Alice||23 anni||Saronno|| Questo non è il paese delle meraviglie e Alice non è una principessa, si salva da sola. Un giorno giunge in un mondo non adatto a lei e si sente sbagliata. Prima è troppo grande, poi è troppo piccola per affrontare questo nuovo mondo, un po' come me. Ma alla fine ci riesce e dimostra di essere all'altezza di tutto cio che le sta attorno. E come lei vorrei riuscirci anche io|| Odio tutto di me stessa, il mio corpo, il mio essere fragile. Amo aiutare le persone che stanno affrontando un periodo difficile o problemi più grandi di loro, anche se spesso mi ci nascondo per evitare i miei. Credo che nella società di oggi bisognerebbe vedere le persone senza etichette perché spesso si nascondono verità molto più difficili di ciò che si possa pensare, e soprattutto si vivrebbe meglio senza tutti quei modelli che ci vengono imposti|| Addicted to music and artistic gymnastics.
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dovete dirlo alle persone quando le pensate
o quando vi mancano
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So, here’s the deal: after we dropped this comic and it turned out to be a success, we felt this itch—an almost physical urge—to revisit it. Not to remake it per se, but to refine, to tweak, to smooth out those minor imperfections that only become visible in hindsight, like hairline cracks in a mirror that otherwise reflects something whole.
Then, along comes this offer from a print studio, and not just any print studio but one with three locations across the globe, which is kind of a big deal if you think about it. Their whole operation is basically the dream scenario for anyone who cares about what they're producing: colors that aren’t just bright but seem to vibrate on some kind of metaphysical level, like they’ve bypassed your retina and gone straight to the part of your brain responsible for wonder. And let’s not forget the paper. This isn’t your run-of-the-mill, office supply store stuff. We’re talking thick, textured, almost sinfully durable paper. Like, you could probably frame this without glass, and it would still hold up against the minor apocalypses that tend to occur in your living room.
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Speaking of frames—another thing. They’ve got this black one that’s absurdly high-end, so good that they don’t just frame the print, they frame you, like they re-contextualize your entire existence as someone who actually cares about aesthetics. Which, if we’re being brutally honest, is part of the reason for the price, and we get it: some of you have raised an eyebrow or two about the cost, and we don’t blame you. But here’s the thing: The price isn’t arbitrary. It’s a function of the quality and the ethically sound supply chain. Yes, it’s on the higher end of the spectrum. Yes, it’s an investment. But imagine this: your artistically disaffected friends and the snobbish dinner guests whose approval you secretly crave? They’re going to stand in front of this print, struck dumb, maybe for the first time in their lives, because they’re faced with something they can’t cynically deconstruct. And isn’t that worth it?
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Cupid and Psyche by Adamo Tadolini, Lake Como
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