lovegingerogers

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Ginger Rogers dines at the Beverly Hills Hotel in Hollywood, 1940s

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Ginger Rogers photographed in promotional picture for Carefree (1938)

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Ginger Rogers at Cannes Film Festivals, 1956.

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Ginger Rogers in Tales of Manhattan (1942) dir.Julien Duvivier 

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Ginger Rogers (1933)

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“The night of the Academy Awards, I dressed in a black lace and gray peau-de-soie gown dressed by Irene and was ministered by Louise, my hairdresser. Eddie Rubin, my dear friend and publicist, also helped prepare me for the ordeal by bolstering my morale. I wish deep inside me that I didn’t have to be a part of this parade. However, I bit my tongue and pulled up my long silk stockings, along with my courage.”  – Ginger: My Story.

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Update: accurate year is dated 1938. Getty lists it as 1940. I was wondering really hard why was her hair blonde in 1940.

May 6,1940: Ginger Rogers attend a Polo Match in Los Angeles, California. (Photo by William Grimes/Michael Ochs Archives)

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Ginger Rogers frame by frame: Carefree (1938)

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Ginger Rogers in a grecian evening gown, photographed by Horst P. Horst for Vogue Paris, 1936.

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Cary Grant and Ginger Rogers in Once Upon a Honeymoon (1942)

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"Ginger Rogers was grace and endurance. She has achieved celluloid immortality, dancing always in beauty, present tense. And she was a fine gal." -- Maureen Dowd writes for The New York Times (1995)

Happy Heavenly Birthday Ginger! 

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Ginger Rogers frame by frame: I’ll Be Seeing You (1944)

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Every Fred Astaire & Ginger Rogers Dance Number “Let’s Call the Whole Thing Off” in SHALL WE DANCE (1937)

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Ginger Rogers in promotional photos for Primrose Path (1940)

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May 6,1940: Ginger Rogers attend a Polo Match in Los Angeles, California. (Photo by William Grimes/Michael Ochs Archives)

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“As for Ginger Rogers, her lips are like a rose in full bloom. They are full and reflect her joy in living and her exuberance. Because most of her parts are of the joyous type, we give her lips a little more up-tilt than they naturally have so her mouth will be in harmony with her role” (x)

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KATHERINE HEPBURN and GINGER ROGERS in STAGE DOOR (1937)

—Don’t you ever get tired of quarreling?

—What’s the matter, can’t you take it?

—Oh yes, I can take it, if you want it that way.