maroon-vs-indigo

[maroon-vs-indigo]

important queation: what are the ethnicities of all of your characters from Finding Washington, and maybe first names, Fed or Rebel, and armor color, too? Specifically, here's the characters I'd like to know this for please.

Vanessa Kimball

Katie Jensen

Antoine Bitters

John Andersmith

Charles Palomo

Kyle Matthews

Emily Grey

Lorenzo Paez

Taita Folami

Myra Danvers

Edra

Semyon Demir (been thinking of this one as the red Fed gunman from season 13 but I could be wrong)

Quetzalli

Chari

Raniya Habisch

Sadhana

Garza

Mo Orwell

Ramirez

Elsweiz

Silvers

Jones

Jessica Smosna

Paolo Marconi

Cissy Yacavone

Carter

Loomaua

I know you aren't continuing this series, at least not currently, but it is probably the best rvb fanfiction I've ever read, and part of that is your Fed and Rebel characters.

Hi there. The answer to your question might not be satisfying in the way you’re hoping, but I’ll give you the information I can on this, and a little bit of insight into the thought process on these.

As a general rule, the New Republic wore tan as their main color and the Feds wore white as their main. This is directly from the show and differentiates the two armies from each other. While there is the potential for mixing in the future, as things stand, their main color represents loyalty, which is why neither Felix nor Locus ever wore Chorus colors.

Secondary colors denote jobs, while this could have just been an aesthetic choice, I latched onto purple being medical since Grey and Doc both ended up in the medical field. This means that purple is HEAVILY represented in Finding Washington as a color, because when you've got people falling from space and bouncing across the planet, well, they need a lot of medical personnel. I recognize that this isn’t perfect, given North and South are both in purple, but Freelancer is very different from Chorus, and it doesn’t really count.

As far as ethnicity goes, this is where mental worldbuilding takes over and isn’t necessarily going to be satisfying in the way you’d like. It’s also…well, I started this project nearly a decade ago at this point, and I wasn’t as conscious of things as I probably should have been when I started my worldbuilding and writing.

The short story is, anyone who isn’t a high-ranking Fed is a person of color/a member of a minority community, but in true Red vs Blue fashion, I’ve tried to leave specifics up to the imagination with very few exceptions as to not interfere with the longstanding tradition of facecanons.

Characters like Paez and Doyle are going to look very white and if asked would be able to trace their lineage very clearly back to the families they came from on earth. This might also be true of Grey, but would be true for anyone who could potentially end up in a position of authority in the Federal Army.

This would have eventually been important as a part of the overall backstory for the war on Chorus.

Originally, Chorus was a science outpost, but it was a military science outpost on the edge of habitable space. This is also a ‘science outpost’ that has a full city with railways and skyscrapers. In order for a location like this to operate, with this many military bases and this large of a city so far away from standard shipping and transport, Chorus needs to be completely self-sufficient.

I live near a military base in the US, and they rely heavily on the civilian town they’re attached to in order to keep the base going, but also on transport from other areas.

What would it be like to have to rely entirely on the self? It would be incredibly important that Chorus be able to sustain itself for years if necessary without outside interference. Meaning, Chorus needed enough inhabitants to work in agriculture, textile production, building and maintenance, etc. They needed enough people to increase the population and account for deaths from illness, injury, and natural causes.

Meaning they'd need to bring in families to work.

They needed people who would be less likely to be missed if they weren’t ever able to go back home.

Meaning the poor, lower class, and laborers.

They needed a way to make sure that the people in charge stay in charge.

Meaning hierarchy.

On top of having military hierarchy there would be military contractors who work for the military, but would not have been actual government employees, and below them would be the hired laborers meant to keep the planet functioning.

An example of this is Kimball. Unlike Doyle, who’s position was granted to him because he was the secretary of the Brigadier (a position he was given due to his family), Kimball was born to a family of field workers and rose through the ranks due to her hard work, tenacity, and devotion to the New Republic.

As a general rule, the rebel army is smaller because the people in it were seen as more expendable to the Feds, especially early on, and there was not a small amount of total eradication in an attempt to keep the population under control. Martial law, curfews, imprisonment without trial, and medical modification were all commonplace for those who were not in the ‘proper’ military hierarchy.

When I first started writing, it made sense to me that the people being oppressed were people of color and minorities, because that has been a running, real world experience. I don’t know how present this is in the text as written, but it was in the back of my mind as I was writing, for better or for worse.

The big problem with this is that these characters were not written with sensitivity or research in mind. They are in a far distant future, most of them were raised on a very insulated planet where the population was about the size of New York, and had very little opportunity to change their careers or continue their education or anything like that. I will not say that looking back, I didn't use that as an excuse to not do my proper research into this area, and it's something that still bothers me about FW.

Individual cultures are present, such as Smosna being outwardly and proudly Jewish or Habisch openly wearing a hijab, but I will freely admit that I did not do the proper research into cultural worldbuilding that I should have done for something like this.

I can tell you that Kimball is a black woman with dark skin and long, thin braids that she styles when she is out of uniform, though that is a rarity that she gets the opportunity due to her position. Smosna is a Jewish woman, and I have always envisioned my version of her with darker skin, a prominent nose, and dark hair that she regularly dyes into pink. Danvers has darker skin and a single brown eye.

Armor Colors are assigned based on work positions in the Federal Army and some of that is present in the New Republic, but they do tend to float a bit more than the other army.

Names are also something that are a little ephemeral in regards to the characters as well. Several of the characters have multiple names, chosen names, and gifted names. One character in particular has a complicated backstory about her name, specifically because she stole it from a dead soldier.

But realistically, if the name isn’t listed, I don’t think they had another name yet. The only character I’m certain I did have a first name for was that didn't end up published yet was Ramirez, because he didn’t have anyone friendly enough with him to call him by his less formal name.

Vanessa Kimball - Tan and Ice Blue

Katie Jensen – Tan and Red

Antoine Bitters – Tan and Orange

John Andersmith – Tan and Dark Blue

Charles Palomo – Tan and Aqua

Kyle Matthews – Tan and Yellow

Emily Grey – White and Purple

Lorenzo Paez – White and Gold

Taita Folami – Tan and Purple

Myra Danvers – white and purple

Edra – white and pale blue

Semyon Demir (Your instincts aren’t wrong, I’m fairly certain that WAS who I was thinking of in this case.) – white and red

Quetzalli – white and aqua

Chari –  Tan and Dark Blue

Raniya Habisch – white and dark blue

Sadhana -

Garza -

Mo Orwell – White and Purple

Isaiah (Shai) Ramirez – Moss Green

Elsweiz -

Silvers – tan and purple with some extra markings

Jones –

Jessica Smosna – tan and pink

Paolo Marconi – White and Moss Green

Cissy Yacavone – White and Moss Green

Carter – Tan and Purple

Luna Loomaua – white and purple

I hope that this answered your questions, feel free to ask again if I didn't answer in a satisfying way or if you have more questions.

[maroon-vs-indigo]

Don’t draw enough of these two

[maroon-vs-indigo]

the only reason that wash was able to make up for what he’d done is because he got lucky to live long enough that a bunch of people with little to no moral code didn’t care that he’d done bad things and adopted him anyway. he didn’t do anything to ~earn~ his redemption. he didn’t work hard to get the chance to become a better person. he was given it. holding south to the standard of wash wrt redemption is so dishonest because not only was she never given the chance to be redeemed, he is literally the reason she never got that chance! he cut her down in the middle of her arc! caboose looked at wash at his most vulnerable and least redeemable movement and decided to show him compassion and love. wash looked at south at her most vulnerable and least redeemable moment and killed her.

[maroon-vs-indigo]

come on carolina have fun carolina

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i think this is the nicest tucker ive drawn ever. of all time

[maroon-vs-indigo]

tucker: enough about my homophobic past, let’s talk about my homosexual future

[maroon-vs-indigo]

Happy New Year!

[maroon-vs-indigo]

doodle

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Have I mentioned I like the guy

[maroon-vs-indigo]

woke up in the middle of the night SWEATING thinking about how tucker got done so dirty in restoration. you make tucker the fucking meta and nothing is done with it??????????????

[maroon-vs-indigo]

in 2024 i am glad hindsight 20/20 a lot of the fandom has moved into oh wait the character writing for this show is actually really solid and many of the characters are wildly compelling even if the plot becomes nonsensical (which it does, its a comedy turned drama, what do you expect). a lot of the gags in the series really elevate characterization in a way that makes me feel fond. idk rvb means a lot to me i like the characters. they feel like guys i could know despite being weird scifi fanwork from recording a video game. anyway particularly glad i can revisit tucker as a character because that motherfucker is COMPELLING when he starts as an annoying rookie archetype in s1 to what he is by the end of s13. and also red team's character dynamics will never ever get old.

[maroon-vs-indigo]

@daylight-stars YOU. HIII hii!!!! I was your @redvsbluesecretsanta this year! My prompt was uhh "can I have a maine and carolina being best buddies yeah and a large" (checks smudged writing on hand) "pepsilon. with that" So here I deliver eXACTLY that o7 merry christmas!

[maroon-vs-indigo]

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idk lol

[maroon-vs-indigo]

those gay guys from Guard Duty- see you next year! ( ˘ ³˘)ﾉ~♥-♡

[maroon-vs-indigo]

"STAY THE FUCK AWAY FROM MY KID!"

Twin blades alight with brilliant teal and blue magic, the guardian stood between the dragon and his enemies. He bared his teeth, looking for all the world like a dragon himself. "Take one step closer, and you're all fucking dead, got it?" Tucker snarled. "I'm not letting you anywhere near him!"

Living up to the name of a guardian

[maroon-vs-indigo]

"SUCK IT ASSHOLES!"

I originally was going to make his quote "You just got Simmonsized" but lets be honest, it's not Simmons without the 'suck it!'

Yeah i regretted that wording as soon as I looked at it but hey, this is red team! No flinching from innuendos!

Elementalist/Tempest Simmons for the GW2 au - ya boy and his shouts are easy to find on the battlefield, that's for sure