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LOGIC (漏 MI$$ BUCK) Tonight's @logic301 gig may have been rescheduled (boo), but I'm happy to be sharing this with y'all nonetheless. 馃挭馃徏
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WESLEY (漏 MI$$ BUCK) In celebration of White Men Can't Jump, released on this day in 1992.
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WOODY (漏 MI$$ BUCK) In celebration of White Men Can't Jump, released on this day in 1992.
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'Bill' (漏 MI$$ BUCK) is the fourth in a series of personal commissions, centred around some of the greatest jazz musicians of all time. Clockwise from top left: Miles Davis, Joe Henderson, Bill Evans, Charles Mingus. For commissions, visit missbuck.com (link in bio). 鉁岎煆硷笍
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Following on, here's my prize copy of 'I Am Paint', courtesy of rLr. See my previous post for my illustrative submission & a description of the project. I'm now proud owner of a Richard Russell/Lee "Scratch" Perry original artwork! Woohoo! @xlrecordings @lee_scratch_perry
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As promised, '拢$P' (漏 MI$$ BUCK) in all its glory. I created the illustration to submit to Residence La Revolution, in exchange for one of 250 hand-painted 12" copies of the single 'I Am Paint'. Copies of the record cannot be purchased; they are only obtainable via a system of barter, where applicants must create something from nothing, to swap for a copy. Each sleeve is hand-painted (or foot-painted) by Richard Russell, creator of the track, & Lee "Scratch" Perry, whose vocals appear on the track. Naturally, LSP seemed an appropriate drawing-subject for the project. @xlrecordings @lee_scratch_perry
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Sneak peek at my latest creation: 拢$P (漏 MI$$ BUCK) Details to follow...
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馃敶馃數馃敶馃數 (漏 MI$$ BUCK) #howdoyoudocumentary2
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I can confirm that @losangelesconfidential remains in all-out beast mode on disc two... 馃數 (漏 MI$$ BUCK) #howdoyoudocumentary2
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I'm yet to listen to disc two, but @losangelesconfidential a beast for disc one... 馃敶 (漏 MI$$ BUCK) #howdoyoudocumentary2
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