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Maxime Ballesteros for Lampoon Magazine

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Peter Knapp - Dress by Roberto Capucci (Vogue Italia 1980)

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Charnos Ad (Vogue UK 1969)

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Monica Belucci, 1995

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Marisa Berenson

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Working in a datacenter in the 70s

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Tina Turner at the Festival of Hope, 1973.

-maxfordanger.

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McCall's Summer 1970 fashion

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Britt Ekland photographed by Patrick Lichfield for Vogue at the grounds of Litchfield's home, Shugborough, in May of 1970.

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from McCall's Spring / Summer 1972 Needlework & Crafts

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Ginger Gilmour

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Anna Karina ph. Giancarlo Botti (1967)

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Dior Haute Couture gown worn by Anya Taylor-Joy 96th Annual Academy Awards

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Ancuta Sarca Spring 2024 Ready-to-Wear

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ROLLING STONE/MARCH 2024.

"If I got through the entire Twilight series without ever doing a Rolling Stone cover, it’s because the boys were the sex symbols. Now, I want to do the gayest fucking thing you’ve ever seen in your life. If I could grow a little mustache, if I could grow a fucking happy trail and unbutton my pants, I would. Guys — I’m sorry — but their fucking pubes are shoved in my face constantly."

Kristen Stewart details her sentiments behind her intensified Rolling Stone cover while tactfully and directly addressing her covers naysayers. Kristen Stewart is a force of nature — whether anyone likes it or not, she’s the fucking man.

— maxfordanger.

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THE ROW/LOOK 1/PFW/AW2024.

This season at Paris Fashion week, The Row challenged the quo by deciding not to prioritize the need to view art through a limited lens -- that of which are attached to the back of our phones. The Olsen twins' dignified brand only allowed their audience to be armed with pen and notepad. Once considered all an editor, writer, or critic needed to effectively document the highs and lows of a runway presentation, The Row was met with as much praise as they were criticism for foundational requirement. Whoever said the pen was mightier than the sword clearly never owned an iPhone.

-maxfordanger.