Post from my new blog/website: www.artseveryday.com
Distilling Senses: A Journey through Art and Technology in Asian Contemporary Art at Hong Kong Arts Centre Dec 11, 2013 - Jan 12, 2014, Hong Kong, China
Here is an article on Dangerous Minds that discusses these giant spheres that respond visually and sonically to human touch.
Wish I could get to Hong Kong to experience this firsthand!
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John McCracken - Liftoff (2009)
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Amazing.
Chromatic Typewriter Prints
Tyree Callahan has recycled (or upcycled, perhaps) a classic 1937 Underwood typewriter by replacing letters with sponges soaked across the spectrum with bright yellows, reds, blues and combinations thereof.
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Alejandro Guijarro - Momentum (2010-12)
“The artist travelled to the great quantum mechanics institutions of the world and, using a large-format camera, photographed blackboards as he found them. Momentum displayed the photographs in life-size.
Before he walked into a lecture hall Guijarro had no idea what he might find. He began by recording the blackboard with the minimum of interference. No detail of the lecture hall was included, the blackboard frame was removed and we are left with a surface charged with abstract equations. Effectively these are documents. Yet once removed from their institutional beginnings the meaning evolves. The viewer begins to appreciate the equations for their line and form. Color comes into play and the waves created by the blackboard eraser suggest a vast landscape or galactic setting. The formulas appear to illustrate the worlds of Quantum Mechanics. What began as a precise lecture, a description of the physicist’s thought process, is transformed into a canvas open to any number of possibilities.”
1. Cambridge (2011)
2. Stanford (2012)
3. Berkeley I (2012)
4. Berkeley II (2012)
5. Oxford (2011)
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Sandra Kantanen - Untitled (2011) - varnished photographs swept with paintbrush while wet
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Abelardo Morell - Camera Obscura (2007-10)
Artist’s statement:
“I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This allows an inverted image of the view outside to flood onto the walls of the room. I would focus my large-format camera on the incoming image on the wall and expose the film. In the beginning, exposures took five to ten hours.
Over time, this project has taken me from my living room to all sorts of interiors around the world. One of the satisfactions I get from making this imagery comes from my seeing the weird and yet natural marriage of the inside and outside.”
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Gottfried Helnwein
Head of a Child III, 2000, oil and acrylic on canvas, 299 cm x 218 cm
Helnwein working on “Head of a Child II”, 1998, oil and acrylic on canvas
Previously blogged: The Disasters of War
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My friend Jose and his awesome idea for metal art. I want one of these turned into earrings or a necklack pendant. Hop to it! :-)
Duh, why didn’t I think of this before?? #metal #art #quarter #cutout #eagle #America #dope (Taken with Instagram)
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Everything I post is from alecshao. I don't care.
Suzy Lelievre - Gravity (2009-2010), engraving and painting on resin
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Katharina Grosse - Untitled (2011), acrylic on wall
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Mircea Cantor - Rainbow (2010), fingerpainting on wall
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Royalsteez
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