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Seoul, 2017

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Seoul, April 2017

Seoul is an intensely vibrant city, but the the pockets of darkness that aren’t touched by the harsh LED drew me in more than anything else. 

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NYC, 2017

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Animated Conversation, 2018

Two shots from a suite of photographs taken for a final assessment I submitted at University this year (2018).

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Queensport Rocks Park, 2018

two shots from a shoot I did for a University assessment this year (2018). Exploring in-camera colour manipulation through the white balance and ISO along with exploring shape and movement. 

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Lucky Phone, 2018

two shots that didn’t quite make the cut for a final assessment I submitted for University this year (2018).  Titled Lucky Phone, these two shots convey the distance I felt moving from Hong Kong to Australia and how although i am still connected with my former home, I also feel the separation and pains of readjusting. 

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Osaka, 2018

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Flushing NYC, 2017

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Experimentation with deconstructing a 360 Camera in order to create a different mood. Staring a close friend of mine of whom graciously gave up her time. 

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A short VR sensory experience I created using 3D assets constructed in Remake and field recordings of Hong Kong.  Works best on the Facebook Mobile App and on the Google Chrome Browser. 

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Abandoned Lot, July 2016

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Testing out Remake. 

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“Your fucking evidence lock up murder footage aesthetic makes me so unsettled.”

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Harajuku to Yoyogi

Tokyo, 2016 taken by me

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Sham Shui Po, July 2016