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Are you insane like me?

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Limerick Template

There once was a [PERSON] from [PLACE] Whose [BODY PART] was [SPECIAL CASE] When [EVENT] would occur It would cause [HIM OR HER] To [BREAK A LAW OF TIME AND SPACE]

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truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.

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Rabbits and triangles🐇

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On most evenings there was unspeakable company, from James Branch Cabell's Figures of Earth: A Comedy of Appearances by Frank C. Pape (1925)

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smoking the Hell weed that had me going

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The weather is changing, and I am dreaming of Superior again.

It's not always; not even often. But enough that the dreams linger through the day. And it's not the same dream, either, it's different in little ways. Sometimes the beaches are rough pale sand with the treeline far away, retreating from the surf; sometimes it's wave-tumbled round stone, sometimes it's foliated shale, the rocky lakebed teeth chewing up the driftwood;and sometimes there's no beach at all, just the abrupt cessation of forest where the water begins. Always, I am at the shore, and the world is going wrong.

The sky is low and grey and green and roiling, but I don't look up, because there is always something closer, more desperate, that must be dealt with first. Years ago, it was a creaking grey wooden house, warping in the wind and sparking suddenly with fire. Did you know that house fires are loud? They're deafening, like something roaring with hunger, never stopping to inhale. Sometimes the burning house is Vermilion Station; sometimes it's just a twisting old thing that I cannot find the doors to. Usually I am not alone, and I am trying to get someone else out. Sometimes it's a stranger; sometimes it is someone long dead in the waking world.

Sometimes there's a pier, slick wet concrete or smooth-worn wood, old enough that the grain is worn into grooves. The pier juts like a spine out into the lake, and I am running down, yelling into the wind at a ship tossing in the dark waves, unheard over the storm. The ship is sometimes a steel mammoth full of cargo, sometimes a billow of white sails. Always it is just at the edge of capsizing, far beyond my reach. Often, the storm overhead begins reaching down, turning and turning into a tornado, into blinding flare of lightning, into a white curtain of blizzard. Sometimes, over the howling storm, I hear a different rush of water, like some flood is crashing down the Porcupines, heading towards the shore.

And the water is always black and endless, which is how I know it's Superior. Jagged white-capped waves, icy wind and no hint of salt in the air; spray that touches your face like sleet. The dreams are often long, often confusing, always hurried, but they always end the same way.

I am at the edge of the water, looking north, and the horizon begins to bow upwards, as whatever is in the deep water begins to rise, lifting the lake on its back, bigger than a ship, bigger than a city, displacing water but moving so quickly that the whole surface of Superior is bulging upwards, breaking closer and closer to the surface--

(watching on the shoreline, I am not afraid. Fear is what came before this. Now that it is coming, I am only waiting. I am only a witness to whatever comes next)

--and always, before it breaches, I wake.

It is October, and Superior is calling.

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Lydia Pettit (American, 1991) - Entry Points (2024)

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Carlos Dearmas

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thinking about that one wordless calvin and hobbes sunday strip thats just calvins dad ditching his work to go play in the snow... its going to make me cry

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Alphonse Mucha

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zen iizuka (@Child0ut)

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Any point on torus lies on four circles on torus.

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I really love the theory about Venus figurines being self portraits drawn from the sculptor’s point of view; I’m not sure how much credence the theory holds but I enjoy it!! An homage to those inspired artists