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They're watching Prehistoric Planet together. 🦖🦖
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I was keeping this doodle to myself because I wanted to make a neater version, but somehow the neat lineart really took away from it. So I'm keeping it the way it is. :)
-XOXOX-
Please, do not repost or misuse my art in any way.
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FIRST POST EVER AAAAAA
Merry Chrimah everyone!!
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speaking of how to train your dragon and creature design, the shift from the really naturalistic art direction and character animation for the first movie's toothless- the face getting flatter, the eyes bigger and closer together, getting rid of the little realistic details like the dust collecting between the scales, the pink splotching where the scales end at the nostrils, the muted markings, the animation making a shift from largely realistic animal behavior to much more anthropomorphic- is such a huge downgrade to me, made worse because it's subtle in such a way that you will sound insane if you mention it
(huge L for the "the audience's capacity to find a creature cute and empathetic and expressive is directly proportional to how much it looks like a human baby" principle of character design because the first one is so so much cuter)
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a couple snippets from a presentation i gave at school this past week on storyboarding!!
‼️DISCLAIMER: I am still a student and have only worked on student and indie projects! This is just stuff that I personally find helpful as an amateur, so feel free to take it with a grain of salt!
Happy boarding, friends! ✍️💕
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I know i said no more updates but...I added a shadow lol
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kind of wanna reinforce this here. because i’ve seen ai writing become so popular on tik tok.
ai writing is not okay.
it’s literally theft. just like how ai art steals, ai writing steals. it’s using authors’ very real work to generate whatever you type in. and this also needs to be said as well.
writing is a form of art. fanfiction is a form of literature.
seeing this all over my fyp is REALLY discouraging. fanfic itself is already a labor of love and we love it when you interact. but please do not use ai writing for your fanfic needs when this writing literally steals from fanfic authors.
genuinely don’t know if this post will go around because my interactions outside of hcs are shit, but i hope it does.
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your wip just called. hey man your wip just called. its asking where you've been man.
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it's always so fascinating and heartbreaking when a character in a story is simultaneously idolized and abused. a chosen prophet destined for martyrdom. a child prodigy forced to grow up too fast. a powerful warrior raised as nothing but a weapon. there's just something so uniquely messed up about singing someone's praises whilst destroying them.
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Randomly decided to color a sketch I made back in Feb 29 for the guy's bday.
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tips for getting people to like your ocs
*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that
you can do things like this:
Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.
My main piece of advice is: get better at writing.
That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)
What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.
what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)
what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)
what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?
how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?
where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?
what time of day is it? what time of year is it? what is the weather like?
Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).
Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?
Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.
Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.
Now go and share your ocs with the world!!!
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Me grabbing somebody by the shoulders and shaking them back and forth:
No, you don't understand, don't just focus on Patroclus as an aggressive warrior please, he was a complex character. Him being a healer was as important as him being a warrior
Don't let your irrational hate for a certain media blind you. he was a kind man, he was so kind even the horses loved him, ok?
He was a warrior, he was horrible in battle but he knew mercy and compassion outside of it
he was a kid that killed another kid, he was the only one to console Briseis, he was equal to Ares, he had 9 dogs, he entered a berserk state, he died alone
He could've have a peaceful life, he didn’t have to be another young man lost in war
Reducing him to just another aggressive warrior is as bad if not worse than making him a meek healer
Stop overglorifying violence, that's the point of the iliad don't you see? He was such an excellent warrior but that didn't save him from the horrors of war because nobody is safe from it and Glory is paid with blood of heroes and the grief of the innocent
PLEASEEEEE
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Couldn't resist busting out a warmup sketch while listening to one of my comfort osts. This is Berk always makes me feel so emotional. What a way to open a movie.
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So I just finished reading The Song of Achilles, and forgive me if I'm stating the obvious but . . .
About two thirds of the way in, Thetis tells the boys that there is a new prophecy, that "the best of Myrmidons will die before two more years have passed." And at first they're afraid that it's Achilles, but then Thetis tells them that he will be alive when it happens
The first time I read this, I didn't understand. It was only when I read that passage again, after knowing what happens, that I realized the prophecy was about Patroclus
The book even acknowledges it later on, when Briseis is saying goodbye to him . . . "'Best of men. Best of Myrmidons.' She places her fingers to my lips, stopping my objection. 'It is truth,' she says. 'Let it stand for once.'"
In the first half of the book, a lot of Patroclus's pov is dedicated to describing how beautiful and amazing Achilles is. And when you see how ordinary and pathetic Patroclus makes himself look in comparison, you almost start to wonder why Achilles loves him in the first place
But Patroclus was the best of all of them, even better than Achilles. No one else had his kindness, his tenderness, his unwavering care for others
And Achilles knew this. Further on, Briseis says that Patroclus was worth ten of him, and Achilles doesn't disagree
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i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.
inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.
both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.
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Oh characters doomed from the start we’re really in it now
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