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Hello, Im Falestine from Gaza🍉🍉. . Im married and have son his name yousef , i born him in war.
Sorry if I am harassing you asking for help, I am extremely embarrassed and embarrassed of trying to ask for help.
I simply don’t want to die, I want to live I want to give Yousef a better life. Help me to escape Gaza
I lost apart of my family😭, my home, and everything I own. We are living in difficult circumstances. I hope you can help me by donating even a simple thing orو publishing 🙏🙏
My campaign was vetted by 90ghost🫂
https://gofund.me/7e05a237
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But grief isn’t a competition. It’s not an identical pain that we all meet one day when death finds us. It’s a monster, personalized by our love and memories to devour us just so. Grief is suffering, tailored.
Bloodmarked by Tracy Deonn
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*YAWN*
I think most of us can agree that after season 5, the seasons have progressively gotten a little bit better after each one. So much so that we haven’t had too much to harp on, but All Stars is such a snooze fest. I feel like the episodes dragggg and absolutely nothing happens.
We get the same drama with Finn and Kat each week and honestly I’m BORED. Like is Finn an option or not?? If there was at least some drama but a more developed underlying connection with Finn and MC I could almost look past it, but even the moments you get with him are so fleeting as he’s whisked away for another chat with a girl who supposedly doesn’t care about him.
STEFAN…. AGAIN?!?! We keep talking about this man so much at least let me see him!!! Because I’m over here building up the storyline that I’m not over him and if he’s not hotter than Henri sorry babes but I don’t want it 😬 speaking of Henri..that whole date with the ex and him being hung up about it but then acting all in love with us. Like sir! How are you THIS affected by someone you don’t like and don’t see a future with. I can’t imagine that, that was our last time hearing of Nancy and I’m sure she’ll come back at some point.
I keep playing, waiting for something to happen but nothing but the same old shit happens over and over again. Because let’s be so fr, you know next week Kat is gonna go first and choose Finn bc they have so much to talk about still BUT SHES COMPLETELY OVER HIM!!! Like babe you’re in the same villa together u don’t need to be in a couple to talk. Hamish will be locked off with either Melissa or Natasha. Which will leave MC with Chen, Henri and the new boy she brought back Jude/Lyle. Whoever she doesn’t choose will be bummed but still not giving up on her, doesn’t matter if you’ve pied them off several times.
Also sorry I know the people writing the game are from the UK and it’s such a small thing but it completely breaks the immersion for me when my MC is from the US and is saying MUM lol it’s MOM. Or when any of the islanders not from the UK are saying phrases/words that they would not say in their home countries. Fav snack being CRISPS lol it’s chips!! If you’re going to make islanders have diverse backgrounds at least keep it consistent!
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mind boggled!!!!!!
Legendborn fans, HOW WE FEELING?
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reblog if you're also waiting impatiently for legendborn 3
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Would draw the whole Mageguard from bloodmarked
I cant draw right now but like, i have already drew them twice :D
Aaalso, u made me think about legendbon again so i was scrolling through my old drawing and also find this ones here i dont remember posting but they are so cool i wanna share :O
These 2 i was trying make an wallpaper to my laptop, i failed, but they are still fucking cool (specially this second one omg i did this? 😨)
I ate w this eyes one, and theres this cutie pie bree 💞🤓
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reblog if you're also waiting impatiently for legendborn 3
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Words to use instead of ‘said’
**Using the word ‘said’ is absolutely not a bad choice, and in fact, you will want to use it for at least 40% of all your dialogue tags. Using other words can be great, especially for description and showing emotion, but used in excess can take away or distract from the story.
Neutral: acknowledged, added, affirmed, agreed, announced, answered, appealed, articulated, attested, began, bemused, boasted, called, chimed in, claimed, clarified, commented, conceded, confided, confirmed, contended, continued, corrected, decided, declared, deflected, demurred, disclosed, disputed, emphasized, explained, expressed, finished, gloated, greeted, hinted, imitated, imparted, implied, informed, interjected, insinuated, insisted, instructed, lectured, maintained, mouthed, mused, noted, observed, offered, put forth, reassured, recited, remarked, repeated, requested, replied, revealed, shared, spoke up, stated, suggested, uttered, voiced, volunteered, vowed, went on
Persuasive: advised, appealed, asserted, assured, begged, cajoled, claimed, convinced, directed, encouraged, implored, insisted, pleaded, pressed, probed, prodded, prompted, stressed, suggested, urged
Continuously: babbled, chattered, jabbered, rambled, rattled on
Quietly: admitted, breathed, confessed, croaked, crooned, grumbled, hissed, mumbled, murmured, muttered, purred, sighed, whispered
Loudly: bellowed, blurted, boomed, cried, hollered, howled, piped, roared, screamed, screeched, shouted, shrieked, squawked, thundered, wailed, yelled, yelped
Happily/Lovingly: admired, beamed, cackled, cheered, chirped, comforted, consoled, cooed, empathized, flirted, gushed, hummed, invited, praised, proclaimed, professed, reassured, soothed, squealed, whooped
Humour: bantered, chuckled, giggled, guffawed, jested, joked, joshed
Sad: bawled, begged, bemoaned, blubbered, grieved, lamented, mewled, mourned, pleaded, sniffled, sniveled, sobbed, wailed, wept, whimpered
Frustrated: argued, bickered, chastised, complained, exasperated, groaned, huffed, protested, whinged
Anger: accused, bristled, criticized, condemned, cursed, demanded, denounced, erupted, fumed, growled, lied, nagged, ordered, provoked, raged, ranted remonstrated, retorted, scoffed, scolded, scowled, seethed, shot, snapped, snarled, sneered, spat, stormed, swore, taunted, threatened, warned
Disgust: cringed, gagged, groused, griped, grunted, mocked, rasped, sniffed, snorted
Fear: cautioned, faltered, fretted, gasped, quaked, quavered, shuddered, stammered, stuttered, trembled, warned, whimpered, whined
Excited: beamed, cheered, cried out, crowed, exclaimed, gushed, rejoiced, sang, trumpeted
Surprised: blurted, exclaimed, gasped, marveled, sputtered, yelped
Provoked: bragged, dared, gibed, goaded, insulted, jeered, lied, mimicked, nagged, pestered, provoked, quipped, ribbed, ridiculed, sassed, teased
Uncertainty/Questionned: asked, challenged, coaxed, concluded, countered, debated, doubted, entreated, guessed, hesitated, hinted, implored, inquired, objected, persuaded, petitioned, pleaded, pondered, pressed, probed, proposed, queried, questioned, quizzed, reasoned, reiterated, reported, requested, speculated, supposed, surmised, testified, theorized, verified, wondered
This is by no means a full list, but should be more than enough to get you started!
Any more words you favor? Add them in the comments!
Happy Writing :)
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A Little Legendborn/Bloodmarked Symbolism (Spoilers ahead)
Mrs. Deonn has done such a bomb ass job in this series with all the delicious Easter eggs she has planted throughout. From things being in threes, the callbacks to LB from BM, the foreshadowing. The list goes on and on. I like to play with some of these delicious elements (you can find my post of LB/BM color theory here) and have put forth my latest contribution.
The Mighty Oak/Tree Symbolism
“Vera stands before me, bathed in blood and flame, hair stretching wide and loose like a live oak.”
The oak represents longevity, strength, stability, endurance, fertility, power, justice, and honesty. As we know the oldest mother held Arthur back AND pulled Excalibur through Bree. What I also found curious was the bit of Celtic history regarding oak trees. Dara, which means oak tree, is a form of Celtic Knot formed by an endless series of interlocked lines with no beginning or end symbolizing eternity, strength, and unity. Trees can represent the connection between the spirit world, ancestors, and can serve as entry points to other worlds. In Legendborn when Sel tries to kill Bree in the graveyard and they have to run, he says “Datgelaf, dadrithiaf” (I reveal, I disillusion) to open a door over the roots of an oak tree in order to hide from the hounds. The roots of the tree providing protection and cover concealing the gate to the campus’ underground tunnel system.
“But I’ve lived long enough to learn to live as the willow, not the oak.” Valec says this in Bloodmarked before handing Sel his ass in his office. This was a hella interesting statement coming from Valechaz. The willow tree represents flexibility and adaptability. Its branches bend and flex to withstand its environment. It is seen as a symbol of humans’ capability to withstand hardship, loss, and difficult emotions. The willow tree is also seen as a survivor and a symbol of rebirth. Baby if that isn’t Valec, I don’t know what is! He goes with the flow, is resilient, and can and has withstood the storm. He has survived chattel slavery and chooses his wit and street smarts if you will, as opposed to his strength and power. However, don’t get it twisted, Valec will wear that ass out if needed.
Cedar
“When he catches up, his fresh-laundry-and-cedar scent comes with him. Of course he smells good.”
When Bree meets Nick for the first time, I remember the cedar note of his scent standing out to me the most. I have a hundred year old cedar chest that belonged to my great grandparents which reminded me why that note stood out. Cedar symbolizes greatness, nobility, strength and incorruptibility. Cedar never rots and according to Celtic astrology, the cedar symbolizes trust. Well then Nick Davis, enter the chat. In my reading I also discovered that cedar represents the duality of nature. Fierce and resolute, however, elegant and tender. These trees are massive and the use of cedar in ancient times to forge vessels, homes, and the sarcophagi to carry the ancestors home is a testament to its strength and durability. If you peel away the winding fibrous bark of a cedar tree you’ll find a fragrant and sensual heartwood with medicinal and spiritual uses dating back to ancient times.
Leather
A symbol of power, protection, rebellion, freedom, and elegance (Valec has a hint of this in his signature as well) leather is strong and durable. It has been used in everything from armor to boots and served as protection for the wearer.
“A long line of Merlins in my family. Ma da makes leather armor and things, pieces we can wear under our clothes if we go hunting in public…The old ways get forgotten, I guess.”
Lark says this to Bree in Bloodmarked when gifting her the gauntlets his da handcrafted. By the way, that was so damn sweet it gave me “the sugar” as the old folks used to say. We know Lark has a nobility and respect for “The old ways” as we see him risk it all to get Sel out of the institute and on the plane. Lark was showing Bree the ropes at the funeral. Despite her warranted rage, he was there making sure she was safe in Selwyn’s absence, while giving her a bit of game to further protect her in the presence of the regents. The scene in the beast where he is being snatched out of the car and he makes eye contact with Bree,
“He roars, teeth bared. Punches his fingers deep into the leather cushions on either side of my hips, down to the metal bars that bolt the seats to the floor. Holds tight, stopping himself. He growls with the effort, eyes pinned to mine, body nearly vertical, feet to the sky.”
I kid that this was the worst first day of work ever, but the devotion to his duty, the willingness and readiness to protect Bree is so painfully beautiful it hurts. Especially since we know Lark is the real deal, authentic as hell and wants to do what is right. And of course, he was there at Volition carrying Sel back towards the main house because he truly holds honor in high regard. The fact that he uses ancient materials and seems to have a general groundedness to his personality makes the leather accompaniment so appropriate. Lark is protection. Lark is rebellion. Lark is freedom.
Taking a deeper look into some of Tracy’s choices shows the painstaking detail she put into crafting these beautiful characters. The symbolism of trees and their strength and endurance, their ability to withstand is so apt in this series. The elements of nature that call back to ancient times, the roots, the growth. The way Lark’s family reaches back to simpler times when leather was used to make clothing, act as armor, and is handcrafted really speaks to the authenticity he possesses. The time it took his da to create something so beautiful for something so brutal and merciless such as battle shows a level of care and respect that is clearly reflected in his being.
Let me know your wonderful thoughts and feedback. Think I may do a little scent theory next.
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Cop: You’re receiving a ticket for having five people on one motorcycle. Alice: Shit. Bree: Wait, five? Cop: Yeah? William: OH MY GOD LARK FELL OFF!!!
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Reactions to grief
Denial and Disbelief: Initially, a character may struggle to accept the reality of their loss. They might refuse to believe that their loved one is gone, clinging to hope or desperately searching for any signs of their presence.
Emotional Turmoil: Grief often brings intense emotional upheaval. Characters may experience profound sadness, despair, anger, guilt, or a mix of conflicting emotions. Their moods may fluctuate drastically, leading to outbursts of tears, frustration, or numbness.
Withdrawal and Isolation: Some characters might withdraw from social interactions, seeking solitude to process their grief. They may isolate themselves from others, finding solace in their own thoughts and memories.
- Physical Symptoms: Grief can manifest in physical symptoms such as loss of appetite, insomnia, fatigue, headaches, or other psychosomatic manifestations. These physical reactions can reflect the toll that grief takes on the character's overall well-being.
Immersion in Memories: Characters may immerse themselves in memories of the person they've lost. They might seek comfort in looking at old photographs, listening to recordings, or visiting significant places that remind them of their loved one.
Guilt and Regret: Characters may grapple with guilt and regret over things left unsaid or unresolved issues with the deceased. They may blame themselves for not being able to prevent the loss or feel remorse for any negative actions or words in the past.
Seeking Closure: Characters might actively seek closure by investigating the circumstances surrounding the loss or searching for answers. This could involve conducting their own inquiries, talking to people connected to the situation, or even pursuing spiritual or metaphysical avenues.
Attempting to Fill the Void: Some characters may try to fill the void left by their loss by immersing themselves in work, hobbies, or other distractions. This can be a way to cope with the pain or to create a sense of purpose in the absence of their loved one.
Rediscovering Meaning: Over time, characters may go through a process of reevaluating their own life's purpose and finding new meaning or direction. This can involve pursuing new interests, engaging in charitable acts, or dedicating themselves to causes that honor the memory of the person they've lost.
Healing and Acceptance: Eventually, characters may find a sense of healing and acceptance. While the pain of the loss never fully disappears, they learn to live with their grief and carry the memory of their loved one with them. This can lead to a renewed sense of purpose or a deepened appreciation for life.
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Character Movements #1
1. Sighing: The character releases a deep breath, conveying frustration, relief, weariness, or resignation.
2. Shivering: The character's body trembles involuntarily, often indicating fear, coldness, or a strong emotional response.
3. Trembling hands: The character's hands shake noticeably, suggesting nervousness, anxiety, or fear.
4. Clenching fists: The character tightens their hands into fists, expressing anger, determination, or frustration.
5. Biting nails: The character nibbles or bites their nails, indicating nervousness, anxiety, or anticipation.
6. Tapping fingers: The character rhythmically taps their fingers on a surface, suggesting impatience, irritation, or deep thought.
7. Pacing: The character walks back and forth in a small area, indicating restlessness, anxiety, or contemplation.
8. Slumping shoulders: The character's shoulders droop or sag, conveying defeat, sadness, or exhaustion.
9. Tilting head: The character inclines their head to the side, expressing curiosity, attentiveness, or confusion.
10. Rubbing temples: The character massages their temples with their fingertips, suggesting stress, tiredness, or a headache.
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Body language cheat sheet for writers
As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:
Facial Expressions:
* Raised eyebrows: Surprise, disbelief, or curiosity.
* Furrowed brow: Concentration, confusion, or frustration.
* Smiling: Happiness, amusement, or friendliness.
* Frowning: Disapproval, sadness, or concern.
* Lip biting: Nervousness, anticipation, or tension.
Eye Movements:
* Eye contact: Confidence, interest, or honesty.
* Avoiding eye contact: Shyness, guilt, or deception.
* Narrowed eyes: Suspicion, skepticism, or concentration.
* Wide eyes: Shock, fear, or surprise.
* Rolling eyes: Exasperation, annoyance, or disbelief.
Gestures:
* Crossing arms: Defensiveness, disagreement, or discomfort.
* Nervous fidgeting: Anxiety, restlessness, or impatience.
* Pointing: Assertiveness, emphasis, or accusation.
* Open palms: Honesty, openness, or sincerity.
* Hand on chin: Deep thought, contemplation, or evaluation.
Posture and Movement:
* Slumped shoulders: Defeat, sadness, or fatigue.
* Upright posture: Confidence, attentiveness, or authority.
* Pacing: Restlessness, agitation, or contemplation.
* Tapping foot: Impatience, annoyance, or frustration.
* Leaning in: Interest, engagement, or curiosity.
Touch:
* Hugging: Affection, comfort, or warmth.
* Handshake: Greeting, introduction, or agreement.
* Patting on the back: Encouragement, praise, or camaraderie.
* Clenched fists: Anger, determination, or frustration.
* Brushing hair behind the ear: Nervousness, coyness, or flirtation.
Mirroring:
* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.
Nodding:
* A subtle nod can convey agreement, understanding, or encouragement.
Crossed legs:
* Crossed legs can indicate relaxation or a casual, nonchalant attitude.
Tapping fingers:
* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.
Hand on the chest:
* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.
- Tilting the head:
* Tilting the head to the side can suggest curiosity, attentiveness, or interest.
Rubbing the temples:
* Rubbing the temples can indicate stress, fatigue, or a headache.
Chin stroking:
* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.
Arms crossed behind the back:
* This posture can indicate authority, confidence, or a composed demeanor.
Tilted body posture:
* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.
Biting nails:
* Nail-biting can reveal anxiety, nervousness, or tension.
Foot tapping:
* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.
Squinting:
* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.
Shifting weight from foot to foot:
* Shifting weight can imply discomfort, unease, or anticipation.
Covering the mouth while speaking:
* This gesture can indicate hesitation, embarrassment, or the desire to hide something.
Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.
Happy writing!
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Good Traits Gone Bad
Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:
1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.
2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.
3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.
4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.
5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.
6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.
7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.
8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.
9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.
10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.
These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.
Happy writing!
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