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Michael Kors Claire Suede Sandal

When in doubt, wear red 🐦‍🔥

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Kiyoshi Saitō ‘Flower and a Girl’ 1974

Kiyoshi Saitō (1907 - 1997) was a celebrated Japanese printmaker.

Characterized by their distinctively graphic flatness, Saito’s works often feature recurring visual motifs endemic to Japanese landscapes, such as rural architecture, kimono-wearing women, and pinewood forests.

Saito’s work is known for fusing artistic Eastern and Western ideas and styles. He was inspired and influenced by Western artists including Paul Gauguin, Henry Matisse, and Pablo Picasso while also keeping to the long tradition of Japanese wood-block printmaking.

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Model wearing Yves Saint Laurent for Elle France August 1986

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The Aurea collection by Engelbert Stockholm

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Aoyama Masharu ‘Exotic Flower’ circa 1950s.

Aoyama Masharu (1893 - 1969) was a Japanese printmaker. Studied ink painting at Tokyo School of Fine Arts and served in Imperial Household Museum until his retirement.

Known for carving the blocks for the prints, he was working in the sosaku-hanga (“creative prints”) movement, which began in the early 20th century and advocated self-drawn, self-carved, self-printed works.

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Nara Aziza Smith for cover of WhoWhatWear November 2024

Hair Stylist: Chris Appleton

Makeup Artist: Tasha Reiko Brown

Photographer: Daniella Midenge

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Marc Jacobs Spring Summer 2017

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Damien Hirst ‘Untitled (Birthday Card) 1999

Hirst is known for his provocative and often controversial artworks, which explore themes such as life, death and mortality.

Untitled (Birthday Card) is a prime example of his interest in the fragility of life and the beauty of the natural world. The use of butterflies as a decorative motif symbolises the fleeting nature of our existence.

The artwork has been widely celebrated for its stunning visual impact and complex themes, with critics hailing it as a masterpiece of contemporary art.

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Scenes from the movie ‘Blow-Up’ 1966

Directed by Michelangelo Antonioni, starring David Hemmings as Thomas, the photographer and Veruschka, as herself. The movie follows Thomas, a fashion photographer who believes he has unwittingly captured a murder on film.

The movie received critical acclaim for its portrayal of the mod subculture of the Swinging Sixties, a period in time that emphasised on modernity, hedonism and exceptional design.

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Wishing you an exciting, magical New Year!🍀

Photographed by Guy Bourdin for Vogue Paris December 1969

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Wishing you a very colourful New Year! 🎨

Salvador Dalí “Spring Explosive” 1965

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Wishing you a special, sparkling New Year! ✨

Jewellery photographed by Claude Virgin for British Vogue 1960

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Photographed by Serge Balkin for Vogue January 1944

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Bistra Lechevalier ‘Dark Matter’ 2017

Bistra Lechevalier is born in 1933 in Sofia, Bulgaria, where she studied in the National Academy of Arts and graduated with a degree in Sculpture.

In the mid-1960s, she settled in Paris, where she began exhibiting extensively in major galleries and working on her own projects for French public spaces.

Lechevalier’s artworks are made of both natural and industrial materials and can be found in prestigious world galleries and private collections.

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MIU MIU Satin bows glitter slingback pumps

Perfect for the festive season ✨

Glittered slingback pumps detailed with two satin bows and adjustable ankle strap, pointy toe and curved heel.

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Mia Farrow photographed by Roddy McDowall in 1967 in Berlin

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Henri Rousseau “The Equatorial Jungle” 1909

Henri Julien Félix Rousseau (21 May 1844 – 2 September 1910) was a French post-impressionist painter in the Naïve or Primitive manner.

He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll and tax collector.

He started painting seriously in his early forties; by age 49, he retired from his job to work on his art full-time. A true testament that it is never too late to do what you love and are good at.

Rousseau claimed he had “no teacher other than nature”, and his best-known paintings depict jungle scenes, even though he never left France or saw a jungle.