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//btw since things have been kinda dead here I moved to my general anime/game multimuse @limitlesspossibilities <3
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//btw since things have been kinda dead here I moved to my general anime/game multimuse @limitlesspossibilities <3
#outofpokeballs#//I didn't move ALL my pokemon muses there but the ones I generally have the most muse for
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“Are you lost?” | for a muse of your choice!
"Lost? No, no, I know exactly where I am! Which is..." She trails off, glancing down at her map and then back up at the area around her, and then back to her map. "Uh... Somewhere with trees...?"
The Piplup sitting on her shoulder sighs, and Dawn shoots a glare at it. "We are not lost! I just got a little turned around, there's no need to worry!"
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Late Night Wanderings Sentence Starters
“What are you doing out this late?”
“This part of town isn’t a good place to be at this time of night.”
“Now what’s a pretty thing like you doing in a place like this?”
“You do realize what time it is, right?”
“Where are you going at this hour?”
“The sun isn’t rising anytime soon, you know.”
“Do you know where I am?”
“The city looks different at night.”
“This street is very dark…”
“Why don’t you come stand in the light?”
“Are you lost?”
“I got turned around in the dark…”
“This isn’t the time to go wandering around.”
“Only fools and trouble come out to these parts at this hour.”
“Looking for trouble, are we?”
“A little late to be shopping.”
“Just coming back from the bar?”
“Think any of the pubs are still going to be open?”
“Trouble lurks around every shadowed corner.”
“Woah! I didn’t see you there!”
“Where did you come from?”
“What are you doing here?”
“A bold move to show your face here in the shadows of night.”
“Go home.”
“It isn’t safe here at this time of night.”
“You’re being watched.”
“What are you doing still up?”
“Looking for something?”
“I like walking when the streets are empty.”
“It’s dangerous to walk at night alone.”
“I know where I’m going.”
“The trees are kind of spooky…”
“Did you hear that howl?”
“Was…was that an owl…?”
“This path is scary at night…”
“The woods is no place a __ after dusk.”
“Oh you poor soul, wandering lost in the forest under the new moon…”
“You can’t see the stars from here…”
“This is the witching hour.”
“Dark beasts lurk here. Be cautious.”
“Stay on the road!”
“Talking a midnight stroll along the beach?”
“The ocean is so mysterious at night…”
“What brings you to the pier at this hour?”
“What dangers lurk in these dark waters, I wonder.”
“You’re going to get yourself lost one of these days.”
🌙+ your own
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“𝙄'𝙡𝙡 𝙨𝙝𝙤𝙬 𝙮𝙤𝙪 𝙩𝙝𝙞𝙨 𝙬𝙞𝙙𝙚 𝙢𝙮𝙨𝙩𝙚𝙧𝙞𝙤𝙪𝙨 𝙬𝙤𝙧𝙡𝙙!”
Indie Pokemon multimuse
Written by Su
Rules | Muses
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THE SHOULDER TOUCH. ( A PROMPT LIST! )
i said i'd make them! i hope you enjoy these, and as always: DO NOT ADD, EDIT OR CLAIM THIS LIST AS YOUR OWN!
[ WAKEN ]: the sender touches the receiver's shoulder to waken them from a nap or sleep.
[ STILL ]: the sender places their hands on the visibly angry/upset receiver to try and restrain them.
[ STAY ]: the sender, noticing the receiver attempting to escape a meeting or a conversation, quietly rests a hand on their shoulder and pulls them back into their seat.
[ REST ]: the sender places a gentle but firm hand on a weakened/sick/injured receiver's shoulder to push them back into their bed to rest more.
[ PUNCH ]: the sender places a hand on the receiver to draw their attention away from another focus, and once they've turned around, the sender swings a punch at them in the moment of confusion.
[ PRIDE ]: the sender, having heard or seen the receiver successfully achieve a remarkable feat, places a hand on their shoulder to express their wordless pride in them.
[ HUG ]: the sender places their hands on the receiver's shoulders to yank them into a hug.
[ COMFORT ]: the sender, noticing a visibly upset receiver, solemnly moves to their side, and places a hand on their shoulder in an effort to comfort them.
[ SURPRISE ]: the sender, noticing an otherwise occupied receiver, moves forward silently and suddenly grabs their shoulder to startle them.
[ STUN ]: the sender, having been apart from the receiver for some time, makes an unexpected return and greets the unaware receiver with a hand on their shoulder.
[ TIDY ]: the sender reaches forward and lightly sweeps something from the receiver's shoulder.
[ WORRY ]: the sender grabs the receiver by the shoulders to take a good look at them for any sign of harm or injury.
[ ARM ]: the sender rests a hand on the receiver's shoulder, their arm draped around them in order to do so.
[ FOCUS ]: the sender, noticing the receiver has become distracted during a conversation, places a hand on their shoulder to redirect and focus their attention.
[ GOTCHA ]: the sender, noticing the receiver has unknowingly walked into the path of a source of danger, grabs them by the shoulder and hoists them back to safety.
[ PRAISE ]: the sender, having heard that the receiver has achieved great success in a task or accomplishment, gives them a proud pat and squeeze of the shoulder to convey their congratulations.
[ STEADY ]: the sender rests a hand on the shaken and panicked receiver's shoulder to steady and ground them.
[ CAUGHT ]: the sender plants a hand on the receiver's shoulder to stop them from fleeing a potential arrest or accusation.
[ DELIVER ]: the sender, about to deliver some bad news to the receiver, gently places a hand on the receiver's shoulder to stop them from running away from the bad news.
[ SHIELD ]: the sender catches hold of the receiver's shoulder and draws them back and away from a threat, pulling them behind them for their safety.
[ SOOTHE ]: the sender places their hands on the receiver's shoulders and begins to give them a massage.
[ LEVER ]: the sender, wanting to sit next to the receiver, places a hand on their shoulder to ease themselves to the space beside them.
[ HERE ]: the sender taps the receiver's shoulder to alert them to their presence.
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PROMPTS FOR SPENDING THE NIGHT TOGETHER * adjust as necessary, send 'reverse' for the reversal of action prompts
ACTIONS AND SETTINGS
[ storm ] sender sees the awful weather conditions outside and insists receiver stay the night and ride it out
[ too late ] sender notices how late it is and suggests receiver sleeps over rather than travel the long distance home
[ sleepover ] sender and receiver have been planning this sleepover situation for a while now, and tonight's the night it finally happens!
[ one bed ] sender and receiver are forced to share the same room and the single bed within it
[ accident ] while traveling with receiver, sender accidentally books a room with one bed, and the place is too crowded to find another option
[ sick ] sender tends to a sick receiver at their home and stays the night to watch over them
[ injured ] sender brings an injured receiver home and refuses to leave their side overnight
[ couch ] while receiver sleeps on the couch, sender leaves their bedroom to snuggle with them instead
[ sneak ] while receiver sleeps in their bed, sender abandons their place on the couch and climbs into bed with them
[ awkward ] sender and receiver, laying in the same bed, establish some distance between their bodies before falling asleep. when they wake up, they realize they're cuddling
[ movie ] while watching a movie together, sender and receiver fall asleep on the couch and end up staying there all night
[ car ] with no hotel or place to stay in sight, sender and receiver fall asleep in their car together
[ fort ] sender and receiver build a pillow fort and fall asleep inside it
[ read ] sender reads to receiver to help them fall asleep
[ work ] forced to pull an all-nighter, sender and receiver work tirelessly side by side through the night
[ tent ] there's only one tent on this camping trip/adventure, so sender and receiver are forced to snuggle down in cramped quarters and make it work
[ outdoors ] sender and receiver construct a temporary shelter to get through the night outdoors, huddling together for warmth
[ pretend ] sender and receiver are fake-dating/fake-married and have to be seen staying the same room together to fully sell the relationship
[ intimacy ] sender and receiver wake up in the same bed and, in the haze of a beautiful morning, kiss for the very first time
[ whisper ] while receiver sleeps (or pretends to sleep) beside them, sender whispers affectionate, reassuring things to them thinking they can't hear
[ caress ] while receiver sleeps (or pretends to be asleep) beside them, sender admires how wonderful they look and gently caresses their arm
[ innocent ] before the two of them fall asleep, sender leans in and presses an innocent kiss to receiver's forehead
[ kiss ] sender and receiver share a tender kiss before they cuddle and fall asleep in each other's arms
[ spoon ] sender snuggles up behind receiver in bed and spoons them as they sleep
[ snore ] sender wakes up in the middle of the night and realizes receiver's snoring woke them up
[ hair ] sender gently strokes receiver's hair until they fall asleep
[ locked up ] locked away in the same cell/compartment, sender and receiver try and sleep side by side for comfort and warmth
[ cave ] out of options, sender and receiver are forced to spend the night together in a cave
DIALOGUE PROMPTS
i know my way around. i've stayed the night before.
is this the pillow i used last time?
mind if i stay the night?
you snore, you know.
i think i might fall asleep standing up.
it's not safe for you to drive home.
you should stay here. i don't mind.
i'll take the couch, and you can have my bed.
don't be serious. i'll take the couch.
this could be fun! it's a sleepover!
i have nowhere else to go.
i feel safer when you're here.
i don't want to impose.
are you the big spoon or little spoon?
would it be all right if i stayed the night?
i don't snore.
i'll stay on my side of the bed if you stay on yours.
pretend there's an invisible line down the middle of the bed. don't cross it.
there's no harm in cuddling.
i'm freezing.
is this the first time you've slept with someone?
this doesn't have to lead to sex.
this doesn't mean anything.
you fell asleep on my shoulder.
i'll protect you all night.
you'll never get home in a storm like this.
i don't want you driving in that.
i don't want you traveling in that.
bad news. the room's only got one bed.
is there a pullout couch we can use?
i'll just sleep on the floor.
pretty sure we cuddled all night.
you used me as your pillow.
i got you a blanket.
mind if i scoot in?
stay in bed. i'm here to help.
what's a little cuddling between friends?
i'm glad you stayed over.
what if we watch something to pass the time?
i didn't have anywhere else to go.
did you have to buy the smallest tent possible?
at least pretend that you like me.
do you like spooning?
this doesn't have to be awkward.
you're really warm.
this is cozy.
you should stay like this.
i don't want you to go.
can i hold you for a while?
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SUNSET BOULEVARD PROMPTS * assorted dialogue from the 1950 film, adjust as necessary
wait a minute, haven't i seen you before?
where you been keeping that gorgeous face of yours?
you're a writer, you said.
i said you could have my couch.
i haven't done anything.
no one ever leaves a star. that's what makes one a star.
i know your face.
you used to be big.
i am big. it's the pictures that got small.
i promise you i'll never desert you again.
you see... this is my life. it always will be. nothing else.
i'm ready for my close-up.
don't you sometimes hate yourself?
audiences don't know somebody sits down and writes a picture. they think the actors make it up as they go along.
funny how gentle people get with you once you're dead.
i didn't know you were planning a comeback.
i hate that word.
i'm sorry, [name], but i just didn't think it was any good.
i found it flat and trite.
oh, the old familiar story. you help a timid little soul cross a crowded street, she turns out to be a multimillionaire and leaves you all her money.
that's the trouble with you readers. you know all the plots.
we don't need two cars.
i'm not an executive, just a writer.
i'd always heard you had some talent.
that was last year. this year i'm trying to earn a living.
you heard him. i'm a star.
that wasn't good enough for them.
the stars are ageless, aren't they?
i want to speak to the coroner.
this is more important.
don't bother with a rewrite.
i've been hoping to run into you.
this whole place seemed to have been stricken with a kind of creeping paralysis... out of beat with the rest of the world, crumbling apart in slow motion.
i understand she was a terror to work with.
who've we got now? some nobodies!
where have you been keeping yourself?
i've got the most wonderful news for you.
sometimes it's interesting to see just how bad bad writing can be.
this is the day!
that's a lie! they still want me!
don't be silly.
i was going to give it to you at midnight.
what's the matter with you?
what right do you have to take me for granted?
do you want me to tell you?
has it ever occurred to you that i may have a life of my own?
i'm all wrong for you.
what you're trying to say is that you don't want me to love you. say it.
i had ten years of dramatic lessons, diction, dancing.
haven't they got any eyes?
i'll show them!
do you mind if i say a few words?
you don't know how much i've missed all of you.
you there! why are you so late?
why have you kept me waiting so long?
great stars have great pride!
may i say that you smell really special?
how old are you anyway?
if you need any help with the coffin, call me.
how long is a movie script these days?
there just aren't any faces like that anymore.
i just had to get out of there.
i had to hear somebody laugh again.
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↪ 𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺 . ( a collection of dire / urgent situation sentence & action starters . adjust phrasing + ʳᵉᵛᵉʳˢᵉ as necessary . )
𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :
hide . hide now .
shh !! there’s somebody in the house .
i’m not gonna hurt you ! see ? look , i’m putting down the [ weapon ] .
[ name ] , what were you thinking ?!
you’re being followed , pretend you know me .
stop , stop ! just put the [ weapon ] down !
drive , just drive fast !
you seriously think i could’ve done this ?
can you walk ? i need you to walk for me , okay ?
let me handle it , just go !
what was your plan ?? you could’ve gotten yourself killed !
you’re just going to leave me here ?!
[ name ] , can you hear me ? get out of there !
you knew and you didn’t tell me ?!
don’t you know how dangerous this is ?
you’re not going to shoot me .
move and you die .
i’m gonna come back for you , do you hear me ?
we have to stop the bleeding .
can you see how many fingers i’m holding up ?
i just want to go home !
don’t move a fucking muscle .
if it weren’t for you , we wouldn’t be in this mess .
i almost DIED back there , and you’re laughing ?
you’re only making this worse for yourself .
you think this is a joke ?
if i go down , i want you to run .
we’re gonna die , so what’s the point ?
this was the ONE thing i told you not to do .
i can’t promise we’re going to make it out of here .
where’s your first - aid kit ?!
just calm down and find your phone , we need to call the police .
someone’s been stalking me .
just listen to me for once !
i didn’t think you had it in you .
put the gun down , and kick it over here .
we can’t stick around here , let’s go .
kiss me before we die .
do whatever you need to do , hurry .
i can’t breathe , i can’t -
please , please - let me in , there’s someone -
i’m gonna give you one last chance .
you have to believe me , i didn’t do this !
run , and don’t look back .
this is real , i’m real . look at me .
take this . it’ll keep you safe .
follow my instructions very closely .
put your hands where i can see them .
you can’t just let me die !
i think … i think i need a doctor .
we need to get out of here , come on .
no , this isn’t it . we’re getting you out of this .
you panicking is not going to help us right now .
𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :
[ GETAWAY ] sender acts as a getaway driver for receiver .
[ MEDIC ] sender arrives on receiver’s doorstep , badly bleeding .
[ HIDE ] sender and receiver hide from a threat together .
[ HUSH ] sender clasps a hand over receiver’s mouth to silence them .
[ DRAG ] sender physically hauls receiver to safety .
[ RIGHTS ] sender calls receiver from a police precinct .
[ REALITY ] sender helps receiver through an episode of derealization .
[ SHELTER ] sender and receiver must find shelter from a storm .
[ ARMED ] sender brandishes a [ gun / knife ] at receiver .
[ CRASH ] sender and receiver survive a [ car / bike ] crash together .
[ SEARCH ] sender barges into the hospital demanding to see receiver .
[ BACKUP ] sender calls receiver panicking after committing a crime .
[ CORNERED ] sender menacingly backs receiver into a corner .
[ UNEXPECTED ] receiver comes home to find sender already inside .
[ BREATHE ] sender helps receiver get through a panic attack .
[ BADGE ] sender and receiver flee from the cops together .
[ STRANDED ] sender and receiver become stranded in the woods .
[ EMBRACE ] sender kisses receiver thinking it’ll be the last time .
[ STRANGER ] sender can’t remember who receiver is after an injury .
[ TOKEN ] sender gives receiver a lucky charm before they go into battle .
[ CHOICE ] receiver has to choose between sparing their own life or the sender’s .
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PRE ESTABLISHED RELATIONSHIP PROMPTS * assorted dialogue to help set up already existing relationships between your muses and give them past scenarios to reference, adjust as necessary
CHILDHOOD BEST FRIENDS
we were only kids back then. we didn't know any better.
you promised me we'd be friends forever.
you've changed quite a bit since i saw you last.
how are your parents doing? will you tell them i said hi?
i've known you for years, and you haven't changed a bit.
you've always been like this.
remember the last time this happened?
sure, i made a lot of mistakes, but so did you.
do you remember how we met?
you always stood up for me, no matter what.
i've always had a lot of love in my heart for you.
when i was struggling, you were always there for me.
I TOLD YOU TO STAY AWAY
i thought i told you to stay away.
you've got a lot of nerve, showing your face around here again.
i really don't want to see you again.
you're supposed to call and warn me before you show up here.
there's never going to be a "next time."
this is the last time you show up like this.
last time i said i never wanted to see you again, and yet here you are.
you can't just show up here unannounced.
you remember what happened the last time you showed up.
every time you show up here, shit hits the fan.
you're putting us all in danger by showing up here.
don't you have somewhere else to be?
ROMANTIC FEELINGS
i'm sorry, but i can't stop thinking about you.
after the time we spent together, you've been on my mind.
can we discuss what happened between us?
the last time i saw you, you were going to say something... and then you stopped.
did you mean it? any of it?
i wish we were still together.
would you go on another date with me?
it's hard to deny how you make me feel.
you've always had an effect on me.
i can't stop thinking about the way you look at me.
GENERIC "I'VE KNOWN YOU FOR A WHILE"
do you remember what you told me?
i can't believe this is happening to us again.
the last time this happened, we were better prepared.
i tried calling you a hundred times, but you never answered.
this was never supposed to end like this.
didn't you see my text?
i know you better than anyone else.
you can't lie to me. i can tell when you're lying.
you're making "the face" again.
you promised me you'd stop doing that.
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EMOTIONALLY CHARGED SENTENCES STARTERS
❝ i need you. don’t you get that? ❞
❝ i’m right here. i’m always here right in front of you but you never see me! ❞
❝ you’re my person. ❞
❝ no, i don’t wanna have to talk to anyone else right now. i just want you. ❞
❝ i know you’re busy and i don’t want to bother you i just— can i just sit here with you while you work? ❞
❝ are we okay? ❞
❝ honestly, i’m always there. in my head. the scars on my body might’ve healed but i never really walked away from it. ❞
❝ do you want me to make the others leave? or we could go, get some fresh air. ❞
❝ look i’m not coddling you, i’m just trying to help. i wanna take care of you cause i, you know— care about you. ❞
❝ alright, here’s your coffee. are you ready to talk or should i find something to ramble about for a few minutes? ❞
❝ eventually, you just gotta learn to let go of the past. it’s always gonna hurt, but you can choose when to start focusing on something other than the pain. ❞
❝ hey, just breathe. look at me— look at me. in and out. breathe with me okay? ❞
❝ keep your eyes on me— just focus on me. we’re gonna be okay. ❞
❝ no, i’m not okay. nothing is okay. it never is. but that’s just how i function most days. so i’ll be fine. ❞
❝ i’m not gonna pretend anymore. i’m still fucked up from it all and i don’t know when it gets better. ❞
❝ if you keep waiting until you’re done ‘working on yourself’ before you let yourself be with the person you love, you’re never gonna be with them. and they’ll find someone else who is brave enough to give them a chance to love them exactly how they already are. ❞
❝ why do you stick around? what is it you think you see in me? ❞
❝ not everything needs an explanation. i care about you. i don’t have to sit here and figure out why. i just do. so maybe you should try just accepting it too. ❞
❝ i don’t need your permission to fall in love with you. you don’t gotta love me back, but it isn’t gonna stop me from being here when you need someone. ❞
❝ you love me too much. i know how that sounds but— fucking hell. you shouldn’t care that much about someone like me. ❞
❝ i don’t care if loving you hurts me. the world already has enough pain to dole out for no reason, at least i’ll have gotten these scars from something beautiful. ❞
❝ if people can hate for no reason, than i can love for no reason too. ❞
❝ one day you’re gonna need me and i’m not gonna be there to fix it. ❞
❝ no, i can’t fix everything for you this time. it’s your mess. clean it up. ❞
❝ i dunno who taught you that love comes with conditions and limitations, but mine doesn’t. not when it’s you. ❞
❝ i don’t know how to ask for help i just— i’ve never had anyone to ask for help from before. so…this is me trying i guess. i need it and i’m afraid to ask for it. that’s the best i can do. ❞
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