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words to use when writing
Appetite:
craving, demand, gluttony, greed, hunger, inclination, insatiable, longing, lust, passion, ravenousness, relish, taste, thirst, urge, voracity, weakness, willingness, yearning, ardor, dedication, desire, devotion, enthusiasm, excitement, fervor, horny, intensity, keenness, wholeheartedness, zeal
Arouse:
agitate, awaken, electrify, enliven, excite, entice, foment, goad, incite, inflame, instigate, kindle, provoke, rally, rouse, spark, stimulate, stir, thrill, waken, warm, whet, attract, charm, coax, fire up, fuel, heat up, lure, produce, stir up, tantalize, tease, tempt, thrum, torment, wind up, work up
Assault:
attack, advancing, aggressive, assailing, charging, incursion, inundated, invasion, offensive, onset, onslaught, overwhelmed, ruinous, tempestuous, strike, violation, ambush, assail, barrage, bombard, bombardment, crackdown, wound
Beautiful:Â
admirable, alluring, angelic, appealing, bewitching, charming, dazzling, delicate, delightful, divine, elegant, enticing, exquisite, fascinating, gorgeous, graceful, grand, magnificent, marvelous, pleasing, radiant, ravishing, resplendent, splendid, stunning, sublime, attractive, beguiling, captivating, enchanting, engaging, enthralling, eye-catching, fetching, fine, fine-looking, good-looking, handsome, inviting, lovely, mesmeric, mesmerizing, pretty, rakish, refined, striking, tantalizing, tempting
Brutal:
atrocious, barbarous, bloodthirsty, callous, cruel, feral, ferocious, hard, harsh, heartless, inhuman, merciless, murderous, pitiless, remorseless, rough, rude, ruthless, savage, severe, terrible, unmerciful, vicious, bestial, brute, brutish, cold-blooded, fierce, gory, nasty, rancorous, sadistic, uncompromising, unfeeling, unforgiving, unpitying, violent, wild
Burly:
able-bodied, athletic, beefy, big, brawny, broad-shouldered, bulky, dense, enormous, great, hard, hardy, hearty, heavily built, heavy, hefty, huge, husky, immense, large, massive, muscular, mighty, outsized, oversized, powerful, powerfully built, prodigious, robust, solid, stalwart, stocky, stout, strapping, strong, strongly built, sturdy, thick, thickset, tough, well-built, well-developed
Carnal:
animalistic, bodily, impure, lascivious, lecherous, lewd, libidinous, licentious, lustful, physical, prurient, salacious, sensuous, voluptuous, vulgar, wanton, , coarse, crude, dirty, raunchy, rough, unclean
Dangerous:
alarming, critical, fatal, formidable, impending, malignant, menacing, mortal, nasty, perilous, precarious, pressing, serious, terrible, threatening, treacherous, urgent, vulnerable, wicked, acute, damaging, deadly, death-defying, deathly, destructive, detrimental, explosive, grave, harmful, hazardous, injurious, lethal, life-threatening, noxious, poisonous, risky, severe, terrifying, toxic, unsafe, unstable, venomous
Dark:
atrocious, corrupt, forbidding, foul, infernal, midnight, morbid, ominous, sinful, sinister, somber, threatening, twilight, vile, wicked, abject, alarming, appalling, baleful, bizarre, bleak, bloodcurdling, boding evil, chilling, cold, condemned, creepy, damned, daunting, demented, desolate, dire, dismal, disturbing, doomed, dour, dread, dreary, dusk, eerie, fear, fearsome, frightening, ghastly, ghostly, ghoulish, gloom, gloomy, grave, grim, grisly, gruesome, hair-raising, haunted, hideous, hopeless, horrendous, horrible, horrid, horrific, horrifying, horror, ill-fated, ill-omened, ill-starred, inauspicious, inhospitable, looming, lost, macabre, malice, malignant, menacing, murky, mysterious, night, panic, pessimistic, petrifying, scary, shadows, shadowy, shade, shady, shocking, soul-destroying, sour, spine-chilling, spine-tingling, strange, terrifying, uncanny, unearthly, unlucky, unnatural, unnerving, weird, wretched
Delicious:
enticing, exquisite, luscious, lush, rich, savory, sweet, tasty, tempting, appetizing, delectable, flavorsome, full of flavor, juicy, lip-smacking, mouth-watering, piquant, relish, ripe, salty, spicy, scrummy, scrumptious, succulent, tangy, tart, tasty, yummy, zesty
Ecstasy:
delectation, delirium, elation, euphoria, fervor, frenzy, joy, rapture, transport, bliss, excitement, happiness, heaven, high, paradise, rhapsody, thrill, blissful, delighted, elated, extremely happy, in raptures (of delight), in seventh heaven, jubilant, on cloud nine, overexcited, overjoyed, rapturous, thrilled
Ecstatic:
delirious, enraptured, euphoric, fervent, frenzied, joyous, transported, wild
Erotic:
amatory, amorous, aphrodisiac, carnal, earthy, erogenous, fervid, filthy, hot, impassioned, lascivious, lecherous, lewd, raw, romantic, rousing, salacious, seductive, sensual, sexual, spicy, steamy, stimulating, suggestive, titillating, voluptuous, tantalizing
Gasp:
catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, windedÂ
Heated:
ardent, avid, excited, fervent, fervid, fierce, fiery, frenzied, furious, impassioned, intense, passionate, raging, scalding, scorched, stormy, tempestuous, vehement, violent, ablaze, aflame, all-consuming, blazing, blistering, burning, crazed, explosive, febrile, feverish, fired up, flaming, flushed, frantic, hot, hot-blooded, impatient, incensed, maddening, obsessed, possessed, randy, searing, sizzling, smoldering, sweltering, torrid, turbulent, volatile, worked up, zealous
Hunger:
appetite, ache, craving, gluttony, greed, longing, lust, mania, mouth-watering, ravenous, voracious, want, yearning, thirst
Hungry:
avid, carnivorous, covetous, craving, eager, greedy, hungered, rapacious, ravenous, starved, unsatisfied, voracious, avaricious, desirous, famished, grasping, insatiable, keen, longing, predatory, ravening, starving, thirsty, wanting
Intense:
forceful, severe, passionate, acute, agonizing, ardent, anxious, biting, bitter, burning, close, consuming, cutting, deep, eager, earnest, excessive, exquisite, extreme, fervent, fervid, fierce, forcible, great, harsh, impassioned, keen, marked, piercing, powerful, profound, severe, sharp, strong, vehement, violent, vivid, vigorous
Liquid:
damp, cream, creamy, dripping, ichorous, juicy, moist, luscious, melted, moist, pulpy, sappy, soaking, solvent, sopping, succulent, viscous, wet / aqueous, broth, elixir, extract, flux, juice, liquor, nectar, sap, sauce, secretion, solution, vitae, awash, moisture, boggy, dewy, drenched, drip, drop, droplet, drowning, flood, flooded, flowing, fountain, jewel, leaky, milky, overflowing, saturated, slick, slippery, soaked, sodden, soggy, stream, swamp, tear, teardrop, torrent, waterlogged, watery, weeping
Lithe:
agile, lean, pliant, slight, spare, sinewy, slender, supple, deft, fit, flexible, lanky, leggy, limber, lissom, lissome, nimble, sinuous, skinny, sleek, slender, slim, svelte, trim, thin, willowy, wiry
Moan:
beef, cry, gripe, grouse, grumble, lament, lamentation, plaint, sob, wail, whine, bemoan, bewail, carp, deplore, grieve, gripe, grouse, grumble, keen, lament, sigh, sob, wail, whine, mewl
Moving:
(exciting,) affecting, effective arousing, awakening, breathless, dynamic, eloquent, emotional, emotive, expressive, fecund, far-out, felt in gut, grabbed by, gripping, heartbreaking, heartrending, impelling, impressive, inspirational, meaningful, mind-bending, mind-blowing, motivating, persuasive, poignant, propelling, provoking, quickening, rallying, rousing, significant, stimulating, simulative, stirring, stunning, touching, awe-inspiring, energizing, exhilarating, fascinating, heart pounding, heart stopping, inspiring, riveting, thrilling
Need:
compulsion, demand, desperate, devoir, extremity, impatient longing, must, urge, urgency / desire, appetite, avid, burn, craving, eagerness, fascination, greed, hunger, insatiable, longing, lust, taste, thirst, voracious, want, yearning, ache, addiction, aspiration, desire, fever, fixation, hankering, hope, impulse, inclination, infatuation, itch, obsession, passion, pining, wish, yen
Pain:Â
ache, afflict, affliction, agony, agonize, anguish, bite, burn, chafe, distress, fever, grief, hurt, inflame, laceration, misery, pang, punish, sting, suffering, tenderness, throb, throe, torment, torture, smart
Painful:
aching, agonizing, arduous, awful, biting, burning, caustic, dire, distressing, dreadful, excruciating, extreme, grievous, inflamed, piercing, raw, sensitive, severe, sharp, tender, terrible, throbbing, tormenting, angry, bleeding, bloody, bruised, cutting, hurting, injured, irritated, prickly, skinned, smarting, sore, stinging, unbearable, uncomfortable, upsetting, wounded
Perverted:Â
aberrant, abnormal, corrupt, debased, debauched, defiling, depraved, deviant, monstrous, tainted, twisted, vicious, warped, wicked, abhorrent, base, decadent, degenerate, degrading, dirty, disgusting, dissipated, dissolute, distasteful, hedonistic, immodest, immoral, indecent, indulgent, licentious, nasty, profligate, repellent, repugnant, repulsive, revolting, shameful, shameless, sickening, sinful, smutty, sordid, unscrupulous, vileÂ
Pleasurable:
charming, gratifying, luscious, satisfying, savory, agreeable, delicious, delightful, enjoyable, nice, pleasant, pleasing, soothing, succulent
Pleasure:
bliss, delight, gluttony, gratification, relish, satisfaction, thrill, adventure, amusement, buzz, contentment, delight, desire, ecstasy, enjoyment, excitement, fun, happiness, harmony, heaven, joy, kick, liking, paradise, seventh heavenÂ
Rapacious:
avaricious, ferocious, furious, greedy, predatory, ravening, ravenous, savage, voracious, aggressive, gluttonous, grasping, insatiable, marauding, plundering
Rapture:
bliss, ecstasy, elation, exaltation, glory, gratification, passion, pleasure, floating, unbridled joy
Rigid:
adamant, austere, definite, determined, exact, firm, hard, rigorous, solid, stern, uncompromising, unrelenting, unyielding, concrete, fixed, harsh, immovable, inflexible, obstinate, resolute, resolved, severe, steadfast, steady, stiff, strong, strict, stubborn, taut, tense, tight, tough, unbending, unchangeable, unwavering
Sudden:
abrupt, accelerated, acute, fast, flashing, fleeting, hasty, headlong, hurried, immediate, impetuous, impulsive, quick, quickening, rapid, rash, rushing, swift, brash, brisk, brusque, instant, instantaneous, out of the blue, reckless, rushed, sharp, spontaneous, urgent, without warning
Thrust:
(forward) advance, drive, forge, impetus, impulsion, lunge, momentum, onslaught, poke, pressure, prod, propulsion, punch, push, shove, power, proceed, progress, propel
(push hard) assail, assault, attack, bear down, buck, drive, force, heave, impale, impel, jab, lunge, plunge, press, pound, prod, ram, shove, stab, transfix, urge, bang, burrow, cram, gouge, jam, pierce, punch, slam, spear, spike, stick
Thunder-struck:
amazed, astonished, aghast, astounded, awestruck, confounded, dazed, dazed, dismayed, overwhelmed, shocked, staggered, startled, stunned, gob-smacked, bewildered, dumbfounded, flabbergasted, horrified, incredulous, surprised, taken abackÂ
Torment:
agony, anguish, hurt, misery, pain, punishment, suffering, afflict, angst, conflict, distress, grief, heartache, misfortune, nightmare, persecute, plague, sorrow, strife, tease, test, trial, tribulation, torture, turmoil, vex, woe
Touch:
(physical) - blow, brush, caress, collide, come together, contact, converge, crash, cuddle, embrace, feel, feel up, finger, fondle, frisk, glance, glide, graze, grope, handle, hit, hug, impact, join, junction, kiss, lick, line, manipulate, march, massage, meet, nudge, palm, partake, pat, paw, peck, pet, pinch, probe, push, reach, rub, scratch, skim, slide, smooth, strike, stroke, suck, sweep, tag, tap, taste, thumb, tickle, tip, touching, toy, bite, bump, burrow, buss, bury, circle, claw, clean, clutch, cover, creep, crush, cup, curl, delve, dig, drag, draw, ease, edge, fiddle with, flick, flit, fumble, grind, grip, grub, hold, huddle, knead, lap, lave, lay a hand on, maneuver, manhandle, mash, mold, muzzle, neck, nestle, nibble, nip, nuzzle, outline, play, polish, press, pull, rasp, ravish, ream, rim, run, scoop, scrabble, scrape, scrub, shave, shift, shunt, skate, slip, slither, smack, snake, snuggle, soothe, spank, splay, spread, squeeze, stretch, swipe, tangle, tease, thump, tongue, trace, trail, tunnel twiddle, twirl, twist, tug, work, wrapÂ
(mental) - communicate, examine, inspect, perception, scrutinize
Wet:
bathe, bleed, burst, cascade, course, cover, cream, damp, dampen, deluge, dip, douse, drench, dribble, drip, drizzle, drool, drop, drown, dunk, erupt, flood, flow, gush, immerse, issue, jet, leach, leak, moisten, ooze, overflow, permeate, plunge, pour, rain, rinse, run, salivate, saturate, secrete, seep, shower, shoot, slaver, slobber, slop, slosh, sluice, spill, soak, souse, spew, spit, splash, splatter, spout, spray, sprinkle, spurt, squirt, steep, stream, submerge, surge, swab, swamp, swill, swim, trickle, wash, water
Wicked:
abominable, amoral, atrocious, awful, base, barbarous, dangerous, debased, depraved, distressing, dreadful, evil, fearful, fiendish, fierce, foul, heartless, hazardous, heinous, immoral, indecent, intense, mean, nasty, naughty, nefarious, offensive, profane, scandalous, severe, shameful, shameless, sinful, terrible, unholy, vicious, vile, villainous, wayward, bad, criminal, cruel, deplorable, despicable, devious, ill-intentioned, impious, impish, iniquitous, irreverent, loathsome, Machiavellian, mad, malevolent, malicious, merciless, mischievous, monstrous, perverse, ruthless, spiteful, uncaring, unkind, unscrupulous, vindictive, virulent, wretched
Writhe:Â
agonize, bend, jerk, recoil, lurch, plunge, slither, squirm, struggle, suffer, thrash, thresh, twist, wiggle, wriggle, angle, arc, bow, buck, coil, contort, convulse, curl, curve, fidget, fight, flex, go into spasm, grind, heave, jiggle, jolt, kick, rear, reel, ripple, resist, roll, lash, lash out, screw up, shake, shift, slide, spasm, stir, strain, stretch, surge, swell, swivel, thrust, turn violently, tussle, twitch, undulate, warp, worm, wrench, wrestle, yankÂ
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The Taste of the World: Writing Food as Storytelling
Food is never just food. Itâs culture, history, survival, and, perhaps most importantly, a language that characters and worlds use to speak when words fail. The way food is grown, prepared, and consumed reveals the structure of a societyâits priorities, its fears, and its memory. And in storytelling, the smallest detail about whatâs eaten or how itâs shared can carry a worldâs worth of meaning.
When used well, food becomes a subtle but powerful tool. It can reflect emotional tension without anyone saying a word, or quietly thread deeper themes through the narrative. It doesnât have to overwhelm your story with excess description; it works best when itâs an organic part of the world, shaped by the same forces that drive everything else.
Letâs break down how to think about food as more than a detail, crafting it as an integral part of the characters, the setting, and the stakes.
Why Food is Fundamental to Worldbuilding
Culture and Identity
Food defines a culture as much as its language or traditions. The ingredients people rely on are determined by the land they inhabit, the technology they have access to, and the values they hold. Itâs not just about what is eaten, but howâand why.
Think About:
What ingredients are unique to this region, and how did they come to rely on them?
How is food servedâshared communally or divided by status?
Are there specific rituals tied to preparing or consuming meals?
These questions help frame food not as a decorative detail, but as a way to demonstrate how a culture lives and interacts with its environment.
Food as Survival
Food exists on a spectrum from abundance to scarcity, and its availability often tells the story of who holds power and who doesnât. This doesnât need to be stated outrightâsimple contrasts in whatâs on the table (or missing from it) can highlight social divides or tensions.
Consider:
What foods are considered everyday staples, and what are reserved for moments of celebration or mourning?
How do people preserve food in harsh climates or through difficult seasons?
What compromises are made when survival is at stake?
Survival shapes cuisine, and cuisine, in turn, shapes the people. Food that may seem unremarkable to outsiders can carry in-depth meaning for those who rely on it to live.
Food as Memory
Meals are tied to memory in ways that few other experiences can match. They evoke places, people, and moments that might otherwise be forgotten. For characters, food can serve as a reminder of what was lost or what still needs to be protected.
Ask Yourself:
What does this food remind your characters of?
How does this memory shape their present choices?
What foods do they miss, and why canât they have them anymore?
The emotional weight of food often lies in its connection to something largerâhome, family, or an ideal that has slipped unreachable.
Integrating Food Into Your Narrative
The Subtle Art of Symbolism
Food works best as a storytelling element when it doesnât announce itself. Itâs not about drawing attention to the dish for its own sake but letting it naturally reinforce the scene or the characterâs state of mind.
Example in Practice: A meal served quickly, with little conversation, could underscore a sense of unease or urgency. Meanwhile, the deliberate preparation of a dish might reflect care, control, or tradition.
Itâs less about describing whatâs on the plate and more about how the act of eatingâor not eatingâinteracts with the story.
Building Tension Through Meals
Sharing food is inherently social, and like any social act, it can carry undercurrents of conflict or connection. Meals can be settings for negotiation, subtle power plays, or suppressed resentments. Whatâs not said during a meal can matter more than whatâs served.
Think About:
Who prepares the food, and what does that say about their role or status?
Whatâs the mood at the table? Is the act of eating itself a kind of performance?
Are there unspoken rules about who eats first, how much they take, or what they avoid?
Food as tension is about the surrounding interaction, not the food itself.
Grounding the World in Small Details
Food is a powerful tool for grounding your world in a sense of place. By focusing on how ingredients are sourced, prepared, or consumed, you create an ecosystem that feels real without needing an info dump. A brief reference to a seasonal delicacy or the preparation of a daily staple can communicate volumes about the setting.
Use Sparingly: The best world building happens in glimpses. A short mention of pickling methods during a harsh winter or the fragrance of a common herb can paint a vivid picture without dragging the narrative down.
Applying Food to Character Development
What Food Says About Relationships
Meals are a social construct as much as they are a necessity. Who characters eat with, what they share, and how they interact during a meal reveal their connectionsâor lack thereof.
Consider:
Do your characters share food equally, or does one person dominate the meal?
Is a meal an act of kindness, a manipulation, or an obligation?
How does the way they eat reflect their personality?
Preferences, Habits, and Rituals
The foods a character gravitates toward can say as much about them as how they speak or dress. Perhaps a soldier instinctively chooses ration-style meals even in peacetime, or a merchant avoids exotic imports as a quiet protest against their origins.
Ask Yourself:
Does your character have a ritual or habit when it comes to food?
How do they react to unfamiliar dishes?
Whatâs their relationship with foodâjoy, necessity, or something else?
The Absence of Food
Every so often, whatâs missing can be more telling than whatâs present. A lack of food could signify poverty, oppression, or desperation. Even in abundance, what isnât served can carry weightâcertain foods might be taboo, seasonal, or too painful to prepare because of their associations.
The absence of food doesnât need to be highlighted directly. Instead, its weight can be felt through the absence of conversation, the careful rationing of resources, or the visible strain it places on characters.
Final Thoughts: Food as a Storytelling Tool
Food is one of the most powerful yet understated tools in your storytelling arsenal. It connects your world to its people and its people to each other, revealing layers of culture, memory, and emotion without needing to over-explain.
When used thoughtfully, food doesnât just flavor your storyâit deepens it, grounding your world in something tangible and human. Instead of asking, What do my characters eat? ask, Why does it matter? Because when food becomes more than sustenance, it transforms into something far greaterâa story in itself.
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Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real
Anger can be one of the most intense, relatable emotions to readâand one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the characterâs feelings seem overblown, forced, or even cringe-worthy.
So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.
1. Understand What Fuels Your Characterâs Anger
To write anger authentically, you need to understand its roots. People get angry for complex reasonsâfear, frustration, betrayal, grief, and even love. Ask yourself whatâs truly driving your characterâs anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.
When you understand the core reasons behind a characterâs anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.
2. Show, Donât TellâBut Donât Overdo It
âShow, donât tellâ is classic writing advice, but itâs especially crucial in angry scenes. Donât rely on generic phrases like âShe was furiousâ or âHe clenched his fists in anger.â Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.
That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many âflaring nostrilsâ can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.
3. Use Dialogue to Reveal Hidden Layers
People rarely say exactly what they feel, especially when theyâre angry. Angry dialogue isnât just about yelling or throwing out insults; itâs an opportunity to show the characterâs deeper thoughts and vulnerabilities.
Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your characterâs dialogue feel genuine, even haunting, without falling into dramatic clichĂŠs.
4. Control the Pacing of the Scene
The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesnât always erupt instantly; it can simmer, spike, or deflate depending on the situation and the characterâs personality. Experiment with different pacing techniques to create tension.
You might build the anger slowly, with small signs that somethingâs brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the readerâs emotional engagement, drawing them in without overwhelming them.
5. Avoid ClichĂŠd Expressions and Overused Reactions
When writing anger, avoid falling back on clichĂŠs like âseeing red,â âboiling with rage,â or âblood boiling.â These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your characterâs anger might feel specifically to them.
Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, youâll help readers feel the anger rather than just reading about it.
6. Let the Setting Reflect the Emotion
The setting can be an effective tool to amplify a characterâs anger without overstating it. Small details in the environmentâsuch as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughterâcan create a sense of contrast or isolation that heightens the characterâs rage.
For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe theyâre in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.
7. Let Consequences Speak for Themselves
An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters donât always have to yell or physically react; sometimes, a single choice can convey more than any outburst.
Perhaps your character cuts off a close friend or says something they canât take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.
8. Let the Emotion Simmer After the Scene Ends
Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?
Allowing the anger to simmer in your characterâs mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesnât just disappear the moment the scene is over, adding emotional weight to both the character and the story.
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Misplaced guilt.
They should have done something (in a situation where they couldn't).
They should have known (there was no reality where they could have known).
They should've been better (they were so young).
They have to apologize in every possible moment (they shouldn't apologize for anything).
They deserve to be punished for their mistakes (they had no choice in making them).
Just. Guilt complexes. Yes please.
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Writing Worksheets & Templates
will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates
Chapter Outline â Character- or Plot-Driven Story
Death & Sacrifice â Magic & Rituals â Plot-Planning
Editing: Sentence Check â Writing Your Novel: 20 Questions
Tension â Thought Distortions â What's at Stake
Character Development
50 Questions â Backstory â Character Creation
Antagonist; Villain; Fighting â Protagonist & Antagonist
Character: Change; Adding Action; Conflict
Character: Creator; Name; Quirks; Flaws; Motivation
Character Profile (by Rick Riordan) â Character Sheet Template
Character Sketch & Bible â Interview your Character
Story-Worthy Hero â "Well-Rounded" Character Worksheet
Worldbuilding
20 Questions â Decisions & Categories â Worksheet
Setting â Dystopian World â Magic System (AALC Method)
Templates: Geography; World History; City; Fictional Plant
Writing References: Worldbuilding â Plot â Character
all posts are queued. send questions/requests here.
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Writing Notes & References
Alchemy â Antidote to Anxiety â Attachment â Autopsy
Art: Elements â Principles â Photographs â Watercolour
Children â Children's Dialogue â Childhood Bilingualism
Character Quirks â Cruise Ships â Dystopian World
Culture â Culture Shock â Ethnocentrism & Cultural Relativism
Emotions: Anger â Fear â Happiness â Sadness
Emotional Intelligence â Genius (Giftedness)
Facial Expressions â Laughter & Humour â Swearing & Taboo
Fantasy Creatures â Literary & Character Tropes
Fight Scenes Part 1 2 â Kill Adverbs
Food: Cooking Basics â Herbs & Spices â Sauces â Wine-tasting â Aphrodisiacs â List of Aphrodisiacs â Food History
Genre: Crime â Horror â Fantasy â Speculative Biology
Hate â Love â Kinds of Love â The Physiology of Love
How to Write: Food â Colours â Drunkenness
Jargon â Logical Fallacies â Memory
Magic: Magic System â 10 Uncommon â How to Choose
Moon: Part 1 2 â Related Words
Mystical Items & Objects â Talisman â Relics â Poison
Realistic Injuries â Rejection â Structural Issues â Villains
Symbolism: Colors â Food â Numbers â Storms
Thinking â Thinking Styles â Thought Distortions
Compilations: Plot â Character â Worldbuilding â For Poets
all posts are queued. will update this every few weeks/months. send questions or requests here.
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List of Interesting Latin Phrases
A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!
abi in malam crucem: to the devil with you!
ad astra per ardua: to the star by steep paths
ad augusta per angusta: to honors through difficulties
aegis fortissima virtus: virue is the strongest shield
amor vincit amnia: love conquers all things
animo et fide: by courage and faith
arbitrium est judicium: an award is a judgement
aut mors aut victoria: either death or victory
aut vincere aut mori: either victory or death
bello ac pace paratus: prepared in war and peace
bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)
bonis omnia bona: all things are good to the good
cede nullis: yield to no one
cito maturum, cito putridum: soon ripe, soon rotten
consensus facit legem: consent makes law
data fata secutus: following what is decreed by fate (Virgil)
durum telum necessitas: necessity is a hrad weapson
dux vitae ratio: reason is the guide of life
e fungis nati homines: men born of mushrooms
ego sum, ergo omnia sunt: I am, therefore all things are
pulvis et umbra sumus: we are but dust and shadow
quae amissa salva: things lost are safe
timor mortis morte pejor: the fear of death is worse than death
triumpho morte tam vita: I triumph in death as in life
tu vincula frange: break your chains
vel prece vel pretio: for either love or for money
verbera, sed audi: whip me, but hear me
veritas temporis filia: truth is the daughter of time
vero nihil verius: nothing is truer than the truth
vestigia nulla restrorsum: foosteps do not go backward
victus vincimus: conquered, we conquer (Plautus)
sica inimicis: a gger to his enemies
sic vita humana: thus is human life
âââ シ ・ďžâ: *.â˝ .* . âââ
đIf you like my blog, buy me a coffeeâ and find me on instagram! Also, join my Tumblr writing community for some more fun.
đBefore you ask, check out my masterpost part 1 and part 2Â
Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009
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And the whispers lingered more than the screams
You looked around and you saw a world that couldn't imagine that you could exist. Yet you did. You felt the southern air in your face. You felt the water in the ancestral pond with your fingers. You lit the lamps in the temples as the tranquility crept through your head, through the strands of your dark hair decorated with jasmine. Heard the bells ring and heard the desperate pleas in each syllable of your own prayers that could never escape your thoughts to the outside world.
And as you walked back, on the path to your home, laid almost as a second thought in the middle of a paddy field, you found that the birds were flying towards their own little nests,in the background of an endlessly setting sun.
And you wondered how you could exist. Nestled in this little coastal town, with the oil lamps flickering as the decorated deity danced through the flames, the clanging of bells,the banging of drums, the awe of viewers as the divine danced among them. The deity held people's hands and asked them if they were well. Told them that they had always been considered children, benefactors to the favours of the previous generation. Forever given a hand when they were in need. Then took your hand as well and told you the same. Not a breath different.
You were like the others after all. You weren't rotten enough to not be held by hand. Wanted enough to be lent help. Not too wretched to receive prayers from.
And as you breathed, it remained years later, the silent prayer echoed back from the future
"If you ever existed, I wish the hatred you had for yourself was burnt in the pyre, years before you were laid there yourself."
#such beautiful evocative writing!#for some reason iâm thinking of kanyakumari aka my hometown#writing#so beautiful#a thing of beauty#a joy forever
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On friendships, loss and fathers forever beloved
Inspired by this piece by the lovely @dreamer-in-sleep on her writeblr @whimsical-birdie . Go check it out if you havenât yet!
An eternity ago, as a young, lonely girl who desperately wanted friends of her own, you saw a quote that resonated deeply within you.
It said: âFriends are like stars, they come and go, but the ones that stay are the ones who glow.â
It spoke to you, the little girl who dreamed of fantasies, of friends so inseparable that you would be soul-bonded to each other, the Dog Star in each otherâs firmament.
And so, you decided, that one way or the other, you would forge friendships and connections, through your ideas, your words, and your dreams.
And that for someone who needs a star that glows, you will give them your light, wholeheartedly.
So you began writing, finding solace in friends born out of a shared imagination, of legendary writers (and, if youâre flattering yourself, a little bit of your own flights of fancy as well).
At first, all seems well. There are people who love the words you weave, people who want to talk to you. And for the little girl who spent years of her life lost and alone but for her beloved parents, it is a fresh, bustling new sky, galaxies adorned with beautiful stars.
Friends are like stars, you tell yourself, talking to your newly made friends, held close to your heart. The ones that stay are the ones who glow.
You laugh, glorying in the adorned, glittering beauty of the expansive skies that seem limitless.
In your quest to be the star that glows, you give them all you can. Your time, your words, your heart. Your tears and laughter. You tell stories of theirs to your father, the unblinking, steady, North Star of your sky.
He glories with you, rejoices in your joy. Yet he adds a note of caution. He knows his daughter, you see, far better then you had, back then. He knows that she is innocent, and has too soft a heart.
In your joy and your glee, you take his hand still, but laugh his caution away. âI trust them,â you say. âI trust their friendship, and I trust mine. You have my heart forever, but they have a share of their own.â
In your joy and your glee, you forget.
You forget that the sky, too, has a limit. And stars that glow incandescent, are often too bright to hold. That words sometimes, are not a binding soul-bond, but less substantial then wind.
Riding high on the euphoria of having a firmament of your own, you glory in every second of it. Seconds that, unbeknownst to you, are ticking away, slow and steady, the sands of time eroding the stars you created in your mind.
Because remember that you wanted to glow? To give all of yourself that you can? You stayed yourself, open and earnest, but those you gave your heart to grew. They grew mature, and had no space in their skies for a little girl who dreams of ideals and stars that glow. In their mature, calm light, you shone too bright, you were too much. You hurt their eyes.
One star fades out, and then another. You seek solace in those you think still remain, laying your heart bare. You can only watch bewildered when they, too, hurl accusations at you, of long-term, manipulative, emotional abuse, out of a single sentence expressing your pain.
It slowly sinks in, as your cherished firmament slips through your hands. Perhaps you are the problem, that you shone so bright, that you brought so many together, bound initially by the fact that you knew them, now bound anew in the fact that you mean little and less to them. (Oh, they say still that they love you, but you do not understand, what sort of love is this, that theyâd break you into pieces, knowing they do so?)
You pick up the pieces, wondering if it is worth it, after all, if there is so little worth in you, that you have next to no one who is yours after all. One glance North is all it takes to wear a smile that hides your tears, because there He shines, your North Star, clear and bright, and yours.
You cling to him, evermore, picking up the pieces, knowing that he loves his daughterâs innocence, her laughter, her thoughts that make her different and unloveable to so many. Knowing that is enough for you, at that moment, to claw at the reserves of courage to go on. Perhaps friends are but shooting stars, you muse, here one day and gone the next, while your father, your greatest gift, is he who stays, he who glows, who laughs at your light and holds you close.
But you are your fatherâs daughter and you will not give up, not be the reason a tear shines in his beloved eyes.
So you dare to hope anew, to inch close. To stars new, to friends once more.
Hope shines in your eyes, innocence too, innocence they could not root of you, because it is a part of what makes you who you are. Perhaps that is all you can do. Cling to who you are. Friends you shall find, and perhaps they will stay, but you have your North Star for yourself till the end of your days.
(My heartfelt thanks to @hum-suffer @themorguepoet @vishnavishivaa @abstractmarshmallow @selkiesstories @starlightasteria @chaanv @chairoses and @whimsiquix for being there during various parts of this admittedly rocky journey of putting myself back together!)
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some fucking resources for all ur writing fuckin needs
* body language masterlist
* a translator that doesnât eat ass like google translate does
* a reverse dictionary for when ur brain freezes
* 550 words to say instead of fuckin said
* 638 character traits for when ur brain freezes again
* some more body language help
(hope this helps some ppl)
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Updating the War That Outlasted Christmas!
@selkiesstories and @starlightasteria just in case. :)
#the war that outlasted christmas#my works#jaime lannister#wwi au#joanna lannister#sansa stark#arthur dayne
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This site looks wonderful? Copied their link list below for anyone who'd rather stay on Tumblr to preview what they offer.
Starting writing
Blank Page Blueprint
5-Minute Freewrite
More than a Muse
A Field Guide to Your Imagination
Write-alongs
Idea Help
100 Story Ideas
100 Flash Fiction Prompts
52 Romance Story Ideas
30 Scene Ideas for Plot Development
30 Scene Ideas for Character Development
30 Scene Ideas for World Development
Idea generator
Story Building Tarot Spread
Genre Help
Choosing a genre
Genre mindmaps
Plotting Help
How to use a Plot Formula
How to write a novella
One Page Novel Plot Formula
The Foolâs Journey
Escaping a tight spot
Plot hole worksheet
Plot twist worksheet
Ticking clock
Mini-quests
Try/fail cycles
Increasing conflict
Adding action
Creating suspense
Writing Help
How to finish your novel
Opening scenes
Creating mood
Creating metaphors and similes
Generating title ideas
Deciding point of view
Scene writing
Dialogue help
Writing a synopsis
Creative writing reading list
Blogging while writing
Novel in a month notebook
Google Docs for writers
Creative writing toolkit
How to export your Scrivener timeline
Character Help
Quick character creator
30 scene ideas for characters
Character quirks
Killing characters
Love your antagonist
Character motivation
Making trouble for characters
Couples worksheet
Naming characters
Choosing a narrator
Writing emotions
Expressing thoughts
Creating villains
Making decisions
Character occupations
Worldbuilding Help
City building
Technology worksheet
Creating magic systems
Politics
Rites and rituals
World history
World geography
Setting
Writer Help
Becoming a writer
Differentiating yourself
Creative writer worksheets
Creative writing syllabus
Writerâs self assessment
Getting unstuck
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When writing emotionally reserved characters:
Show your character's struggles with holding in emotions. Just because your character won't let themself go in public, doesn't mean they don't struggle holding everything in.
Find a motive. Pride and/or consideration for those around them can make emotionally reserved people hold back more than would be considered good for them. There are other reasons too, perhaps the initial cause and the reason now are different, but try to give them a reason.
Show side-effects. Everything you bottled up shows itself in another way, whether it's physical or mental. This can be long- and short-term, depending on the severity of the emotions.
Give them coping mechanisms. Everyone who wishes not to show certain emotions has a trick or two to keep themselves in check. Taking a sip of water, not looking people in the eyes, clenching their fists, breathing just a bit too deeply.
Write subconscious signs that they give off, which close friends or family might pick on. Just because these characters want to keep their emotions to themselves, doesn't mean they don't give off signs. Some manage to keep said signs well hidden from those closest to them, but it's more common for environment to pick up on something at the very least.
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20 Compelling Positive-Negative Trait Pairs
Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:
1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.
2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.
3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.
4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.
5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.
6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.
7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.
8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.
9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.
10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.
11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.
12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.
13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.
14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.
15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.
16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.
17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.
18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.
19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.
20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.
These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.
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How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
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Details for Historical/Fantasy Writing: Insights from a Reenactor
Writing is the main thing I do for fun, but Iâm a multi-faceted lass with many hobbies, and I also do Roman reenactment. I find that by actually doing something, you learn things that arenât possible through theoretical research alone, so here is a collection of small things Iâve noticed while reenacting that you could add to your writing for a bit of extra realism.
Loose long hair is ANNOYING. Thereâs a reason most depictions youâll see of women in history show them with their hair up and/or covered, and that is pure practicality. Having hair in the way is a massive pain (this would be particularly true for working women with stuff to get done).
Repetitive tasks arenât boring if you have someone to chat to. When we do events, Iâm in the textiles tent, and as the most junior member of the team Iâm the one who does the spinning. Most events are 10-4/5, and youâd think 6/7 hours of spinning (with a break for lunch) would be boring, but actually, once youâre practiced you can do it on autopilot while you natter! Iâm sure this is how people managed samey tasks back in ye olde days.
Speaking of spinning, working with textiles leaves its mark. If youâve been spinning, sewing, or weaving for a long time, youâll feel it. It knots up your shoulders and, perhaps less obviously, the friction of fibre against your fingers can wear away just enough skin to make them tender. Thimbles help with sewing, but not spinning or weaving.
Wool is WONDERFUL. I love it. It has a reputation as being scratchy and itchy, but when itâs finely woven/spun it is fantastic to wear. It keeps you cool when itâs hot, and warm when itâs cold. It also has the fantastic property of keeping you insulated even when soaking wet, which is why wool cloaks are so brilliant.
Linen is also wonderful. Lovely against the skin and cool in the summer (but for the average person in history, itâs more expensive than wool).
Woodsmoke gets everywhere. It stings your eyes and makes your clothes and hair smell smokey. However, after a little while the smell becomes just a background thing (and you get pretty practiced at anticipating when the smoke is going to change direction so you can move out of the way). It also keeps insects away!
Cooking over a fire takes longer than youâd think. If we start an event at 10 am, that means weâll usually be having lunch at 1-2pm. However, we do have pretty elaborate meals, and have to start the fire from scratch every day (a lot of the wait time is getting the fire to cooking embers). If your characters are cooking simple fare over a fire that youâve started from being banked, itâll be quicker.
You want different footwear for different purposes. Hobnails give you great footing on soft/muddy ground, but on pavement they offer no purchase at all and will KILL YOU (okay, this is slight hyperbole, but there is an account of a centurion running from grass to pavement, slipping over and getting killed by his enemies). City wear would likely be leather and clogs/pattens.
CLOAKS CLOAKS CLOAKS! They are so versatile. They keep you warm, they keep you dry, they can be a blanket or an impromptu bag. Essential equipment in my view.
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Hello! I wanted to know if you knew any good warm ups/exercises to sort of get into a characters head?
Exercises to Get You Into Your Character's Head
Write a journal entry about an important event from their POV
Do a magazine style interview with them
Write a âreality showâ follow-around chronicling a normal day
Take some personality tests/quizzes from their POV
Write a short story based on a moment or event in their past
Have your character write a letter to another character (or to you)
Swap them into a scene from a favorite story/movie and write it
Do some writing prompts starring your character
Create a character playlist and note why each song fits them
List 5 things you love and 5 things you dislike about them
List 5 things you have/donât have in common with them
Make a list of words that fit them and make a Wordle
Write a poem or song about your character
Make a character "mood board"/"aesthetic
Make the vision board you think your character would create
Present your character's "TedTalk" ... what would they talk about?
Act out important scenes as though you were your character
Drop your character into a strange situation to see how they react
Happy writing!
â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘
Iâve been writing seriously for over 30 years and love to share what Iâve learned. Have a writing question? My inbox is always open!
⌠Questions that violate my ask policies will be deleted! ⌠Please see my master list of top posts before asking ⌠Learn more about WQA here
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