lemoniexmay

[lemoniexmay]

PROCESS BOOK. pt 14

final

[lemoniexmay]

PROCESS BOOK pt 13

development

I had printed the pages out, cut out how each page would look in the final outcome.

after this to get the measurement correct I taped the front cover to the original size of the page

[lemoniexmay]

PROCESS BOOK pt 12

development

I had to look into how I wanted to present each project. due to the font I wanted a sleek look that was able to introduce the project and separate each project quite harshly.

my design was inspired by the font I ended up choosing, each chapter would also have a different shade of green as well as page numbers next to what is within that part of the book.

[lemoniexmay]

PROCESS BOOK pt 11

development

after I started my layout I found the type wasn't what I wanted and didn't correlate to the rest of the book, so I tried something completely different with something more professional and sleek

this font worked very well with the rest of my book and felt like it concluded the style of the book well

[lemoniexmay]

PROCESS BOOK pt 10

development

I started creating my layout for my book which I wanted to resemble my sketchbook

[lemoniexmay]

PROCESS BOOK pt9

development

I then had to think about typeography I wanted to include. I wanted to use a related font to correlate to my front cover. after looking through adobe font I found the perfect one

[lemoniexmay]

PROCESS BOOK pt 8

development

this was the front cover I designed, within the mess there are many embedded details that relate to my project work. such as the house from my postcards or the flower from the magazine cover

[lemoniexmay]

PROCESS BOOK pt 7

development

I wanted to create an explosion type look, with a lot of texture and smooth edges, I also had to think it would be cutout onto a front cover of its own so it couldn't be to flimsy or delicate to open nor move about.

my main thing I wanted to communicate is the details from all of the projects I have done and created through out this term, to create the uniqueness with each rendition I would make in the future each one would include their own details from that term.

[lemoniexmay]

PROCESS BOOK pt6

book binding workshop

to start we bridged doen our spine and a line five mm next to it for out pages to open smoothly

jordy then put our covers into the machine that grates the spine of our pages to let the glue sit better. then she put hot glue on the spine with the machine to flip and cleanly connect the book together.

we did this workshop to see how our book was to be made and how secure. this workshop influenced how I was going to design my layout considering we had to factor in how the spine sits and how the pages open.

to remember this, straight after I created the margins and and extra spine pages for my layout. which meant I already had to think about what size page I would make. due to resembling my sketchbook, I thought of having a square page layout.

the spine is in the middle and the margin shows not to put anything in the 5mm space

[lemoniexmay]

PROCESS BOOK pt5

research

I found a poster design for a Korean movie called 'my heart is about to explode' created professionally by a Korean art university.

though this work doesn't have a significant studio was a heavy influence on some of the details of my piece.

[lemoniexmay]

PROCESS BOOK pt4

I also wanted. to look at how the work would be presented within the book swell as layout and I found

ANTOINE ET MANUEL | OFFSET 2012

Idiosyncratic and exuberant are two good words to start with when talking about French designers and visual artists, Antoine Audiau and Manuel Warosz. Since 1993, they've applied their surreal and dreamlike common vision to furniture, graphic art and anything else that's come their way.

they created m any books with their front cover only coving up half of the real size of the painting, I thought this is a beautiful idea to have a slick clean look within my own work.

[lemoniexmay]

PROCESS BOOK pt3

research

I firstly had a look at front covers and how I would create something unique and had the ability to be consistent knowing their are many more times we will be making a process book.

if I am to base the book of the colour in my sketchbook , I want to be able to have a collection of this style of book each time.

I wanted to have a look at something that isn't too similar to my other projects to have a clear distinguish, of something I also don't look at very often so wouldnt correlate in the future.

I had a look at texture of art to get this difference I had a look at the website " the different folk" who have a lot of unique artist how have an array of different styles, I found

Hust Wilson

Hust’s typography belongs on billboards and movie posters – 3D lettering that gets a message seen. His one-of-a-kind graphic design skills, spectral shading and manipulation of the written form have already graced the cover of The Hollywood Reporter, starred in Adobe events and adorned Nike’s Shapa Soweto facility

his texture creates a surreal feeling that I couldn't take my eyes off which I would love to embed into my work, as it also gives me a lot of free range to incorporate my work

[lemoniexmay]

PROCESS BOOK pt 2

research

I wanted to create something that relates to my sketch book that I create . the thing that makes my sketch book make sense to me is having margins of colourful patterns.

However this is a way for me to distinguish what section of the sketchbook im in.

each term has a colour that I focus on, last term being pink and this term being green. no specific reason for the colours apart from separation.

on top of this I have different designs with that colour to separate sections or projects.

this term:

place of words: flowers

communicating in colour: plain

process book: patterns

there's an app for that isn't included within my sketch book as its not a personal project and predominantly online.

I have used this separation for years so changing it now wouldn't make sense to me.

[lemoniexmay]

PROCESS BOOK

brief

examples of what to include: • Front cover, spine, back cover • Contents page • Chapter opener pages • Page titles • Short descriptive paragraphs – explain what is happening on each page. • Bibliography • References (Harvard style)

Sections relating to each brief within which you demonstrate: • Research into the brief • Analysis of research • Initial ideas for possible outcomes • Exploration and development of ideas (screenshots of designs along with annotations that explain your design decisions) • Documentation of related workshops • Feedback from tutorials and crits • Reflections and and insights into your design process • Final designs

Specifications Size: The size is up to you, we suggest larger than A5 and smaller than A3. It may be that you choose to create multiple smaller books (one for each project), or you may simply create sections/chapters within one larger book. Number of pages: Between 36 and 52 pages.

[lemoniexmay]

COMMUNICATING IN COLOUR pt18

final presentation

I had printed them out on 120 paper to give a thickness, I also added a colour themed back to relate to the postcards.

everyones postcard had a lot of variety considering each persons place they choose had a lot of difference in what they meant to each person so every place had a different feeling produced using different medias.

[lemoniexmay]

COMMUNICATING IN COLOUR pt17

final

[lemoniexmay]

COMMUNICATING IN COLOUR pt16

final

04

I dint mess with the image too much as the image itself has a lot of power on its own and my plan was just to enhance that