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The feminist critique is in the air now. If my rendition of Black Panther wasn’t created by that critique, it breathed the same air. I can’t really kill off or depower women characters without grappling with Gail Simone. I can’t really think about how women characters are drawn anymore without thinking about the women in Bitch Planet, and how they seem drawn beyond the male gaze. This is why criticism is important. The job of criticism isn’t to interrupt or encourage commercial prospects. (“Batman vs Superman smashes Box Office, despite critic complaints!”) Criticism should push our imagination and help us understand what is actually possible in art and, I’d argue, even what is moral. Through much of my time collecting comic books I never took much issue with how women were drawn. I had a vague sense that there was something about, say, the reworking of Psylocke that bugged me. But I simply didn’t give it much thought. It never occurred to me, for instance, to ask whether a superheroes pose was anatomically possible. It never occurred to me to ask why a super-hero would have DD cup-size. Was that for her benefit, or for mine? I never asked. The feminist critique of comics has made “not asking” a lot harder. That, in itself, is a victory. The point is not to change the thinking of the active sexist. (Highly unlikely.) The point is  to force the passive sexist to take responsibility for his own thoughts.

The Feminists of Wakanda,  Ta-Nehisi Coats (via hellotailor)

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When you see your customizable character in a cutscene

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Awesome.

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Imitating Art using Naissance de Venus (Birth of Venus) by William-Adolphe Bouguereau 💋

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Finn doesn’t balk at helping out, whether it’s passing tools to Rey in the Falcon or aiding Chewie with his injuries. Finn doesn’t talk over Rey or try to make choices for her. They may disagree and banter, but it’s not barbed, and it’s at an even keel. He looks out for himself, but not at the expense of others – when Finn decides to leave for the Outer Rim, he honestly tells Rey his story and how he feels about her, and asks her to come, and then accepts her refusal gracefully. He respects her decisions, her autonomy, and Rey as a person. Obviously Finn digs this girl — who wouldn’t, she is undeniably The Coolest — and he does ask if she has a boyfriend early on, but after she says “None of your business,” he lets it go. When he could sulk or tease or be possessive or rude toward her, he doesn’t. He adores her, but is happy just to see Rey safe and well. He’s not preoccupied with romance or feeling “jilted,” where another character might resent her for it. When she hugs him on the Starkiller Base, he doesn’t turn lecherous or try to make a move. She owes him nothing, even when he risked his life to come to her aid, and he gets that! He’s not a White Knight, Friend-Zoned, or a Nice Guy. He never tries to “take” anything he wants when it comes to Rey. He doesn’t view her as a thing to take��. The parallels between Finn and Kylo Ren are the most direct (and stark) in terms of toxic masculinity. Finn seems to reject this toxicity, whereas Kylo Ren is constantly hung up on performing and proving himself strong enough. They are opposites: especially evidenced by the way they treat Rey – how they define themselves against the chief female presence of the movie. Like Finn, Kylo Ren is also interested in and impressed by Rey. (And he also first meets her when she attacks him.) But instead of treating Rey like a person, Kylo acts out of aggression, objectification, and self-centeredness. He immediately immobilizes her, Force-faints her, and then carries her, bridal-style, to his ship: old-fashioned, exploitative, and gross. His language towards her is incredibly patronizing: “So this is the girl I’ve heard so much about…” He proceeds to insult her friends and threaten and torture her: violating her mind, using her as a tool but also relishing the show of his own power and the taking of something personal by force. “I can take what I want” is simultaneously a threat, a statement of power/entitlement, and a declaration of how Kylo fundamentally views Rey: an object, something controllable to serve his purposes. When the tables turn and Rey reads him, he is incredibly shaken by the subversion of his own authority and control, and when she escapes, he storms around looking for her in a blind rage, pursuing her with a weapon. Even as she’s beating him in the ensuing lightsaber battle, he has the gall to mansplain her own power to her: “YOU NEED A TEACHER!”

Resistance, Caring, and “Mask”ulinity: The Feminist Message of the Dudes in The Force Awakens

I love how this article is in direct contrast with the nonsensical idea that Kylo Ren somehow respects Rey as an equal while because Finn took her goddamn hand, he’s somehow the sexist one.

(via faeriviera)

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Kitty Pryde and Lockheed by Alan Davis

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Hillary Clinton Is Totally Wrong About Nancy Reagan’s Legacy on AIDS

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Aipoly Vision App helps visually impaired see the world through their smartphone

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Dehumanizing stereotypes have existed in American culture from the very beginning. Centuries later, and racism remains the default justification for discrimination and brutality.

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Which Hamilton character do you personally relate the most to? Also, which Hamilton character would you want to see physically fight Wolverine (the animal or the mutant ur choice)?

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