kestrad

[kestrad]

[kestrad]

[kestrad]

On an August afternoon, Pablo stared down at a foam plate sloshing with flavorless pinto beans and a particularly bad version of huevos a la Mexicana. The simple, usually delicious scramble of eggs, tomatoes, onions and jalapeños is difficult to mess up. But if anyone can find a way to make it unpalatable, it’s the cook at his labor camp. Soupy eggs are the last thing the 42-year-old from western Mexico wants to eat. But after a 12-hour day harvesting tobacco in the brutal and sometimes deadly summer heat, he must eat – and this was far from the worst meal he’s been given. A few weeks ago, fellow farm workers got sick due to raw and moldy food they were forced to purchase. On days like this, Pablo can’t decide which is worse: that he’s forced to pay $80 a week for this slop, or that everything about what he eats, when he eats and how much he eats is tightly controlled by his employer. Pablo, who is using a pseudonym due to fear of retaliation, is one of more than 35,000 migrant workers in North Carolina this year as part of the H-2A Temporary Agricultural Worker Program, a guest visa program overseen by the US Department of Labor (DoL). The program enables American employers to hire foreign workers to perform seasonal agricultural work. Employers in the program frequently exploit their migrant employees, and the structure of the program makes easy work of it. Visas are tied to a single employer who must also provide housing, transportation and access to food, creating a crushing power imbalance between American employers and migrant H-2A workers.

[kestrad]

Remember Luigi is currently innocent

Couldn't Be Any Conflict

[kestrad]

a phrase that kinda bothers me when talking about women's historical roles in europe is "cooking, cleaning, and taking care of the children." you hear it so often, those exact words in the same order even. and once you learn a little more you realize that the massive gaping hole in that list is fiberwork. im not an expert and have no hard numbers, but i wouldnt be surprised if fiberwork took up nearly as much time as the other three tasks combined, so it's not a trivial omission.

it's not a hot take to say that the mass amnesia about fiberwork is linked to the belittlement of women's work in geneal, but i do think there's a special kind of illusion that is cast by "cooking, cleaning, and taking care of the children." you hear that and think "well i cook and clean and take care of children (or i know someone who does) and i have a sense of how much work that is" and you know of course that cooking and cleaning were more laborious before modern technology, but still, you have a ballpark estimate you think, when in fact you are drastically underestimating the work load.

i also think that this just micharacterizes the role of women's work in livelihoods? cooking, cleaning, and taking care of the children are all sisyphean tasks that have to be repeated the next day. these are important, but not the whole picture. when we include all kinds of fiberwork—and other things, such as making candles or soap—women's work looks much more like manufacturing, a sphere we now associate more with men's work. i feel like women's connection to making and craftsmanship is often elided.

[kestrad]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

Again, please, please PLEASE reblog this post instead of the one I sent originally. All the information is here, and it's driving me nuts to see the old ones are still passed around, sending people on wild goose chases.

Thank you all so much.

[kestrad]

"I’m very concerned about my client’s right to a fair trial in this case.  He’s being prejudiced by some statements that are being made by government officials. Like every other defendant, he’s entitled to a presumption of innocence. But unfortunately the way this has been handled so far his rights are being violated. And as you know, Your Honor, there’s a wealth of case law guaranteeing his rights to a fair trial, but none of the safeguards have been put in place yet here — in fact it’s just the opposite of what’s been happening. 

He’s a young man, and he is being treated like a human pingpong ball between two warring jurisdictions here.

These federal and state prosecutors are coordinating with one another at the expense of him. They have conflicting theories in their indictment, and they are literally treating him like he is some sort of political fodder, like some sort of spectacle. 

He was on display for everyone to see in the biggest staged perp walk I’ve ever seen in my career. It was absolutely unnecessary. He’s been cooperative with law enforcement. He’d been in custody for over a week. He waived extradition. He was cooperative at all accounts. There was no reason for the NYPD and everybody to have these big assault rifles — that frankly I had no idea it was in their arsenal — and to have all the press there the media there. It was perfectly choreographed. 

And what was the New York City Mayor doing at this press conference, Your Honor? That just made it utterly political. And as your honor knows under Loro v. Charles, the Court of Appeals for the 2nd Circuit has held it to be clearly established that these staged perp walks to the media unrelated to a legitimate law enforcement objective is unconstitutional. And I submit that there was zero law enforcement objective to do that sort of perp walk. There’s absolutely no need for that whatsoever. 

And frankly, Your Honor, the mayor should know more than anyone about the presumption of innocence that he, too, is afforded dealing with his own issues. And, frankly, I submit that he was just trying to detract from those issues by making a spectacle of Mr. Mangione. 

And there are consequences to this. 

He has a right to a fair trial. And I just want to put on the record statements that the mayor made publicly about my client. Nothing saying “alleged” for example. And he said “I wanted to send a strong message with the police commissioner that we’re leading from the front. I’m not just going to allow him to come into our city. I wanted to look him in the eye and state ‘You carried out this terrorist act in my city, the city of New York that I love.’” And he wanted to show symbolism. 

Your Honor, he’s not a symbol. He’s somebody who is afforded the right to a fair trial. He’s innocent until proven guilty. And the mayor was talking to jurors — future potential jurors that elected him. Those are the people that elected him that he is talking to and calling this man a terrorist.

So, Your Honor, I just want to make a record of this and put everyone on notice that this has to stop, and my client is entitled to a fair trial and the presumption of innocence."

[kestrad]

Please stop ignoring that white supremacy is a huge core element of radfem/terf ideology.

Like yes they hyperenforce gender roles and stereotypes on all cis women, but it is primarily women of color that they target and accuse of being predatory and "not real women" when they're targeting cis women.

The metrics of "real woman vs trans woman" that terfs love to share are almost all just white eurocentric beauty standards. Small nose, thin fine hair, little/no body hair, petite but somehow curvy, hell I've even seen a post saying skin lightness is a determiner.

Terf/radfem circles are racist at their core. You cannot separate radical feminism from it's violently white supremacist roots. You can't have "anti-racist radical feminism", that's a fucking oxymoron. There is a very clean path from terfs to tradfems/tradwifes, to just straight up conservative republican women.

Yes yes always, terfs are super misogynistic. They hurt all women by forcing them back into the little impossible painful boxes that they claim they're fighting. But one of their biggest targets other than trans women is black women. Not to mention ignoring, discrediting, or just straight up trying to erase all the hard work that black trans women did for queer rights.

Radical feminism is very much transphobic, homophobic, and misogynistic. I'm not saying stop addressing it as such. Don't ever do addressing it as such!

But radical feminism is white supremacy in a coat of pink paint. Please never forget that when talking about how it hurts us all.

[kestrad]

I want to write a movie that is sort of the flip side of a Hallmark holiday movie. Not an anti-Hallmark movie, just like the other side of the same coin.

It starts with a well-dressed professional woman driving a convertible along a country road, autumn foliage in the background, terribly scenic. She turns onto a dirt road/long driveway, and stops next to a field of Christmas trees, all growing in neat, ordered rows, perfectly trimmed and pruned to form. She steps out of the car--no, she's not wearing high-heels, give her some sense!--and knocks on the door of a worn but nice-looking farmhouse. An older woman, late fifties maybe, answers the door, looking a bit puzzled. The younger woman asks if she can buy a Christmas tree now, today. The older woman says they don't do retail sales--and the younger woman breaks down crying.

Cut to the two women sitting at the kitchen table with cups of tea. The young woman (Michelle), no longer actively crying, explains that her mother loves Christmas more than anything, but is in the hospital with end-stage cancer. Her doctors don't think she'll live to see December, let alone Christmas. Nobody is selling Christmas trees in September, so could the older woman please make an exception, just this once? The older woman (Helen) regretfully explains that they have a contract to sell their trees that forbids outside sales. The younger woman nods, starts to stand up, but the older woman stops her with a hand and asks her what hospital her mother is in. After she answers the older woman says that "my Joe" will deliver a tree the next day. "Contract says I can't sell you a tree, but nothing says I can't give you one."

Next day "Joe" shows up at the hospital in flannel and jeans, with a smallish tree over her shoulder. Oh, whoops, that's Jo, Helen's daughter, short for Joanna, not Joe. Jo sets up the tree and even pulls out a box of lights and ornaments. Mother watches from hospital bed with a big smile as Jo and Michelle decorate the tree. Cue "end of movie" type sappiness as nurses and other patients gather in the doorway, smiling at the tree.

Cut to Michelle sitting in her dark apartment, clutching a mug of tea, staring out at the falling snow and the Christmas lights outside. Her apartment has no tree, no decorations, nothing. She starts at a knock on the door, goes to open it. Jo is standing there, again holding a tree over her shoulder.

Plot develops: the second tree is a gift, because Michelle might as well get it as the bank. The contract for the tree sales was an /option/ contract, which prevents them from selling to anyone else, but doesn't guarantee the sale. The corporation with the option isn't going to buy the trees, but Helen and Jo can't sell them anywhere else, and basically they get nothing. They'll lose the farm without the year's income. Michelle asks to see the contract and Jo promises to email it to her.

Next day at a very upscale law firm, Michelle asks at the end of a staff meeting if anyone in contract law still needs pro bono hours for the year. No one does, but a senior partner (Abe) takes her to his office and asks about it. She says the contract looks hinky to her ("Is that a legal term?" "Yes.") but contract law's not her thing. He raises an eyebrow and she grins and pulls a sheaf of paper out of her bag and hands it over. He reads it over, then looks up at her. "They signed this?"

More plot develops. Abe calls in underlings--interns, paralegals, whatever--and the contract is examined, dissected, and ultimately shredded (metaphorically). It's worse even than it looks--on January 1st Helen and Jo will have to repay the advanced they received at signing. The corporation has bought up a suspicious number of Christmas tree farms in previous years after foreclosure, etc.

Cut to Abe explaining all this to Helen and Jo while sitting with them and Michelle in a very swanky conference room. The firm is willing to take on the case pro bono, hopefully as a class's action suit for other farmers trapped by the contract--but there's no way it can go to court before January. Which will be too late to save the farm's income for the year. They might get enough in damages to tide them over, but….

After Michelle sees Helen and Jo out, she comes back and asks Abe if there's anything they can do immediately. Abe looks thoughtful for a long moment, then gets a really shark-like grin on his face. "Maybe…."

Cut to Helen wearing a bathrobe, coming into her kitchen in the morning. She looks out the window…and there's a food truck stopped in her driveway. She pulls a coat on over her robe and goes out--two more trucks have pulled up while she does this. Driver of the first truck asks her where they park. Another truck pulls up behind the others. Behind that is a black BMW--Abe rolls down the window and waves. Helen directs the trucks to the empty field/yard next to the house. Abe pulls up next to Helen's car and Jo's truck and parks. He and Michelle get out--Abe wearing a total power suit, Michelle in weekend casual.

The case will be easier if the corporation initially sues them for violating the (uninforcible!) contract, rather than them suing to corporation (damn if I know, but it's movie logic). So they're going to sell the trees now, and rounded up some food trucks and whatnot to draw people in.

Cue montage of Jo and Michelle running around helping people set up while Abe and Helen watch from the kitchen table. The table starts out covered in file folders…and slowly gains coffee cups and plates of cinnamon rolls. It becomes increasingly clear here that Abe and Helen are becoming as close as Jo and Michelle.

Everything gets set up and a very urban, very motley crowd appears--tats and studs and multiracial couples and LGBTQ parents and everything--and everyone is having a wonderful time eating funnel cake and choosing their tree so Jo and a bunch of rainbow-haired elves can cut it for them. At which point someone shows up from the corporation (maybe with a sheriff's deputy?) and starts yelling at Helen, who's running checkout. And suddenly Abe appears from the house and you realize why he's wearing that suit on a Saturday….

Cue confrontation and corporate flunky running off with their tail between their legs, blustering about suing. Cue Jo kissing Michelle. Cue Helen walking over and putting a hand on Abe's shoulder and smiling at her.

I want the lawyers to be the heroes because they are lawyers and know the law. I want a lesbian who lives in the country with her mother. I want urbanites to turn out as a community to help someone who isn't even part of their community. I want Michelle to keep working at her high-power job, loving Christmas and grieving her mother.

[kestrad]

[kestrad]

my most boomer ass take is that i hate when i unmute a video of a cat and its just the most obnoxiously loud pop music playing over it. bro put that shit away i'm here to listen to your cat. i wanna hear what he has to say.

[kestrad]

sucks that "incel" is just like a generic insult now synonymous with "virgin" bc if people had much of an idea of what incel ideology actually entails, we could have a conversation about radical feminism being quite literally, beat for beat, incel shit for girls

[kestrad]

Nobody is obligated to read a book that no longer piques your interest but I just think it's absurd to give "there are so many Chinese-inspired fantasies now" as THE reason when that label is so broad and every book that falls under it will give you a different reading experience and therefore they are not interchangeable with one another 💀

[kestrad]

Living in Florida (or anywhere in the southeast USA tbh) and NOT being into birds is like walking into a giant banquet hall feast with every single most delicious food you could ever imagine laid out in front of you only for you to say “oh I’m not hungry” and walk out without taking a bite

[kestrad]

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

[kestrad]

Corvid Christmas tree. Simple, but beautiful.