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Official art of the Twin Jades of Lan by 毛糰小劍劍 and Qianerbai, respectively

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Chibi versions by SpoonKid

毛糰小劍劍: https://weibo.com/u/1280427972

Qianerbai: https://twitter.com/qianerbai

SpoonKid: https://twitter.com/spoonbalaba

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Things that Jiang Cheng would have to accept if he had stopped using Wei Wuxian as a pressure release valve for his emotions and conceded that Wei Wuxian actually had very little to do with his family's conflicts in a pre-Sunshot world.

"My mother is a terrible person who uses me as an excuse to attack my father and sow discord in the family."

My parents are fundamentally incompatible and would be better off and happier apart than together.

The only reason why they are together is because of a system of politics, tradition and social pressure that my mother's clan imposed upon my father.

My sister and I are the products of a system that's making my parents actively miserable.

My family should probably not exist.

Not hard to see why the whipping boy was the coping mechanism.

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Rereading MDZS again and it strikes me just how JGY argues that the friendship and assistance he offered to LXC is a debt that LXC owes to him. Does LXC even 'owe' JGY anything even if you look at their relationship from a purely transactional lens? We see no evidence that LXC has failed to support JGY. LXC helps him to expand the hunting grounds at Mt. Baifeng, drinks the tea that Meng Yao prepares to shame the other cultivators for their behaviour, speaks up for him when Jin Zixun throws his wine cup and reiterates, over and over again, that he believes in JGY's innocence in the face of WWX and LWJ's accusations. There is also no evidence that LXC has done anything to oppose Lanling Jin, before and after JGY became the leader of the Sect.

More importantly, LXC also saved JGY's life in return. JGY was counting on LXC's appearance after the assassination of WRH to prevent NMJ from cutting his head off.

In a flash, a figure in a radiantly white robe darted out of the forest. It was like Meng Yao had laid eyes on a god. He immediately scrambled over behind him. “Zewu-jun!! Zewu-jun!!” Nie Mingjue was so overwhelmed with rage that he didn’t even ask why Lan Xichen was suddenly here. He bellowed, “Xichen, get out of the way!” Baxia bore down on them so menacingly that Shuoyue had no choice but to leave its sheath. Lan Xichen moved to meet him, partly to support him and partly to stop him. ... “There’s no need to doubt it,” Lan Xichen said. “The very reason I am here at this moment to assist is because he sent me a message asking me to come. By what other coincidence would I be here?”

-- MDZS Vol. 2, Nie Mingjue's Empathy Flashback

JGY saved LXC's life and allowed him to return to the Cloud Recesses and lead his clan into war against the Wen Clan. LXC defended JGY against NMJ and presented the evidence that allowed JGY to be rehabilitated into society and claim his place as a hero of the Sunshot campaign.

Genuinely tragic for LXC that what he thought was a friendship of mutual support and affection was actually a debt to be used for leverage against him.

He inhaled deeply, then rasped out, “But never have I ever wanted to hurt you!”

-- MDZS Vol. 5, Jin Guangyao at Guanyin Temple

Also kind of interesting that JGY seems to think that the lack of desire to inflict harm is what will exonerate him, especially when the fundamental cause of misery in his life stems from a callous disregard of his needs and desires rather than any deliberate malice.

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CHIBI WANGXIAN + four seasons 🌸🪷🍂❄️

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hey I hv a question about the novel mdzs. is it stupid that I'm kinda uncomfortable about the phoenix mountain kiss? not only did it feel like non consensual (& probably would have been considered assault if wwx was a female) but um also with regards to the mirroring between wangxian and lwj's parents and that I personally felt that lwj gave a lot of attention to consent because of that (like not touching stranger's etc) & this just seems, not right? sorry I'm prolly killing the vibe of romance

nah you’re good, anon! lots of people feel uncomfortable about the Phoenix Mountain kiss, so you’re definitely not alone. There are extensive discussions out there about the sex scenes in MDZS and consent (here is part four of @three–rings‘s deep dive, which has links to the previous three installments, if you’re interested in reading more), which I am Very Not A Part Of because I pretty solidly ace, and couldn’t make it through those metas (I tried! They’re great! I just… could not do it).

tl;dr, sometimes Your Kink Is Not My Kink and That’s Okay (there are better posts going around out there that I cannot find because I…can barely find things on my own blog much less posts from other people’s). Some people (like wangxian themselves, if fandom informs me correctly) have noncon kinks, which is great for them! Some people don’t have noncon kinks, and don’t like reading that kind of content, which is totally fine! Your preferences are very valid regardless

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While I’m still in a bad mood, can I be bitter about all the people who want to paint WWX as oblivious for not instantly recognising that LWJ was in love with him?

It’s not as if, textually, WWX doesn’t recognise that LWJ treats him differently than other people? But he just can’t tell whether that is out of friendship (and LWJ’s outstanding character) or something more than friendship:

Although in the past few days, he felt that Lan Wangji probably regarded him highly and differently from other people, he’d never dared to guess just how ‘highly’ it was or if ‘differently’ was the kind that he thought. Wei Wuxian never thought of being confident as bad, and in fact prided himself on such a thought. […] He used to think that Lan Wangji was too easy of a person to understand, but things were different now. He feared that he was the only one who thought of them that way, that it was all his own wishful thinking, that he was too confident for his own good.

And it’s like…. that’s normal!!!!!!! That’s not a sign of bad self-esteem or of being oblivious. Like, gods, have y’all never been in love with one of your friends who treated you differently from everyone else? Took all the ways they showed their regard for you or how they singled you out over others as signs of their interest? Dared to think that they did so because they thought of you that way only to have your hopes brutally crushed because it was just your own wishful thinking all along??? Discovered that they only acted that way out of sincere friendship and that you only got hurt because you allowed yourself to believe it was more than it was???? Especially because that person was someone who was, in the first place, considerate and loyal and kind????????

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Wei Wuxian and Narrative Agency – Part One

For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!

(Part Two | Part Three | Full version on AO3)

The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.

But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.

There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.

But as for now – let’s explore my favourite aspect of MDZS.

(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)

Tragedy, Circumstance, Choice

If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?

…Except there’s one problem with that idea. We don’t actually see any of this.

It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 

Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.

This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.

We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.

Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.

If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 

The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 

Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 

Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).

So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 

Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 

That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:

Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation

(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)

Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.

(Part Two | Part Three | Full version on AO3)

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*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!

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Domestic bliss 🌸

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ಥ_ಥ

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Genuinely surprised to find out that some people in the MDZS fandom believe that Jin Guangyao was not responsible for the death of his son. That's an idea that fundamentally goes against who he is as a character.

Nie Mingjue retorted, “Then why don’t you sacrifice yourself? Are you more distinguished than them? Are you different from them?” Jin Guangyao looked steadily at him. Then, as if he’d finally made up his mind—and in the same moment, given up on something—he calmly replied, “Yes.”

-- MDZS Vol. 2, Confrontation with Nie Mingjue on the stairs of the Jinlintai

Jin Guangyao is led to believe that he must prioritise his own interests and survival, because no one else will do it for him, at least, not on a reliable basis. At no point in the story does he accept his role as a scapegoat for the actions of others, nor does he believe that he is to blame for taking actions that will benefit him in accordance with the corruption of cultivation society. The recurrence of the phrase 'I had no choice' is a mantra that JGY uses to exonerate himself, again and again from the blame that is both rightfully and sometimes unfairly placed on him (such as the issue of his incestuous marriage with Qin Su).

“You’re anxious to find a villain culpable for what happened to Wei-gongzi in his former life, a fiend whom you can saddle with the blame. Then you’ll lash out against him to avenge Wei-gongzi—and to relieve yourself a little of the burden. Perhaps you think that blaming me for everything from the Thousand Sores and Hundred Holes curse to the Qiongqi Path Ambush can alleviate your troubles. By all means, go ahead. It doesn’t matter if you think that way. But you have to understand that you are also responsible for what happened to Wei-gongzi. In fact, you played a large role.

-- MDZS Vol. 5, Guanyin Temple Confession

Here we can see that even after all his crimes have been revealed, Jin Guangyao snaps back when Jiang Cheng attempts to put the blame for Su She's curse on Jin Zixuan. Why would he let himself bear the blame for his son's death if he truly had no hand in his death?

"But you have to know—even if no one murdered A-Song, he still had to die. His only path was death. If we allowed him to grow up, you and I…”

-- MDZS Vol. 2, Confrontation with Qin Su

A world in which Jin Guangyao was not complicit in the murder of his son would not have been a world in which Jin Rusong had to die. No one else but Madame Qin (and Bicao, but he doesn't know about here) knew about his son's incestuous origins, and Madame Qin appears to have had little inclination to reveal the truth of the circumstances surrounding JGY and Qin Su's marriage.

His son's death, in a world where JGY believed that Rusong had better options, would have been a great injustice perpetuated against JGY himself, so why would he accept the blame for it if he believed that he was not ultimately responsible? Even if he simply neglected to take the appropriate precautions in order to 'let it happen', a deliberate act of neglect still makes him responsible, because what is a child supposed to do other than rely on his parents to keep him safe?

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The flutists of Hamelin

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[mdzs] In depth analysis of Lan Xichen’s name

It’s been 2.5 years since my last MDZS name analysis(!!), and since then I’ve gotten so many requests from the fandom wanting to see more. So here’s to everyone who have enjoyed reading my posts so far - today I’ll be diving into Lan Xichen’s name. Sit back as this is an interesting one!

Lan Xichen is his zi ,or courtesy name, which means ‘chancellor of the morning sunlight’ (Xi 曦 - morning sunlight; Chen 臣- chancellor, minister).

It derives from the poem ‘Xian Qing Fu’ 《闲情赋》 (Ode to a Quiet Life) by Eastern Jin dynasty recluse poet Tao Yuan Ming 陶渊明. Tao is remembered for his appreciation of beauty and serenity of the natural world around him, often admiring the good of others and documenting his wishes for a peaceful and fair society. (NB: The majority of Chinese people would know of the phrase ‘世外桃源’ - Xanadu / fantastical place of great idyllic magnificence and beauty, which originated from him.) This particular poem is a long study on the beauty and virtues of an idealised woman, and is known today as one of the most iconic bodies of work celebrating a woman’s true inner qualities. “悲晨曦之易夕，感人生之长勤” (bēi chén xī zhī yì xī, gǎn rén shēng zhī cháng qín), translates figuratively to ‘it is regrettable that the light of this morning will soon be replaced by the dark night, reminding people that life is filled with endless fatigue.’

One can’t help but draw parallels to Xichen’s life - he was always a noble figure, approached people with sincerity, treated everyone with an equal level of respect and believed deeply in those he stayed close to. But life could not always pay back what he gave to others, as he learnt of his trusted friend Jin Guangyao’s corrupt ways and betrayal - the light that was replaced by darkness.

I find it fascinating how poet Tao’s perspective of the world is so similar to Xichen’s. Tao is known for spending much of his life in reclusion, living in the countryside, receiving only a few guests he had a strong bond with, reading and indulging in his love for poetry. As a talented and knowledgeable man, he spent a decade of his life as a politician - but soon lost faith in a system that was characterised by nepotism, violence, corruption and civil disorder. Torn between ambition and the desire to retreat into solitude, he chose the latter. I wonder if MXTX drew inspiration from this, as Xichen also began as a leader in the cultivators’ world, is a huge lover and collector of literature, and after all the turmoil also decided to withdraw into reclusion.

Xichen’s birth name is 涣 (Huàn), which has two main meanings: 1) ‘melting of snow’; 2) ‘water dispersing in all directions’. His title is 泽芜君 (zé wú jūn), which literally means ‘nourisher of barren lands’ (泽润 - to nourish, bestow; 平芜 - land overgrown with weeds). Combining the two, we can understand his name to mean ‘water disperses in all directions, nourishing everything it touches’. 泽 in Chinese is used specifically to describe bestowing something deep, long-lasting and meaningful (as supposed a one time gift/favour - which would be 惠). In the book, MXTX also describes him as “清煦温雅，款款温柔” (meaning ‘warm, gracious and elegant, gentle in all aspects’). Clearly, his name highlights the grace and kindness he radiates and bestows on everyone around him. He is the keeper of peace and righteousness.

Bonus:

Note that the word Huan 涣 has a water particle, similar to his brother Lan Wangji’s birth name Zhan 湛 - it brings to mind the ‘Twin Jades of Lan’ title for the brothers, with a water element - like Pisces.

Interestingly, in ‘I Ching’ or ‘Book of Changes’, the ancient Chinese divination text which contains of 64 hexagrams, there is a 涣 hexagram:

Again, it represents how gentleness can summon greatness. I copy the below from iching-online.com:

In simple terms, it symbolises water that washes away dirt and baptises new life within oneself. And the aftermath is precisely Zhan 湛 in his brother’s name, meaning crystal clear water.

Other name analyses:

Wei Wuxian

Lan Wangji

Jiang Wanyin

Lan Sizhui

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There’s an interesting story behind Lan Wangji’s name. It comes from the last line of a poem by acclaimed Chinese poet Li Bai. The sentence reads “我醉君复乐 陶然共忘机” (wǒ zuì jūn fù lè, táo rán gòng wàng jī), which translates to “I become drunk and you’re merry; in our happiness we forget about all worldly matters”. In my mind, this scene perfectly brings to life Xianxian enjoying a jar of Emperor’s Smile with Wangji in the Cloud Recesses after his resurrection, when he is no longer concerned with the vanities of the world.

“Wangji” is a Taoist phrase which means “to hold oneself aloof from the world”. The direct translation is “to forget about worldly crafts”. Chinese fans often describe him as “一尘不染” (meaning not be soiled with even a particle of dust) and “不食人间烟火” (a Taoist phrase now used to describe a person who has otherworldly qualities, who does not associate himself with ordinary temporal matters).

Bonus edit:

Wangji’s birth name 湛 (zhàn) derives from the 诗经 (Classic of Poetry), one of the Chinese ‘Five Classics’ dating back to the Zhou Dynasty and a core pillar of Confucian thinking, studied by scholars to this day. The common meanings of this word are “deep” or “crystal clear”. The phrase 湛清 (zhànqīng) is often used to describe a transparent personality or state of mind that is at its purest form, with no distractions or obscurities. The name is really perfect for Wangji, as the phrase 湛深 (zhànshēn) can be used to describe a person displaying profound knowledge and/or mastery of skills in a complex field. 精湛 (jingzhàn) also means to be deeply proficient and skilled at something, normally used to address masters and pioneers. Interestingly, 湛 has another pronunciation, ‘dān’, which means “happiness” or “indulgence”. A third, rarer way of pronouncing the word is ‘chén’, which means “to sink” or “to make extinct”. I think the multifaceted nature of this character perfectly embodies the deep and complicated being that resides within Wangji. I can’t choose a better name for him.

Bonus trivia:

Wangji’s title is 含光君 (hánguāng-jūn), which directly translates to “noble bearer of light”. 含光 is also the name of one of three of the most powerful swords in Chinese history/mythology, said to have been under the care of Shang Dynasty emperors. Its blade is described to be invisible, and a mortal cannot see it being wielded with their bare eyes. Later interpretations during the Warring States period described the three swords as symbolic stages of a person’s journey to finding the Taoist path, with Han Guang being the final stage of ‘preparedness to enter the Way’ (入道合体之状).

WWX’s name story here

JC’s name story here

LSZ’s name story here

LXC’s name story here

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<A Reader's Maze>

*CW: blood, grief

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some thoughts about qingheng-jun, madam lan, and lan wangji's feelings regarding debt & gratitude

(rest of the thread under the cut <3)

[mdzspartycollection]

Lan Zhan 💙

Pls do not re-upload my art