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For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and âearnâ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.Â
Some fun facts about todayâs news: I learned about Scooter Braunâs purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying Iâve received at his hands for years.Â
Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my lifeâs work, that I wasnât given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term âloyaltyâ is clearly just a contractual concept. And when that man says âMusic has valueâ, he means its value is beholden to men who had no part in creating it.Â
When I left my masters in Scottâs hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words âScooter Braunâ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didnât want to be associated with them. In perpetuity. That means forever.Â
Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scottâs hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.
I will always be proud of my past work. But for a healthier option, Lover will be out August 23.Â
Sad and grossed out,
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Taylor
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Gemma Chan by Gray Hamner for Marie Claire
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âSometimes, I feel the past and the future pressing so hard on either side that thereâs no room for the present at all.â
â Evelyn Waugh, Brideshead Revisited
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Los Angeles, CA - July 13 đ¸: ditaralena / harsolos
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For myself I am too heavy, and for you too light.
Franz Kafka, Letters to Milena (via goodreadss)
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âMost people think, that war mainly consists of fighting. But thatâs not true. Itâs waiting: for the next attack, the next meal, the next morning.â
Unsere Mßtter, unsere Väter (Generation war) 2013 dir. Philipp Kadelbach
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I read in the paper that my brothers are being thrown from rooftops blindfolded with their hands tied behind their backs for violating sharia law. I heard the crowds stone these fallen men if they move after they hit the ground. I heard itâs in the name of God. I heard my pastor speak for God too, quoting scripture from his book. Words like abomination popped off my skin like hot grease as he went on to describe a lake of fire that God wanted me in. I heard on the news that the aftermath of a hate crime left piles of bodies on a dance floor this month. I heard the gunman feigned dead among all the people he killed. I heard the news say he was one of us. I was six years old when I heard my dad call our transgender waitress a faggot as he dragged me out a neighborhood diner saying we wouldnât be served because she was dirty. That was the last afternoon I saw my father and the first time I heard that word, I think, although it wouldnât shock me if it wasnât. Many hate us and wish we didnât exist. Many are annoyed by our wanting to be married like everyone else or use the correct restroom like everyone else. Many donât see anything wrong with passing down the same old values that send thousands of kids into suicidal depression each year. So we say pride and we express love for who and what we are. Because who else will in earnest? I daydream on the idea that maybe all this barbarism and all these transgressions against ourselves is an equal and opposite reaction to something better happening in this world, some great swelling wave of openness and wakefulness out here. Reality by comparison looks grey, as in neither black nor white but also bleak. We are all Godâs children, I heard. I left my siblings out of it and spoke with my maker directly and I think he sounds a lot like myself. If I being myself were more awesome at being detached from my own story in a way I being myself never could be. I wanna know what others hear, Iâm scared to know but I wanna know what everyone hears when they talk to God. Do the insane hear the voice distorted? Do the indoctrinated hear another voice entirely?
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Is She Gay or Just an Art Student: A Closer Look at the Lesbian Aesthetic
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Real generosity towards the future lies in giving all to the present.
 Albert Camus, Notebooks 1935-1942 (via coral)
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