kawakawa2050

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Jayne Mansfield, photographed at her home in 1956 by the renowned photographer Lou Jacobs Jr., encapsulates the glamour, charm, and allure of one of Hollywood’s most iconic bombshells of the mid-20th century. By this time, Mansfield was rapidly rising to fame, establishing herself as a major star with roles in films like The Girl Can’t Help It (1956). This particular photo session at her famed “Pink Palace,” located in Beverly Hills, showcased not just her stunning beauty but also her carefully crafted public persona. The Pink Palace itself became a symbol of Mansfield’s larger-than-life image, with its pink exterior, heart-shaped swimming pool, and whimsical decor reflecting her playful and glamorous approach to stardom. Jacobs’ photographs captured Mansfield in intimate yet theatrical moments, blending elements of her everyday life with the Hollywood spectacle that defined her. These images offered fans a rare glimpse into the personal world of a star who knew how to command attention both on and off the screen.

The year 1956 was pivotal for Jayne Mansfield as she transitioned from a Broadway sensation in Will Success Spoil Rock Hunter? to a bona fide Hollywood leading lady. Her breakout role in The Girl Can’t Help It, directed by Frank Tashlin, showcased her comedic timing and undeniable screen presence, earning her comparisons to Marilyn Monroe while solidifying her unique identity as a symbol and performer. Lou Jacobs Jr.’s photographs from this time emphasized Mansfield’s multifaceted appeal. They portrayed her not just as a glamorous figure but also as a dedicated mother and homemaker, often including her young daughter, Jayne Marie, in the frame. This duality of her public image—balancing domesticity with her over-the-top persona—resonated deeply with her audience. The session highlighted Mansfield’s innate understanding of the power of media and self-presentation, as she skillfully used her home and personality to enhance her celebrity brand. Jacobs’ abili

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Cibo Matto. 1995 Yuka Honda and Miho Hatori

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. . holotropic breathwork ☆

holotropic breathwork is a rapid breathing pattern can lead you to altered states of consciousness. you can find more on @gorgeouslypink post here.

one way in which you can utilise holotrophic breathwork to induce pure consciousness is:

1. download this third eye stimulation video in .wav and play it

2. simultaneously play the vid below and follow the guided holotropic breathwork

3. when the breathwork is finished, follow it with a subliminal, brown noise (or both if you'd like), or even a an affirmation tape/self hypnosis

you should either induce pure consciousness or lucid dream.

note:

you may or may not experience intense sensations on your body, your forehead, or between your brows. if this occurs, allow it to happen without judgement or reaction. if this happens to be something you worry about a lot when inducing pure consciousness, mentally prepare yourself beforehand, so if it occurs, you will be calm throughout the episode.

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Cool issue of King Kong magazine w

Snow Strippers / @jjcinnajj / Julia Fox / Frost Children / Trisha Paytas &more

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David Lynch, Cannes Film Festival (2002)

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People not comprehending Nosferatu correctly might kill me. Yes it's erotic and about pleasure but yes it's devastating and about child sexual abuse. It's a movie about victimhood, about being already dead, about longing for the great beyond, about never feeling safe from your abuser, about always expecting one more rape must be endured. It is about being an ugly victim, a neurotic victim. About your supposed allies tying you down for fear you will rip their world to ribbons. It is about facing the abuser, facing the pleasure the abuser brought. It is about men seeking to silence a plague in the quiet of the night when grooming and abuse can only be destroyed by pulling it into the light of morning.

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Holly Madison, 2004.

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Jessica Alba in Sin City (2005)

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Aurélie Claudel in "Living The Blues" by Gilles Bensimon for Elle US, September 2004

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Kieran Culkin by Jake Chessum for The Guardian Saturday

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me and my bitches contacting David lynch in the afterlife to know what the fuck was the baby from eraserhead made out of

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hate whenever mfs in horror media are like “what was that noise…” bro you and i both know its creatures

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ANYA TAYLOR-JOY via Instagram