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Rotten Tomatoes Spotify Playlist: Fassbinder Musik (Click Here to Listen):

The Walker Brothers - “In My Room” from The Bitter Tears of Petra von Kant (1972)

Elvis Presley - “Trouble” from World on a Wire (1973)

3. Leonard Cohen- “Bird On A Wire” from Fox and His Friends(1975)

Sanford Clark - “Run Boy Run” from Veronika Voss (1982)

Freddy Quinn - “Unter fremden Sternen” from Lola (1981)

Ray Charles - “Let’s Go Get Stoned” from Beware of a Holy Whore(1971)

Paul Anka - “You Are My Destiny” from Jail Bait (1973)

The Rolling Stones - “We Love You” from Fear of Fear (1975)

Roxy Music - “A Song for Europe” from In a Year of 13 Moons(1978)

Kraftwerk - “Radioactivity” from Chinese Roulette (1976)

Glenn Miller - “Moonlight Serenade” from The Marriage of Maria Braun (1979)

The Velvet Underground - “Candy Says” from Berlin Alexanderplatz (1980)

Rocco Granata - “Buona Notte Bambino” from The Merchant of Four Seasons (1971)

Suicide - “Frankie Teardrop” from In a Year of 13 Moons (1978)

Fleetwood Mac - “Albatross” from World on a Wire (1973)

Rudi Schuricke - “Caprifischer” from Lola (1981)

The Platters - “The Great Pretender” from The Bitter Tears of Petra von Kant (1972)

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diseased cube

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WRMMHOLE

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[040416]

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Chiesa Madre, Gibellina,  Ludovico Quaroni, 1972-85

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BLACKBOX

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BEACON

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Meredith Marsone’s Abstracted Portraits Explore Physical Connection

New Zealand based artist Meredith Marsone’s muted oil portraits reveal glimpses of her subjects in emotional and peaceful moments, “sparks” of realism amidst abstraction. They are typically painted with realistic details juxtaposed against areas of impasto, paint applied thickly enough that the brush or painting-knife strokes are visible. It’s a technique that she admits was borne out of frustration and is an artistically risky one, a process that she details at her Youtube channel and blog, where she recently wrote, “I think the best work I’ve made has been about things that are meaningful to me personally and have been about something I’ve had experience in.” Among her work’s primary themes are her explorations of identity, whether in her self-portraits or how we identify emotionally with others. In her recent “Oblivion” and “Intimates Series”, Marsone makes observations about how we connect to each other through our body language- her paintings capture an intimate glance, a blush, or the slightest touch of skin between the people in her portraits. “Connections are what life and therefore art is all about,” she says.

Hi-Fructose

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ZERO-HOLE

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#cinema4d #c4d #octane #render #abstract #art #3D #design #everday #daily #gsgdaily #digitalart #photoshop #maxon #otoy #adobe #rsa_graphics #D_Expo #illmatic_features #soplyhq

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I can’t remember everything at once. - Gus HolidaУ

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#cinema4d #c4d #octane #render #abstract #art #3D #design #everday #daily #gsgdaily #digitalart #photoshop #maxon #otoy #adobe #rsa_graphics #D_Expo #illmatic_features #soplyhq

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Tom Callemin

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Landscape 03 #cinema4d #c4d #octane #render #abstract #art #3D #design #everday #daily #gsgdaily #landscape #mountains #digitalart #photoshop #maxon #otoy #adobe #rsa_graphics #D_Expo #illmatic_features

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striped icebergs form as meltwater refreezes in crevasses atop glaciers before air bubbles can become trapped in the ice, which is later calved into icebergs, or when supercooled seawater freezes inside cracks beneath an ice shelf, which then becomes visible when the iceberg breaks off and flips.

over time, the weight of accumulated snow contorts and curves these blue bands of ice, as does erosion from waves and wind. dust and volcanic ash falling on the iceberg can darken the ice, while dissolved organic compounds entering from below can shade it towards cyan.

accumulated snow also compresses air bubbles trapped in the iceberg, thus preventing them from otherwise interfering with the passage of light. and because water absorbs photons from the red end of the visible spectrum much better than the blue end, bubble free ice takes on a blue colour.

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