leshorros

[leshorros]

oh those hikers are DEAD dead bro

[leshorros]

[leshorros]

[leshorros]

*i think about this a lot because like, regina was so hurt by emma. she was hurt and betrayed and she felt this with everything in her that emma never had her back, and that she’d never have her back because whenever emma tried to help her, it’d hurt her more. and like ever since this statement she’s tried everything in her power to show regina that she does have her back and then this sacrifice was like the ultimate, i’d do anything to help you so that you can keep your happiness, regina, from emma and it just gets me all the time

[leshorros]

SOPHIE THATCHER as NATALIE SCATORCCIO YELLOWJACKETS 3.04 "12 Angry Girls and 1 Drunk Travis"

[leshorros]

me every day without fail: I'll do [chore] when I get home

me when I get home:

[leshorros]

I'm sorry but Mari just singing "I'm too sexy for this cave I'm too sexy for this rope I'm too sexy for these rocks I'm too sexy to be murdered I'm a hostage" and then when she's out still managing to find hatred and stupidity in her heart to make jokes and continue beefing with Shauna telling her she'd walked over to civilization to fuck her dad even though she'd been maced and she had a fucked up knee is top tier television. One of the best fucking characters in the show. She's so doomed but so real and so funny. I love you, Mari. I hope you beat the allegations because you're great and I really don't want you to die in a pit. No one could match your haterism and your humor

[leshorros]

#like mother like daughter YELLOWJACKETS | Season 3, Episode 1, "It Girl"

[leshorros]

[leshorros]

I’m afraid nothing will top this scene it had me dying😭

[leshorros]

it came to my realization that 99% of my fandom related headaches would be cured if everyone understood this

[leshorros]

blog like no one's following you

[leshorros]

#she's so real

[leshorros]

YELLOWJACKETS 2.02 | 3.02

[leshorros]

IDGAF if the women in my fiction are empowering or aspirational, I'm an adult, I don't need role models, I want the women in my fiction to be interesting, and if that involves being pathetic, hypocritical, amoral, or trapped in a delightfully dysfunctional relationship so be it

[leshorros]

I don’t think we talk enough about how the entirety of Wicked is built on the irony of No One Mourns the Wicked. The musical exists because Glinda feels the need to tell Elphaba’s story, because she is in mourning and entirely alone in that. Glinda’s love is what creates the musical because no one mourns Elphaba except her, and that is an incredibly lonely place to be. She’s just lost two of the most important people to her, and all she’s trying to do is make someone, anyone else see how important they were.

[leshorros]

the ellipsis is the most powerful of all the punctuation…so versatile…i’m pondering…i’m omitting…i’m implying…i’m trailing off…