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Me : I am writing this for myself and me only.

Me : but also if these three specific followers don't like it I have failed as a person

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Don’t forget to make time to read

When you’re a writer, reading is just as important as writing. It keeps you engaged in different story worlds, and lets you learn from other authors and their unique writing techniques.

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The Ultimate (short) Guide to Crafting Captivating Book Titles: A Writer's Journey into Naming Novels

Embracing the Power of a Book Title

Greetings, fellow writers and wordsmiths! As we embark on the magical journey of storytelling, there exists a crucial milestone—bestowing our creations with a name, a title that encapsulates the essence of our narrative. The quest for the perfect title can be as thrilling as drafting the story itself. In this guide, we will unravel the art and significance of titling a novel, exploring strategies, tips, and the creative process behind crafting an engaging and magnetic book title.

Understanding the Importance of a Book Title

The Gateway to Reader Connection

A book title is the beacon that beckons readers to explore the universe you've crafted. It's the first impression, a snapshot that encapsulates the soul of your narrative. A compelling title can captivate an audience, generating curiosity and inviting them to step into the world you've woven within your pages.

Reflecting the Essence of Your Story

A well-crafted title encapsulates the core theme, mood, or central conflict of your novel. It should resonate with the narrative, teasing elements without revealing too much, leaving a trail of intrigue that entices readers to delve deeper.

The Art of Title Creation

Embrace the Journey: Start with a Working Title

Begin with a placeholder, a working title that captures the essence of your story in its rawest form. Let it evolve and grow as your narrative does. This title might serve as a guiding light until you uncover the perfect one.

Exploring the Heart of Your Story

Consider the central themes, characters, or pivotal moments within your book. Delve into the emotional core of your narrative and unearth words or phrases that resonate with its essence.

Utilizing Literary Devices and Techniques

Explore metaphors, alliteration, symbolism, or even poetic verses. Experiment with wordplay, juxtapositions, and contrasts. These literary devices can infuse depth and intrigue into your title.

Testing and Refining Your Title

The Power of Feedback

Share your title ideas with trusted friends, writing groups, or beta readers. Gather feedback on their impressions and the emotions evoked by the titles. Use this input to refine and narrow down your choices.

Alignment with Your Target Audience

Consider your intended readership. Does your title resonate with the genre and expectations of your audience? Ensure it's not only enticing but also aligns with the preferences of your potential readers.

Finalizing the Perfect Title

Distillation of Essence: Keep it Succinct and Evocative

Aim for brevity and impact. A concise yet evocative title can linger in the minds of readers. Often, the most powerful titles are those that say much with few words.

Research and Avoiding Clichés

Investigate existing titles in your genre to ensure your title stands out. Steer clear of clichés and overused phrases, aiming for originality and uniqueness.

Embrace the Artistry of Title Crafting

Crafting the ideal book title is an art in itself. It's the literary cloak that shrouds your creation, inviting readers into the tapestry of your imagination. Embrace the journey of titling your novel with the same passion and creativity you pour into your storytelling. Let the title be a herald, whispering the promise of a remarkable journey that awaits within the pages of your book.

As you venture forth, remember, the perfect title awaits—a key to unlock the hearts and minds of your future readers.

Happy writing and titling!

This comprehensive guide aims to take writers through the journey of creating an impactful and engaging book title, emphasizing the importance of a title and offering practical strategies to craft one that truly resonates with a novel's essence. If you need further insights, examples, or specific advice on any aspect of titling a novel, feel free to delve deeper into each section. Happy titling!

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Worldbuilding Tips: FOOD

Food! The greatest part of being alive!

I find that developing a culture’s cuisine can be incredibly helpful for several reasons. For one, you are elaborating on the physical experiences of your world  and culture. Like all sensory descriptions, this can immerse you and your reader. For another, you can learn a lot about a culture by what they eat, including geography, economics, social status, even religious laws. And lastly, because it’s a lot of fun!

1. Geography: one of the greatest contributors to food culture. If your people dwell in the desert, it’s unlikely they’ll have seaweed salad on the menu. Start researching foods from similar geographical landscapes from our world. For example, following a desert theme, look into food from Saharan tribes, or, depending on the kind of desert, foods from the tribes of the American southwest. Consider farming and agriculture in your particular landscape. What can be grown and raised there?

2. Trading: does your culture have extensive trade with a nearby culture? Say your desert culture has a lengthy trade route that extends far into the jungles, and they can trade for exotic dried spices they can’t grow at home. 

3. Social Status: what can your people afford? What is the difference between what a beggar, a middle class merchant, and a noble or royal would eat? Can they afford more imported goods? Can they afford more spices? Are vegetable and grain dishes more common, as in Ancient Rome, among lower classes, and meat more common among upper classes?

4. Religious and social laws: what foods are off-limits? Why are they off-limits? Is anyone of a particular social or religious class allowed to partake, and laymen are never allowed? 

5. Drinks!: don’t forget, many cultures’ drinks are as important in regional cuisine as the food itself. What is the treatment for alcohol? Does one have to be a certain age to drink? Is alcohol illegal, or heavily monitored? Are there drinking rituals or games common to this culture? 

6. Special cuisine: are there some traditional foods eaten only on special occasions? In the West, many have cakes for their weddings, and in the United States, on Thanksgiving, many eat turkey. What festivals, holidays, and other miscellaneous special occasions are there? For example, if there is a public feast day, what can be adequately served to large amounts of people and be prepared beforehand? If there are foods or spices that are especially expensive, do people splurge on these for special occasions? 

7. Cooking techniques: are there any food preparation methods not seen in other cultures? Are these techniques integral to the culture’s cuisine? For example, say a race of gremlins chooses to cook their food not with fire, but with fumes from acid? What would these techniques do to flavour, texture? Can other cultures stomach food prepare with these techniques?

8. Dessert: the best part, in my opinion. What are some guilty pleasure foods? Remember, dessert does NOT have to be sweet. Desserts can just be palate-cleansers or small snacks served at the end of the main meal. Are desserts only for the wealthy, or for everyone?

9. Street food: what are the most common staples in the culture? Is there a tradition of serving these staples in unique ways? Are there restaurants, pubs, inns, etc.? 

10. Why is Food Important?: food, like any other worldbuilding detail, must be interpreted with its effects on characters and plot. Plot points can be created out of food-related issues. For example:

Prohibition: a once widely-loved drink or food has been outlawed. How does the populace respond? Does a black market form? Is the Prohibition a success, or a big mistake?

Supremacy: is a food, drink, or spice extremely expensive, and several groups are fighting for control of trade? 

Famine: are food or clean water incredibly scarce? How do the people survive?

Extinction: a valuable plant or animal, after being overfarmed or overhunted, is going extinct. If this valuable plant or animal is central to the cultural economy, how does the culture respond?

Those are just a few questions you can ask yourself while creating food culture for your worlds! Personally, I’ve always enjoyed exploring food culture. I like to try to make my fantasy recipes in the real world too, and through research and experimentation, you might come up with something totally unique. 

Hope this helps, and hope you have fun! 

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"I like to write about it in fiction" does not mean "I desire it to happen in real life", and never has.

What you want to write about doesn't necessarily mean anything about you, besides that you want to write about it.

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Take frequent breaks (drink water too!) and do your goddamn wrist stretches

Image (source)

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DO NOT FORGET the things you create are just as unique and singular as you are. NOBODY ELSE can make what you can in WAY that you can with the HEART AND SOUL that you can. you are the only one who can gift this timeline with your art and ideas and this power is at your fingertips

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I put it in the tags of another post but if you like to gamify writing and haven't tried 4thewords.com before, DO IT. It is the #1 tool I've ever found for writing with ADHD and it is so cute and fun. There's always an adorable event going on during NaNo too!

During NaNo you can get a free month and other free goodies with the code wrimo23 and it gives you a free month even if you already subscribe! (And you don't have to cancel after the month to avoid being charged because it works on a pre-paid subscription model)

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More than wishing everyone who's participating in NaNoWriMo good luck with writing, I also just want to wish you all a nice and cozy November.

For a lot of us, the days are getting shorter, darker and colder, so make sure to grab a blanket and a nice warm drink.

I know some people struggle a lot with the seasonal depression, so allow yourself to take breaks and rest, be kind to yourself first and foremost.

My inbox & DMs will always be open in case you ever need or want to chat. Or if you just want a little kitty picture, I have plenty of those to share too.

For example:

A handsome boy, recovering from his bladder infection. He's already happily lounging around the house again.

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SloMo WriNo: Setting Word Count Goals

For your SlowMo Wrimo the first thing to decide is your daily word count goals. And as Mo the Wrino says, they need to be achievable.

My initial promise was that you can write a complete novel in a year. When I say that I’m talking somewhere in the vicinity of 70-80k, which is in the zone for most YA, Romance and Mystery. Fantasy and Science Fiction can run longer, but if you’re writing in those two genres I’m going to encourage you to aim for a word count on the lower end of things, just to keep it doable within 12 months.

Now anyone with a calculator can see that if you divide 80k by 365 you get 219. 

So if you write 219 words every day then presto, you’ve written your novel!

Which is true! But I don’t think it’s reasonable to assume it’s possible to write every single day, with no days off for an entire year. I know some writers do manage that long term, (or at least claim to!) but if you’ve been struggling to get words out, it’s not an achievable plan.

Instead I want you to create a series of Mini-Maxi goals.

That is, have a baseline minimum, but also hold yourself to a maximum allowed. This is a term drawn from construction standards. 

For example, if you’re hanging drywall, there are rules in building codes about how many screws are required per sheet. The lower limit makes intuitive sense to most people. Yes of course when you hang something from a wall there should be a minimum amount of screws. You need enough to keep that thing in place.

But there is also often an upper limit. If you put in too many screws, you will compromise the structural integrity of the drywall, or even the wood framing behind it.

So how does that apply to writing? 

The idea of setting a minimum word count goal is pretty widely understood. That’s usually the method most people go into Nano with. A plan to write a minimum of 1667 words a day. 

For many people that’s hard enough to reach, let alone exceed, so the idea of maximums doesn’t really enter the picture.

However for this challenge I want you to commit to a far lower daily word count, something you can accomplish in fifteen to twenty minutes. Because even if your schedule is very busy, writing for fifteen minutes most days is achievable.

But that begs the question. What if it’s Sunday afternoon and I have a few hours to write! Oh joy! I shall binge write several thousand words!

Here's the problem with that. Overdo it and we’re back with the same burnout and creative exhaustion issues that brought you here in the first place.

So I want you all to set a safe maximum word count too. 

My recommendation is that you go no higher than around 5x your daily minimum. Or approximately what you can write in 1:15 to 1:30 hours.

But what if, you say, what if, after that alarm goes off at 1:30, my brain is still teeming with ideas?

Good! Make some brief outlining notes and then go do something else! You will be all the more refreshed and excited to write tomorrow.

The goal here isn’t to wring every drop out of your creative well in a single session, but to create a long term writing practice.

Like that piece of drywall, you don’t want to compromise your overall creativity by overdoing things.

So, to summarize, your task for today is to select a comfortable minimum daily word count, (an amount you can easily write in 15-20 minutes) and a safe maximum binge-writing word count. (5x your minimum)

If you don’t know how fast you write, do a series of timed sessions over the next few days, and find out. You might be surprised at how much you get done in a short focused session.

Coming up next: Managing your writing time, taking breaks, and sticking with it for a whole year.

Maree

P. S. If you'd like to join the challenge, make a post! use the tag #slomowrino. If have any questions, please shoot us an Ask either here or on the discord.

Links: SloMo Wrino Intro The Discord Server

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Writing Tip: Alcohol

Alcohol is a great plot device.

Does an intoxicated person only tell the truth? Do they just lie? Is it a mix of both? Do they even know if the words leaving their mouth are true or false? Do they think they’re lying to lead the main character astray but there’s actually truth to it or vice versa?

Drunk characters can lead others into a world of chaos or straight to a truth they don’t want to face.

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Hey y'all why are writers always cold?

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5 Tips for Winning Nanowrimo

Plan to write 25 days in a row, not 30. Give yourself wiggle room in case anything happens in the month and you can't write for a day or two.

Grab an accountabili-buddy, someone you can bounce ideas and get through writing blocks with. Share your progress with them as you go.

If you don't have a buddy, still track and celebrate your progress as you make it. Buy an early advent calendar, or draw a design to slowly fill out throughout the month.

If you need to noodle or plan halfway through--you can still count that towards your wordcount goal. Any writing is still progress!

Give yourself a break when you need it. There's more to writing than just getting words on the page ;)

What are some other tips for winning Nanowrimo this year?

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How to Write Defiance: A Quick Guide for Writers

Whether they're standing against authority or resisting the status quo, the actions of defiant characters can add layers of depth to your story. Here are some quick tips on how to effectively write defiance in your characters.

Behaviour

Question authority and break rules

Don't easily back down from challenges

Rebellious and do the unexpected

May appear stubborn to others

Don't easily conform to norms

Value their independence and freedom

Resilient in the face of adversity

Assertive and direct

Courageous in the face of danger

Act based on their principles and beliefs

Interactions

Direct and stand their ground during disagreements

Don't shy away from tough conversations

Don't let others manipulate or control them

Not afraid to express their opinions

May challenge others' viewpoints during discussions

Stand up for what they believe in

Protective of those they care about

May be argumentative or confrontational

Don't give in easily during negotiations

Can be inspiring, encouraging others to stand with them

Body language

Head high with a strong posture

Serious or determined expression

Maintain steady and direct eye contact

Use expansive, open body language

Do not shy away from physical confrontation

Cross their arms to show resistance

Move with purpose and determination

Not easily intimidated by the physical presence of others

Clench their fists when frustrated or angry

Adopt a challenging stance

Attitude

Not easily swayed by popular opinion

Confident in their own abilities

Persevere no matter how tough the situation gets

Believe strongly in their cause or principles

Refuse to be victims

Unruffled by criticism or opposition

Disregard rules they don't agree with

Risk-takers who often choose difficult paths

Value transparency and honesty

Can come across as proud or arrogant

Positive story outcomes

They may succeed in overturning an unjust system

They can inspire others to stand up against injustice

They achieve their goals through sheer determination

They may help someone break free from oppression

They can contribute to a significant societal change

Negative story outcomes

Their defiance can get them into trouble

They may alienate themselves from others with their behaviour

They can face severe consequences for breaking the rules

Their relationships may suffer due to their stubbornness

They can be misunderstood and labelled as troublemakers

Helpful Synonyms

Rebellious

Nonconformist

Contrary

Dissident

Contrarian

Unruly

Insurgent

Uncooperative

Unmanageable

Mutinous

Intransigent

Insubordinate

Recalcitrant

Resistant

Obstinate

Obstreperous

Noncompliant

Indomitable

Unyielding

Fractious

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You would never tell another writer that their writing sucks.

So why use such words when describing your own?

Extend the kindness you provide others to yourself and be mindful of the words you use when scrutinizing your work.

“my writing isn’t yet where i want it to be, but in due time it will be”

“i have yet to reach my full potential”

“here’s how much i’ve improved”

“my writing has its flaws and that’s okay”

“i know my weaknesses + what i need to work on”

“here’s a list of things i’m good at”

“one day i‘ll reach my goals, but i need more practice, that doesn’t make me a failure, every writer goes through this”

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Making Characters That Make Sense

Walk-through character template & "how to" guide for writing complex, original protagonists.

If you google "character templates for writing", you'll get a lot of very basic examples that read like a grocery list: eye colour, hair colour, skin colour, positive traits, negative traits, etc.

And sure, filling out this kind of template isn't completely useless - but it's also not particularly useful, either. Choosing whether your protagonist has blue eyes or green eyes isn't going to determine whether readers connect with them or not.

Instead, I prefer to use the below template:

There's some fairly left-of-centre categories here, so in this blog post I'll be creating a character from scratch to demonstrate what each section means and how to use the template effectively.

Primary Goal & Raison D'Être

Fantasy Romance is having a bit of a tournament-to-the-death moment right now, with Hunger Games-inspired stories like Fourth Wing, Throne of Glass, The Savior's Champion, and The Serpent and the Wings of Night in high demand - so that's what we're going to work with in today's blog post.

The story premise and primary goal of the protagonist are almost always interconnected. In this case, the story premise is a tournament to the death - and the character's main goal is to win that tournament, obviously.

But where there's room for some originality is in the raison d'être. This loosely translates to "reason for being" or "purpose". It's the why of it.

For example: what motivated this character to risk their life by entering such a tournament in the first place?

It is sometimes helpful to look at similar stories when thinking about this category. Not so you can copy their protagonist's motivations - but so you can do something different.

The whole selfless-self-sacrifice thing, for example - that's done. At least in relation to this particular sub-genre. We can do better for our hypothetical Maera Mystfang character.

Actually, let's really turn the trope on its head and make her raison d'être incredibly self-centred.

Already, this is character is shaping up to be something a little bit different within the niche of tournaments to the death. Which goes to show how putting a little bit of thought can go a long way, even with something as simple as identifying your character's initial purpose.

Primary Obstacle

Every protagonist needs a goal - and every goal needs an obstacle. This is what gives the story some tension and keeps readers turning the page.

An obvious choice of obstacle for this hypothetical character, since we're dealing with a fantasy romance, would be that Maera starts to develop feelings for one of her fellow competitors.

This concept has definitely been done, but that's okay. Not every section of this list has to break the mould. Tropes exist for a reason and it is totally okay to lean into them sometimes.

However, just for funsies, I'm going to try and put a slightly different spin on this one too.

Instead of the obvious "I love one of the people I'm meant to kill", let's make Maera's (previously dormant) conscience be the problem. Her reasons for entering the tournament may have been self-motivated, but as she gets to know her fellow competitors - admires some of them, even - she starts to second guess those reasons.

Core Traits

A lot of character templates will divide personality traits into positives and negatives - but I don't think this is particularly helpful. It is far too one dimensional - not to mention unrealistic. The key components of someone's personality aren't usually so black and white.

In fact, most core traits are both good and bad at the same time - it just depends on the context.

Instead of being wholly positive or negative, try to think of three core character traits that can serve as two sides of the same coin, with both positive and negative implications to each.

For Maera, I've given her these core traits:

Self-reliant;

Rebellious; and

Good-humoured.

Her self-reliance means that she is incredibly capable - but it's also the cause of her selfishness. She's always had to look after herself, so she expects others to do the same.

Her rebellious attitude means she isn't willing to accept the status quo. But at times she is also a rebel without a cause, causing trouble just for the fun of it.

Her good sense of humour means she is fun to be around, but she also tends to not take things as seriously as she should.

Thinking of core traits in this multi-faceted way not only adds realistic complexity, but it also sets you up well for showcasing character development and growth throughout the story.

Fatal Flaw & Character Arc / Growth

You've probably read negative reviews that throw around terms like "Mary Sue" or "Gary Stu". People tend to be over-zealous with these terms, especially for Mary Sue, but the gist of it is that the character in question is "too perfect".

They're the chosen one, they're good at everything, all the boys like them, etc.

Some characters can get away with this just fine. Look at Aragorn. He's the ultimate Gary Stu but I still swoon every time he opens those damn doors. You know the scene I'm talking about.

Ooft.

But for the most part, you want to incorporate a fatal flaw into your protagonists - because this is what gives them room to grow.

And, no. "I was born to be King but I don't wanna" does not count as a fatal flaw.

Instead, think bigger. Think worse. Think about where your character starts versus where you want them to end up. Think about how you want the events of the narrative to change their world view - or even their initial goal.

For Maera, her fatal flaw is pretty obvious, given her initial motivations for entering the tournament. Similarly, her growth/arc is linked to her primary obstacle, which is developing a conscious.

Her journey throughout this hypothetical story might be learning to appreciate how her past shaped her, while also acknowledging that there are things she can do to ensure others don't have to go through what she did. By being shown acts of kindness, she learns to appreciate their value.

First Impression

Now that we've covered all the "big picture" stuff, let's get into some of the smaller details that give your character some texture.

The first impression category is a hypothetical exercise where you image how your character might appear to a room full of strangers. In dual, multi, or omniscient POVs, you might even get the opportunity to include this impression somewhere in the story.

But even for first-person narratives, it is still worth thinking about, because it will help to inform how other characters interact and respond to your protagonist (at least at first).

For Maera, I've written this first impression as: a fun person to have a few drinks with - so long as you keep a close eye on your wallet.

From this description, we can guess that Maera probably likes to have a good time, but also comes across as untrustworthy. Whether that impression is deserved or not is up to you, as the author, to decide.

There's also a lot of deeper directions you can take this first impression category, too. Like if most people react to Maera this way, but one particular character doesn't, then your readers are going to sit up and pay extra attention during that interaction. Especially when that person reacting atypically is the future love interest.

Spirit Animal

Ah, this one is a fun one!

I always encourage my authors to assign a "spirit animal" to their characters - especially when they're doing multi-POV.

There are two main reasons for this:

It will allow you to assign some very distinct adjectives and verbs with that particular character; and

It is an opportunity to flesh out some additional character traits beyond the core traits.

For Maera, I've chosen "spider" because she is solitary by nature, opportunistic, and patient.

But, more than that, I also like the idea of Maera being the kind of person who knows how to watch and wait. While her first impression might be "here for the good times", her joking façade is actually a mask she wears while carefully observing others.

For example:

Her words were laced with venom. She crawled her way across the rooftop. At some point, weaving lies had become more of a past time that a necessity. Her thoughts were a tangled mess. She didn't bother to conceal her predatory gaze. Inch by cautious inch, she crept forward. Her sanity was already hanging by a thread. If there was one thing she knew how to do, it was spin a good story - truth be damned.

I've never outright compared Maera to a spider in these examples, nor have I made it blatantly obvious that that's what I'm doing. But by peppering these kinds or words throughout the story, I'll be able to subtly create a very distinct kind of impression for her character.

For comparison's sake, let's assign "cat" to the love interest. Examples of possible words to consider in this instance might be:

He clawed his way through the bushes. "What are you doing?" he hissed. The comment had some bite to it, that was for sure. He slunk away into the darkness. His still, unwavering focus was unnerving. He prowled towards her. In a few quick, agile steps, he'd made it across the parapet. He yawned and stretched out beside her.

Of course, not every single word you use in association with a character needs to be related to their spirit animal. But keeping a certain type of animal in mind - and finding opportunities to throw in some subtle messaging through language choice - can be beneficial on so many levels.

It helps to distinguish your characters from one another through the kind of language you use to describe them - but it's also just really, really fun way to add some bonus texture to your characters. Giving your readers some little easter eggs like this is never a bad thing.

Love Language

If you're unfamiliar with the concept of the five basic love languages, then here's a quick visual overview:

Love languages aren't a consideration that's specific to romance. They're important for friendships and familial relationships too.

Because thinking about what your protagonist values most in love is going to tell you a lot about who they are. Especially when you take the question deeper and think about why this is something they value.

For Maera, I've chosen "Acts of Service" because this ties in quite well to her character arc.

In terms of Maera's why, I could easily go with "because this was how she was shown love as a child" - and this is a good enough option most of the time. However, since her love language is very much tied into growing out of her fatal flaw, then I actually want to do the opposite.

Maera winds up valuing acts of service because this is something she craved - and wasn't given - as a child. She had to do things the hard way instead. Hence why she ends up appreciating the kindness of others so much. Such generosity is new to her - and precious.

Conflict Response

This is potentially one of the most overlooked character components. Conflict and tension is central to story telling, yet there is so little attention given to creating authentic, original responses to conflict.

The way I see it, there are three main considerations in regards to conflict response:

How your character reacts in the moment;

The unhealthy methods they use to deal with the aftermath; and

The healthy methods they use (or discover) to self-sooth.

When faced with conflict, Maera's immediate reaction is to antagonise. She doesn't like to back down and enjoys creating trouble.

However, in the aftermath, the conflict affects her more than she lets on. She stews on it - and her solution to that is to get drunk until she can forget about it completely.

But even though she sometimes forgets it, Maera has a more healthy coping mechanism at her disposal. When she is surrounded by nature - in the forest, by the sea, whatever - it calms her.

In addition to identifying your protagonist's various responses to conflict, it is also helpful to think about why. Again, this is a great opportunity to insert something unique into their character backstory.

With Maera, for example, let's think about why she finds nature so soothing. Perhaps, amidst a very bleak childhood, one of her fondest memories is of picking grapes in a vineyard.

Perhaps the elderly woman who owned the vineyard was very rude and abrupt - but also quite kind to Maera in her own way. Maybe she would sometimes stitch up Maera's clothes or feed Maera a hearty, meaty dinner - even though she didn't have to.

If you're struggling to think of a real, tangible, unique memory such as this - then it's always helpful to go back to the old classic of write what you know. Think of a real life moment or memory - something that's stuck with you, no matter how simple - then adapt it to your character.

To create this vineyard example, I simply drew on my experience of picking strawberries with my Nonna after school.

Mentor / Idol

I could write an entire thesis on mentors. Or, more specifically, the "death of the mentor" trope - both in its literal and metaphorical interpretations.

But, for the sake of brevity, let's save that sh*t for another time and focus on what's important for a basic (yet complex) character template. And that is:

The Formative Mentor (past); and

Transformative Mentor (present).

The formative mentor (or idol) is someone who influenced your character prior to the events of the novel. Sometimes they're a character the reader will meet, or other times, they're long gone before the novel even begins.

The transformative mentor is a much looser term. It doesn't necessarily have to be a traditional mentor character, but rather it is a character who heavily influences or changes your protagonist throughout the events of the novel.

For Maera, I want her earliest idol to be a random female sell-sword who she crossed paths with. Prior to meeting this sell-sword, Maera was living without hope for a future, surviving on scraps and petty crime.

But after seeing an independent and moderately wealthy sell-sword in her local tavern, Maera got a glimpse into the kind of life that might be possible if she learned to fight. With the right kind of skills, she might be able to earn some decent money for a change - and travel the world.

This is an example of how "mentors" don't always have to be a wise wizard who oversees your protagonist's training and education. Young minds are impressionable - and even distant figures can have a lasting impact.

Just look at all the women who cite Legally Blonde as the reason why they were drawn to law. Elle Woods wasn't even real - but for plenty of young girls, she made an impact.

Similarly, your protagonist's "present" mentor or idol doesn't necessarily have to be a wise wizard either. It can simply be someone who motivates them to change their world view or strive to be better.

In romance, it is more than acceptable to have the present mentor coincide with the love interest - especially in standalone enemies-to-lovers. I know this seems counter-intuitive, since the word "mentor" implies a power imbalance, but it makes more sense if you readjust your definition of mentor to be "inspires change".

However, for Maera, I kind of like the idea of pairing her up with a love interest who shares some of her flaws. I vibe with the idea of making him a bit self-interested too, although for different reasons.

So in her example, I've listed the present mentor as a selfless secondary character. The way I would envision this going is Maera and the love interest team up early on - but somewhere along the way a secondary character saves them both. They're both heavily influenced by this character before this character sacrifices themselves. The aftermath of this incident rattles both Maera and her love interest, and serves as the spark for growth.

I hope you found this template - and very long explanation - useful!

[m-r-levine]

It's okay to be a slow writer. It doesn't make the value of your writing decrease in any way and doesn't diminish your worth as a writer. You are still valuable and worthy of love and attention, no matter how many chapters and how quickly you put them out. ❤️ give yourself a break.

If you need to take a step back for a while, do so. You putting writing out and burning yourself out does not have more value than you taking a break and allowing your mind and body to rest. In fact, giving yourself that rest is an invaluable lesson we all need to learn in this fast-paced world.

Rest is as valuable if not more valuable as producing. ❤️

Love you guys. Take care of yourselves.