knifeeater

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Tracey Moffatt [no title], 1997

Moffatt is a photographer who explores her own memories and identity as a lot of her work is biographical. As part of her Mothers Day series, Moffatt explores the relationship between herself and her own mother.

I like how her work shows people in action, like they are images of moments frozen in time.

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The remains of a mid-16th century church known as the Temple of Santiago is visible Friday from the surface of the Grijalva River due to the lack of rain near the town of Nueva Quechula, in Chiapas state, Mexico.

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you boys sure found a way to make the time pass up there. BROKEBACK MOUNTAIN (2005) dir. ang lee

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Hannibal Lecter Sick Bitch

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BLACK SAILS - S01E03 // S04E09.

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Centrographicus

Mundus subterraneus

1668

Kirchner Athanasius 

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Arild Rosenkrantz - In the Heart of the Forest / Au coeur de la forêt (1900)

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Picnic at Hanging Rock dir. Peter Weir (1975) / Sharp Objects 1.08 Milk dir. Jean-Marc Vallée (2018)

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I like to find what's not found at once, but lies within something of another nature, in repose, distinct. I like the juicy stem of grass that grows within the coarser leaf folded round, and the butteryellow glow in the narrow flute from which the morning-glory opens blue and cool on a hot morning.

from Pleasures by Denise Levertov

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Michael Triegel: “Saint Sebastian”

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“… we feel how transparent the envelope of the body, pushed through the door of the world. To read what’s inside we hold each other up to the light. We hold the ones we love or long to be free of, carry them into every night field, sit with them while cows slow as ships barely move in the distance. Rain dripping from the awning of stars.”

— Anne Michaels, from “Skin Divers,” Skin Divers

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The Wild Swans, 1987

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Mario Reviglione (1883-1965) - Portrait in black of Mrs. Levi Muzzani.

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Duvidha | dir. Mani Kaul (1973)

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Gwendoline Christie closing Maison Margiela Couture ᥫ᭡

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this speech goes crazyyyy they talk about flint like he's a god and silver his prophet