mjmoonchild

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jinx: *makes an ableist joke towards viktor*

viktor: *immediately deadnames her*

they deserved more time together lmfao

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hand study as an excuse to draw mel

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“The way people treat you is a statement of who they are as a human being. It’s not a statement about you.”

— Unknown

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the snow in the uk is giving dead poets society

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Sabrina the Teenage Witch – 3.12: Whose So Called Life Is It Anyway?

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Their eyes.... the matching colours...!!!! 😭

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“Whether I’m pulling the pin or not, everyone who gets close to me dies.”

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ARCANE LEAGUE OF LEGENDS: 2x06 - “The Message Hidden Within the Pattern”

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The way Isha was so content with her sacrifice, closing her eyes and smiling in her final moments, actually hurts me. And she is only like that because she was thinking about Jinx: how she saved her, how she took her in when she was left for the streets of the undercity, how she was able to constantly follow her around and get inspired, how she was able to fulfill the loss of her inner child, and finally how she was able to save her and the other people (Vi) she loved from dying.

That, my friends, makes this really heart wrenching, and what hurts even more is that she was a child. She was particularly Jinx’s child, and we can see that in the way Jinx looked the most frightened when Isha was captured, or the way she saw how she grabbed her gun, stuffed it with hextech, and pulled the trigger (all while being held back by her sister despite her tries in running to Isha, crying and screaming).

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im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

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this is killing me

so many parallels

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this is killing me

so many parallels

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I sometimes forget that dps is a film from 1989 cause why did my mom just tell me her college friend used to be obsessed with charlie dalton

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