malachia-il-bibliotecario

[malachia-il-bibliotecario]

how are you people alive.

[malachia-il-bibliotecario]

[malachia-il-bibliotecario]

[malachia-il-bibliotecario]

has anyone else grown tired of hypocrisy, stupidity, gross arbitrariness, and of our bowing and scraping, dodging, and hair-splitting over words or is it only me and karl marx in 1843

[malachia-il-bibliotecario]

[malachia-il-bibliotecario]

disco elysium reviews be like 👎commie propaganda👍commie propaganda

[malachia-il-bibliotecario]

[malachia-il-bibliotecario]

Decameron, IX day

the narrators up close! the designs are both taken from descriptions in the text, both dictated by my choice. neyphile appearance references the drawing that boccaccio himself did in the Hamilton 90:

:]

[malachia-il-bibliotecario]

you used to be able to go into a tag after you watched a little movie and find a gorgeous little gifset or photoset or 12 and now you're lucky if you can wade through all the xreader posts to find even one we used to be a website

[malachia-il-bibliotecario]

[malachia-il-bibliotecario]

just wanna share a clip of our beloved david tennant

taken from this clip on youtube

[malachia-il-bibliotecario]

What did Cesar mean by veni vidi vicci?

It's Latin, in the first person possessive for his neck, back, and vulgar unmentionables. Literally translated, "My neck, my back, my pussy and/or my crack." It's no coincidence these are the same parts mentioned in the song "My Neck, My Back (Lick It)" by rapper Khia, as Julius Caesar was a huge fan of the album, owning it on cassette tape. Ancient times indeed.

[malachia-il-bibliotecario]

seneca said "non quidquid nos offendit et laedit" once and i really think we should listen to him on this one guys

[malachia-il-bibliotecario]

If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.

The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.

This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!

The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to turn his head like an owl.

[malachia-il-bibliotecario]

went from hating il petrarchismo to hating the og petrarchista, petrarca himself!!

[malachia-il-bibliotecario]

thinking about her (pe’ gli occhi fere un spirito sottile)

[malachia-il-bibliotecario]

odio i novenari odio le onomatopee odio il linguaggio post grammaticale odio il suo crogiolarsi nel passato all'infinito odio l'assenza di un'idea filosofica o supposta tale che non sia freudiana odio la mancanza totale di ironia. odioooooooo

perché pascoli non l'hanno ammazzato col padre