meowingeveryday

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he posted one of the photographs🥹 (via George M. Parker’s Instagram)

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reddit is having a glitch where it puts the wrong captions over photos and it’s the only thing i care about right now

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(from the same universe as this, chronologically proceeds it. Picks up almost immediately after the final episode of Series 1)

Shahara is not going to miss her Baba’s birthday party because her taxi driver turned out to be a mad woman. She’s still not sure why she let this Iris Maplewood person keep driving her while she rambled on about time travel and quantum whatever, except that she’s been a copper long enough to have a sense for when she’s in danger, and she didn’t get that from Maplewood. So it was easier to take the taxi ride and put up with the rambling than it was to try and stop the cab, get out and walk -  and Maplewood refused to take a fare which was a bonus. So Shahara gets to the party exactly when she’s supposed to, and she revels in the hug she gets to give her son, and the hug her Baba gives to her. She revels in the crowd of family and friends- the Aunties and Uncles she can never remember if she has a blood connection to or not. That’s never been important. What’s important right now is good food and good music and good talk, and how good she’s gotten at distraction when the question of whether she has a man in her life yet or not comes up.

Except, throughout the night, at the back of her mind, is this nagging feeling- this unease about the fact that, well, this unease about the fact that she didn’t feel any unease when when some random cabby sprouting conspiracies about the Kyal corporation somehow knew a whole ton of personal details about Shahara’s life. And then there’s that sense she’s had all day, this- what’s the opposite of deja vu? The sense that suddenly you were in a place you hadn’t been mere moments before? She’d shrugged it off as tiredness- the stress of the job- she’d spoken to her inspector earlier about maybe putting in for some leave. And perhaps that’s an even better idea than she’d already been thinking. If she’s taking Iris Maplewood seriously, she’s cracking. 

I’m not taking this seriously, she tells herself firmly, sipping at the mocktail as she watches Jawad run about with the other kids.  I’m not going to think about it at all. I don’t believe-

“-a word you say,” Shahara tells Maplewood as she gets into the front of the woman’s taxi. “Just for the record. I’m agreeing to this because- I don’t know. I want to prove to myself that you’re talking nonsense, I guess.”

“I’m not, but that doesn’t matter. You’ll see for yourself soon enough,” Maplewood said. The car is sitting at the top of Longharvest Lane, headlights illuminating the alleyway. “I don’t know which of them it will be tonight, but one of them will show, I’m sure of it.”

Right. Either a detective sergeant from world war two or a detective inspector from the victorian era is going to materialise out of nowhere. Kyal, one of the biggest finance….trading….look, Shahara has never really been sure what Kyal is or does, and honestly she can easily believe that a corporation that big, handling that much money, is corrupt somehow. What she can’t believe is that it’s a Doomsday Cult and that Iris Maplewood comes from the future, and has travelled back to 2023 so she can get Shahara Hasan, and two blokes she’s sent others to fish out from the past, in to the same place to help bring Kyal down because together they already managed it once (sort of) by stopping an explosion that decimated the world…today, but also a few days in the future. Something. This is nuts.

“I hope it’s Hillinghead,” Maplewood muses. “He seemed- easy enough to reason with. I think. I don’t know, the memory’s blurry. It didn’t really happen, but also it had to have happened for it not to have happened. Bootstrap paradox, or something. I don’t know. There are echoes…I was sorry for him. I can’t remember why.” 

Shahara clenches her fist tight. She is resolutely not remembering some kid sitting at the table of a fast food place with a gun in his hand. She isn’t-

“Thirty seconds,” Maplewood says. “I’m going to just,” she switches the car headlights off. “Don’t want them exploding,” she explains. 

“Exploding?” Shahara exclaims. “You didn’t say anything about anything-”

The streetlamp outside flares white hot. Glass shatters, smashes some more as it falls to the pavement. There’s a red glow, almost like a bleeding wound, in the darkness ahead- for the briefest of moments. Shahara squints, trying to see properly, but the glow is too bright and everything else too dark…

And then it’s gone. There’s nothing but darkness and the rowdy sounds of London late at night behind them. Shahara stares, stunned, through the windscreen into the blackness beyond. Iris flicks the headlamps back on. In the two, brilliant beams of light, the blocky shape of a body can be seen crumpled in the road. “Oh my god,” Shahara breathes. 

“I’ve got a blanket, there’s a torch in the door your side,” Iris says. She’s already got her door open, pulling a blanket that had been folded up on her lap with her. Shahara fumbles to catch up, grabbing the torch and stabbing for the switch with her thumb. 

“Why a blank- oh,” there’s no need for the rest of the sentence. As they hurry over to him, Shahara can see that the man who appeared from nowhere is completely naked. He’s already stirring, running one hand through tousled black hair as he starts to bring himself onto his knees, coughing. 

“What the hell-”

His cockney accent reminds Shahara of the teenagers she’s spoken to on occasion- kids trying a little too hard to sound hard, to fit in. 

“Hillinghead?” she asks cautiously

“The hell is a Hillinghead?” He looks up at her. In the torchlight Shahara can see that he’s quite a handsome man- kind of dapper, except that there’s soot on his face. 

“Charles Whiteman?” Iris says. She hands him the blanket. Whiteman takes it with a frown- blanches when it apparently hits him that he’s naked, and hastily wraps the blanket around his waist like a towel as he wobbles to his feet. 

“Yeah? Who the hell are you? What the hell-” he looks around. “Where the bloody hell am I?”

*** 

So, time travel is, apparently, real. 

Iris has got a flat- they take Whiteman back to it, and Shahara…Shahara has to go back to work. She has to go to her job and deal and…honestly, it’s easier than it should be. The whole thing doesn’t seem real, even when she stops on her way home to drop groceries off to check in on the woman from the future and the man from the past. Even when she goes for drinks in the coppers’ pub, and she goes and finds the photograph from Whiteman’s era, just out of curiosity, and immediately finds a face she knows. Whiteman doesn’t seem bothered by the fact he’s in the future so much as grousing that his Inspector’s going to do his nut about his disappearing, and grumbling that ‘Esther’- whoever Esther is, kid sister, Shahara thinks, from the irritated-fond way of talking- is going to cause chaos if left unattended for five minutes. She likes him- she’s getting to like Iris too, truth be told- and he’s entertaining on a stakeout. Because they’re still missing a Victorian. 

By Iris’ calculations, Hillinghead should have materialised the night after Whiteman. But it’s almost a week later, and they’ve been watching each night, and there’s nothing.

***

“Hasan! Case for you! Take Rick.” She catches the slim file that’s thrown at her by the Inspector. “John Doe, Royal Hospital. Doctors reckon he’s well enough for talking. Need to find out who he is, need to find out how he ended up badly beaten and stark naked in Longharvest Lane.”

The folder drops from Hasan’s hands. “You what?” she says, but the Inspector’s already moving on, assigning other cases to other detectives, and Rick’s making his way over to her so she shakes herself and picks the folder up off the floor. She opens it, and finds a few cursory notes from the uniform officers that first attended: IC1 male, contusion to the right temple, assorted bruises, broken bones…found the night before Whiteman showed up. There’s a page of photos paperclipped in- she focuses in on the close up of a handsome face,if dishevelled face: reddish hair and a beard- a nasty bruise on his right temple. And there’s a photo of his wrist, as well, and it’s got the same mark that Iris Maplewood and Charles Whiteman both have. She manages to snag a photo of the page of photos on her phone before Rick reaches her, then hastily shoves it back in her pocket “You up for driving?” she asks. Rick grins. 

“Hell yeah. Thought I’d have to fight you for it.” 

“Nah. Jawad’s off school - stomach bug or something. To be honest, I could do with the time to message dad a bit, check in on how they’re doing.”

“Ah mate.” Rick says sympathetically as they head out to the parking lot. “Sorry. Hey, if you wanna swing by once we’re done at the hospital. We can always say we were chasing up a lead.”

“Nah, it’ll be alright. Mostly I wanna make sure he’s not conning Grandad into letting him eat nothing but ice cream all day. If we were closer maybe, but it’s out of the way. Besides, we might actually have leads.” 

She’s pretty sure that they won’t. She’s pretty sure that the man they’re about to speak to is from the 1800s and she really, really hopes he hasn’t told anyone at the hospital that because he’ll get himself sectioned faster than he can blink. She gets into the passenger side of the car, fastens her seatbelt, and sends the photo to Iris. This him? She writes underneath.

Fifteen seconds later, Iris pings a simple message back:

Fuck.

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You can tell Elias Mannix was a teenager in the 2020s cause he loudly states disclaimers before doing anything that could be perceived as offensive and used in a callout post

"Just for the record I am killing you because you interfere with my evil plans and NOT!!! because I am homophobic 💖 #ally #loveislove"

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Alfred Hillinghead

here’s a quick drawing ! kinda proud of myself bc it’s been a while since i’ve drawn with charcoal for the last time.

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omggg look at him!!

✨📷 💛 || via George M. Parker’s instagram story

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yall I am begging pls tag me in any new bodies gifs or art bc I'm away with v little internet and I wanna keep up with our lil fandom

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Henry Ashe appreciation post because i miss him 🧡

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small sketch (i’m aware that it does NOT look like henry & alfred but i PROMISE that i’ve tried my best 😭😭) (i’m quite ashamed but whatever )

inspired by @themalhambird fic

context: the four detectives are in the pub and Hillinghead, (who’s always carrying a picture that Henry took of them in his pocket) finally show them what his lover looks like.

alt text:

Shahara: So that’s your photographer ?

Alfred: Actually he is a journalist.

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"I treat people the way they treat me. I made my peace with that."

Jacob Fortune-Lloyd as D.S. Charles Whiteman/Karl Weissman in BODIES (2023)

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honestly my gaydar went off charts

I knew within five seconds of Ashe and Hillinghead meeting that this was going to be a ship.

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screaming !!

Kyle Soller as D.I. Alfred Hillinghead and George Parker as Henry Ashe

BODIES (2023)

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diversity win the evil dictator supports gay people

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This is a call out from me (a desperate fanfic reader) to all talented fanfic writers who have watched Bodies on Netflix to PLEASE write Henry and Alfred some more fics (there are so few) and Maplewood and Defoe would also be much appreciated because they literally have NONE rn.

Also if you haven’t watched Bodies, I emplore you, please go watch it, you will not regret it. It’s so good, one of the best series I’ve seen in a long time. Writing, acting, plot, all of it.

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hugs…

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just fell to my knees thinking about this reply on a reddit thread about Bodies

It was truly heartbreaking to realize that by "saving" the future, the detectives all sacrificed incredibly meaningful and life-changing experiences of love - Hillinghead and his photographer, Weissman/Whiteman and Esther, Maplewood and Defoe.