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I’m sorry if you’ve answered this, or if it should be obvious, but you does your substack say trans/rad/fem? What is trans radical feminism? How does it differ from just radical feminism?

Yep! It says Trans/Rad/Fem, as does the title of my book.

The short version is that your average online hate speech aficionado who calls themselves a TE"RF" is no more well-versed in actual radical feminist literature than the billionaire writer. The most feminist literature they've read is likely wizard kidlit, and maybe the most hateful bits of 'Transsexual Empire' or a bit of Sheila Jeffreys if you're lucky.

Meanwhile, the radical feminist tradition was one that itself emerged as a materialist, inclusive, and more working-class counterpoint to the First Wave's doddering Friedanism. People don't recall much of the first wave, but it engendered such ironclad feminist arguments as "lesbians are not oppressed by patriarchy because they do not marry and are not confined to the domestic sphere", or "mothers and fathers are equally responsible for women doing to the bulk of childcare, because mothers are so reluctant to let go."

Truly, it's a miracle there were any subsequent waves at all.

Adrienne Rich's essay on Compulsory Heterosexuality can be viewed as something of a turning point, a collation of a more materialist framework (since I don't believe Rich necessarily originated all the points she raised). She, rather gently and with more patience than I have ever demonstrated, addressed the arguments of the heterosexual feminists and highlighted the coercive nature of patriarchy and of heterosexuality itself, which could be considered a social regime, a model that attempts to subsume all women into domestic servitude and sexual labor for men.

(A quick aside--if you've ever encountered any arguments on this site along the lines of "CompHet is only for lesbians", do note that the original text involves Rich, a lesbian, laying out the argument to hetfeminists that all women, even straight women, are subjected to a mandatory heterosexual existence, and are punished for trying to live outside of it, as by pursuing economic independence or choosing to be childless.)

For me personally, given the rather dismal state of Indian feminism, which is dominated by affluent liberals and ignores the more radical prolefem and dalit feminist elements attempting to come to the fore, it was refreshing to finally behold a piece of feminist literature that identifies and names forced marriage as an aspect of patriarchy, one that a significant chunk of women all over the world, both within Western territories and without, live with. So much mainstream feminism in the 2000s and beyond was located in the interpersonal, the foregrounding of choices women "should" make, ignoring that for the vast majority of us, patriarchy either denies us any choice at all, or presents us with false ones, harshly punishing us for some choices while presenting them as "free".

(Liberal ideologies and systems, bound up as they are in a veneration of contracts between equal parties, account very poorly for contracts between parties on unequal footing, where one is at a significant material disadvantage and cannot truly make a "free" choice.)

Besides, it is neither true that modern feminism entirely discarded the second wave--look at "gender is a social construct" and "heteronormativity" for now-banal feminist concepts steeped in radfem origins--nor is it true that the "third wave", such as it was, was entirely aa step forward in inclusivity, trans-acceptance, class consciousness, or even racial justice. One need only look at the state of modern feminist discourses to see how well the latest "waves" have managed to argue the case for trans liberation, and my current most well-known essay is a deep dive into the Orientalist, transmisogynistic origins of "third genders", an idea the queer academy has uncritically absorbed and even championed.

I am under no misapprehensions that second-wave feminists would be my pals. A lot of them were white, for one thing. It is, however, a tradition that is both more diverse than the prevailing image of white, middle-class lesbian academics would have you believe, and one that has more than a few useful things to say, especially to a transfeminist.

I don't think we are best served by erecting a cordon sanitaire around the second wave and refusing to engage with it critically. I've read Transsexual Empire, for fuck's sake, and doing so revealed to me just how paper-thin this reactionary movement has always been. That book is as farcical and easily disproved as Hilary Cass' recent bilious screed, but both were elevated to legislative and political relevancy not due to their veracity, but because institutions simply need any literature to provide a veneer of legitimacy to their transphobia. That the texts exist at all is enough.

I have, in short, made my life's work engaging with scholarship that has historically ignored us, vilified us, or instrumentalized us, and that is as true for second-wave feminists as it is for cultural anthropologists. I just believe that Monique Wittig and Adrienne Rich made valuable contributions to feminist thought, and even as we remember all that their missteps, we should not erase what they did right.

On a personal note, I can think of no better revenge than taking the abandoned threads of the radical feminist tradition and finally fulfilling its aborted potential, as a transfeminist. The trans question tore the movement apart because of a subset of zealots who couldn't and wouldn't see us as sisters in the feminist struggle.

I am going to finish what they started, and make the conclusions that they couldn't. We're good at cleaning up other people's messes, after all.

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The 16th Day of G-Witch: Father and Child

Alright, let's get this over with. Look, if you like this episode or Guel, you might want to skip this one because I'm about to be a hater here. Also as a heads up, I decided to avoid the shot of Seethia's body in my screencaps, because as much as I dislike this episode, that's still a tough moment and tough to look at.

This episode pisses me off, and it's IMO unarguably the worst episode in the entire series. It's all so incredible pointless and irrelevant to the main story, and ultimately a gigantic waste of time that should have been spent elsewhere. Olcott and the Dawn of Fold do not play any role in the rest of the series, and the short 5 second scene in the final episode felt more tacked on to try and even remotely justify why nearly an entire episode was spent on them. Guel is not that integral to the main story that he deserved a chunk of an entire episode dedicated to his development and essentially putting him in the main character seat for an episode. The only impact this episode had later on in the show was so Guel could recognize that one kid on Earth who let slip Shaddiq's secret. Which was already a ridiculous coincidence that it could have been replaced with nearly anything.

It's insulting and sexist that in the first Gundam series with a female main character, they completely sidelined her for an entire episode just to let the most popular male character play at being the MC for an episode that has almost nothing to do with the main story and was designed to be more like a traditional Gundam episode than what G-Witch was. It feels like something that staff were ultimately forced to keep in so the executives who feared the show failing could distract fans who hated it with the standard Gundam tropes and a male character in the lead role, like jingling shiny keys in front of someone's face. And the worst part is? It worked. A chunk of the fanbase LOVED this episode because it felt like a classic Gundam episode and made them want to throw away what made G-Witch special and unique for more of the same shit they've had for 40+ years.

And all of that cost the show time it desperately needed to spend on the main story and characters with way more importance than Guel or Olcott. The only good thing I have to say about this episode is that the Prodoros IS a cool mobile suit. I hope it gets a model kit someday.

I've got to agree with Norea here. Nika is incredibly naive about the situation Earthian's face. Wanting to solve problems without violence is certainly a worthwhile goal, but not one that is always practical. Sometimes violence and war is necessary to overthrow tyranny and oppression. It was made clear in S1 than when Earthians peacefully protest their terrible conditions, they're met with violence by the Benerit Group. And when peace is no longer an option, you have to use violence to fight back.

Likewise, I actually think Shaddiq gets a bad rap from a large part of the fanbase. Some of that is rightfully because of his actions towards Miorine, but a lot of it I think comes from the sort of people who just like to yell "WAR IS BAD" and do not comprehend that in some situations, war is necessary to overthrow oppressive groups like the Benerit Group and Spacian Governments.

Giving weapons to Earthain groups is a solid idea that will even the playing field and make it difficult if not impossible for space to opress Earth through force, forcing them to the negotiating table for equality, and if all else fails, kicking them off Earth and reclaiming their resources themselves. My only concern with Shaddiq's approach is that I'm not sure he wouldn't try to lead Earthians even further into oppressing Spacians as revenge.

This is actually the one time I don't fault Guel for trying to do something "heroic." Trying to save Seethia, while probably being ultimately pointless, was a good thing to do. It's just a shame that, despite literally having a child die in his arms due to an attack by the Benerit Group, he learns all the wrong lessons from it.

This conversation serves absolutely no purpose. It doesn't actually make any sense (he was a member of Dominicus, Earthains attacked him and killed his family and now he...works for an Earthian terrorist group?) and ultimately it's a completely meaningless detail that has absolutely no effect on anything.

And finally, the cherry on top, the downfall of Guel's character. I really tried to like him, but this was very much the beginning of the end. After going through a trauma conga line and learning NOT to play the hero, Guel finally sees what his father's company has been doing to Earthians his whole life, and even has an innocent child die in his arms because of the attack.

And the lesson Guel takes away from all of this is that he wants to save his father's company and keep the oppression machine going? I get that maybe Guel being the one to fail and not break free from the shadow of his abusive parents was the whole point of his character arc (Kashtanka), but it's still disappointing.

And after all that bullshit, we drop these incredibly important details in a post-credit scene at the end of the episode. All of this information, from what Notrette intended to do with Quiet Zero and what happened to her, was way more important to the story than everything that happened in the previous 20 minutes. But all it gets is a short scene at the end of the episode and is never further elaborated on.

This should have been the episode we learned more about Notrette and Quiet Zero, maybe even more about Prospera and Delling. Instead we got Guel and Olcott's pointless adventure.

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XVF - 01 Gundam Arondight

XVF - 02 Gundam Ascalon

XVF - 05 Gundam Hauteclaire

Iterating a bit on the Aerial Rebuild frame for a fic I may or may not be writing about Quiet Zero triumphing and the Valkyries being recruited as spare pilots. These three being piloted, respectively, by Sabina Fardin, Henao Jazz, and Ireesha Plano, have plans for four more units

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“Living weapon” covers a lot and all of it is hot

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Not quite sure how to reconcile my seething hatred of Physical Media with my three 3d printers and extensive gunpla collection

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XVF-02 Gundam Ascalon and XVF-05 Gundam Hauteclaire. Iterating a bit with variants of the Aerial Rebuild base frame.

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NEW FISH JUST DROPPED

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Gundam Morrigan and the Demi-Balor (gunpla kitbash paintover)

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Gauluk Sulemio Sabinika by @loup_sauvage

source

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Burion Demi-Balor! From this, again, excellent GWitch fic which makes the transhuman lesbian class conflict Gundam show more transhuman, more lesbian, and way more about class war.

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The grim protector of Earth, the Bluebird's Banshee, Gundam Morrigan Rebuild! (Please read The Morrigan it's become my obsession these days, peak GWitch fic.)

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CEK-081 Beguir Dearg-Du

Not my best piece but honestly for something thrown together in 20 minutes while having a breakdown? Pretty sweet.

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Gundam Morrigan Rebuild, titular protagonist of this wonderful GWitch fanfic. And the Nemain.

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Cathedra Heingra-Keusch, from The Morrigan chapter 27

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Suletta and Miorine in 79's Gundam style