Wolf’s backstory and connected character arc are AMAZING and she has so much more room for growth

Like, I don’t want to spoil anything but this four feet tall girl has issues BUT She’s not just a “though as nails” archetype, she’s a real person who’s carrying a really difficult past with her and her whole character journey is so satisfying!!

There’s like a hundred more reasons like singing woodcutter cats and lesbian rock and roll snakes and nerd wolves that make musicals titled “everything we know about the universe so far” but you’ll just have to see that for yourself!! Please watch this show it deserves more attention and a second season!

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Concept...

Naked snom