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죠죠 포스팅 진자 오랜만에 하지않냐

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he would not fucking say that but it would be funny if he did

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"I never thought he'd take us back to 1929," sobs woman who thought she was only voting for someone who'd take us back to 1950

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im still losing it over the "how did high schoolers write 600 word essays before chatgpt" post. 600 words. that is nothing. that is so few words what do you mean you can't write 600 words. 600 words. this post right here is 45 words.

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Q: You were like two sides of the same person? A: Well said. But the sides would switch. On the surface, I was very easy-going, always accommodating. That came easy to me. That’s how I’d been brought up. But, at certain times, I would very much be the hard man of the duo. At certain moments, I could bite. But that would be when no one outside the group was watching, John would allow me to take that role because it enabled him to drop his guard and be vulnerable. On the surface, he was this hard, witty guy, always on hand with a cutting witticism. He appeared caustic, even cruel at times. But really he was very soft. John was very insecure.

(Paul McCartney, July 2004, interview with Jon Wilde for UNCUT)

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Quotes from “John & Paul: A Love Story In Songs”

CHAPTER 5: BÉSAME MUCHO

“Sutcliffe faced relentless ragging from McCartney, and one night, during a performance, he snapped, walloping Paul off his piano stool. The two proceeded to ‘beat the shit out of each other’ on stage in front of an amused audience of German gangsters. Shortly afterward, Sutcliffe and the other Beatles confronted the inevitable and decided to part. [...] Astrid explains Paul’s perspective:

Let me ask you this: what would you do if you were in a band, and were a brilliant artist, and one of your best friends is just fiddling around and doesn’t even practice, but is content to just look great — to look rock and roll? I know what I’d do, I would go crazy… I think Paul was very brave, putting up with Stuart for so long.”

“In September 1961, ahead of his twenty-first birthday, John came into a substantial sum of money: £100, equivalent to about £2,000 today. He could have invested this windfall in new equipment for the band. He could have put it toward a deposit on a flat with his girlfriend, Cynthia, now living as a lodger at Mendips. He could have splurged on records and beer. Instead, he planned a monthlong holiday with Paul.”

“Those who knew Lennon and McCartney marveled at how close they were. Bernie Boyle, a Cavern regular who did some work for the Beatles as a roadie, observed their eerie mental connection: ‘They were so tight it was like there was a telepathy between them: on stage, they’d look at each other and know instinctively what the other was thinking.’ People were drawn to them, and also wary of them, for both were capable of shriveling outsiders with wit. Together, they had an aura of unbreachable self-assurance. This was partly the arrogance of the damaged. The psychiatrist Bessel van der Kolk observes: ‘After trauma the world becomes sharply divided between those who know and those who don’t.’ Bob Wooler said, ‘At times, they reminded me of those well-to-do Chicago lads Leopold and Loeb*, who killed someone because they felt superior to him. Lennon and McCartney were ‘superior human beings.’’”

“Vollmer took them to Montmartre, a glamorously seedy district populated by artists and night workers, a Parisian St. Pauli. They found a small hotel room. Their original plan had been to move on to Spain, but they ended up staying in Paris for the full fortnight. They visited the haunts of Hemingway and Sartre. They didn’t go up the Eiffel Tower because it cost too much, contenting themselves with lying on the grass underneath and gazing up. They sat in cafés and drank milk-shakes. They went to see some French rock bands and tried to play themselves, persuading Jürgen to talk to the manager of one club, but there was no interest. When John turned twenty-one, Paul treated him to a hamburger and Coke for his birthday dinner.”

“Ever after, Paris was John’s favorite city in the world. He said later, ‘All the kissing and holding was so romantic… the way people would just stand under the tree kissing. They weren’t mauling each other, they were just kissing… I really loved it.’ He and Paul returned to Liverpool with ambition renewed.”

* Leopold and Loeb were two wealthy University of Chicago students who, in 1924, kidnapped and murdered 14-year-old Bobby Franks in what they called the “perfect crime”. There is strong historical evidence that Leopold and Loeb had a romantic and sexual relationship.

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I wish age gap discourse hadn't spiraled the way it has because I want there to be a safe space to say "Men in their 40s who date 25 year olds aren't predators, they're just fucking losers"

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kakyoin and jotaros first meeting is great because kakyoin is subtly threatening jotaro while jotaro is like "whats your name...i haven't seen you around before...wanna have lunch together?"

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almost a month old but still decided to post it

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What does “deadbeat fujoshi” mean in your bio?

I force those 2 guys to kiss and then I neglect them emotionally and physically

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i had a thought of "do people not know what AUs are anymore?" and then i remembered nobody explains fandom stuff to new people anymore so it is entirely plausible people genuinely don't know what AUs are and nobody has explained it to them, so for today's lucky 10,000:

"AU" stands for "Alternate Universe" or "Alternative Universe" (same difference) and is basically any thought scenario for a fandom that isn't canon and can't fit within the canon universe. If it takes place in the canon universe but something is notably different, that is typically what's known as a "Canon divergent AU," because it diverges from canon.

an AU can be absolutely anything. There's a couple of widespread pan-fandom au scenarios that often get thrown around, like coffee shop aus, genderbend aus, hanahaki aus (hanahaki is a whole thing in itself i'd recommend researching on your own), etc. One you might hear sometimes is "crossover AU" which is when you have characters from one fandom interacting with characters from another.

You can have as many aus as you want. They can be whatever you want and you can do whatever you want in them. It's a sandbox for you to play around in and explore how things would be different or how the characters would act in those circumstances or environments. Maybe they have different relationships with each other. Maybe they behave slightly differently. Or you can just say "Okay, [x] is true. How did they get here? How would things have to be different for this to occur?" which can also be fun.

If you are ever confused about why people ship something that seems completely out of the blue or doesn't make sense to you in the canon setting, there's a good chance they like it in an AU setting! Not everything everybody is interacting with is necessarily the canon! Not everybody wants things to exist in canon and just want to explore playing dolls in a different sandbox and that's okay. And their sandbox might look a lot different than yours, and that's also okay. You have the freedom to make your sandbox whatever you please. Do whatever you want forever. Get funky with it. AUs are fun.

Okay that's my schpeal. everybody go have fun and play nice now.

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oh how i wish to be able to control my own body again..

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