Calvin Marcus Fish with peas and spaghetti, 2017
Glazed ceramic 17.8 x 10.2 x 5.1 cm 7 x 4 x 2 in
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Bea Schlingelhoff, ‘No River to Cross’, 2021, exhibition view, Kunstverein München.
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David Altmejd
2022
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fat twat stained big tooth crooked smile eternal beer breath dribbled slime stain fluent in fart jokes stepped in shit and brought it into my house.
you specialise in copy paste copy paste copy paste copy paste copy paste copy paste copy paste copy paste
an upgrade from little me
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sleeper strangers
on the overnight plane
i am wide eyes disguised amongst the
sleeper strangers
my crawling eyes roll up your muscular hands tangled in gold, dance along your belly and explore your stubbled jawline until lingering on the back of your neck
while we cross continents and you sleep deeply by my side all night
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mar de fondo /febrero 2017
víctor m. alonso
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september night
our goodbye lasts a moment too long until
we are crossed-eyed gazing with your thick glasses tangled in my hair
i taste the bitter flavour of your last drink
you count my freckles as I fall asleep
and the next day we make plans
over lasagna and a bottle of wine
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Un blues para Teherán, dir. Javier Tolentino 2020
A film that should be felt rather than watched.
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Alice Neel, James Hunter Black Draftee. 1965
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Rudolf Polanszky,
“Reconstructions / Choros”, 2020
at Gagosian Basel, Rheinsprung 1, 4051 Basel, Switzerland
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Eliza Douglas
The Ease of Something
2017
oil on canvas
210 x 180 cm
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Lara Gasparotto
untitled, 2021
Pastel on inkjet print
27 3/5 × 18 ½ in
70 × 47 cm
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Sheila Hicks
I Wish I Were a Wave, 2019-20
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Tomoko Yoneda
Lovers, Dunaújváros (formerly Stalin City), Hungary, 2004
Chromogenic print
66 x 84 cm
26 x 33 1/16 inches
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φ
a letter in the alphabet that fell out of memory
in its prime, it spoke of discovery and passion and conquest and ambition and anger
but now no one can remember how to pronounce it
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Luzzu, dir. Alex Camilleri 2021
Tense and heavy like one of those overcast hazy days when the horizon slipped away.
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