kapenkoiwrites

[kapenkoiwrites]

Juuuust in time for the holidays (because y'all have been amazing this year)... 🎁✨ ... We’re shipping a big improvement to our AO3 exporter! Since we launched the exporter back in October, we’ve been loving all the feedback you’ve sent our way. That said, we know it had a few rough edges. Now, in addition to creating new works—you can export your docs and drafts as chapters in existing works! Head over to the blog to learn more... 🦌 - The Ellipsus Team xo

[kapenkoiwrites]

we must protect archive of our own at all costs

[kapenkoiwrites]

Please write your story. Draw the artwork. Finish the animation. Continue on whatever project you're working on. It doesn't matter if you're not good at it, or you have doubts, or you're afraid of mistakes. Your creation has a right to exist, and it will be important to others.

[kapenkoiwrites]

CORRECTLY Writing "Morally Gray" Characters

Want to write a hot, cool, and bad character but DON'T want he/she to come across as toxic, downright bad, or, god forbid, cringe? Well, I've got a couple of tips that may help you create exactly what you want!

1. Softness

Okay, yes we want this character to be tough and cool, but there also needs to be a certain softness, no matter how small, that comes with them. If there's someone that your character prioritizes or cares about, there has to be a point or two that it shows--a moment where they're soft only for the people that they care about. Why? Because this establishes the humanity in them. It shows the readers that your character IS human, not an emotionless monster.

2. Goals

Key to any good characters are their goals. The thing is, for this type of a character, their objectives can't be so random. They need a reason for their actions, and it needs to be valid. Usually, this is reasoned out by some kind of past epiphany, which is crucial because without it, your character doesn't have anything solid backing up their goals. We need to see where they're coming from.

Bad decisions, but for an understandable reason.

Establishing their morals is important for nearly the same reason.

Now, why is this important? Because it can pull readers to their side. As long as they understand the cause, they have a chance to follow your character's side, increasing their likeability!

3. Neutrality

Notice how this is a "morally gray" character, not a "completely evil" one. Why does this matter? Well, a trait people tend to overlook when writing these characters is the morally gray, or neutral, part. It's important to just occasionally show that your character is walking the fine line and in my opinion, a great way to achieve this is to have them help the protagonist out (instead of always fighting against them) one, or even two times!

4. Positive Characteristics

This is a very simple one, but make sure to depict a couple positive qualities (besides just being hot) of your character! Like my first point, it's pivotal to illustrate that they have some humanity, and this is an easy and great way!

Throw in a few good characteristics (I have a post with some examples of redeeming qualities for villains if you need some help), and let it show that they are still respectable!

5. Backstory

I believe that with certain characters that play certain roles in the story, explaining their backstory is a NEED for them; and this character type is no different! Introducing even a bit of their past can get the audience interested in your character. It also allows for better understanding of them and shows how they changed over time.

6. CONFIDENCE

Be confident in your skills when writing this character! To many, the idea of "cringeness" makes them second-guess how they should write. In reality, it's better to write it however you wish, because if you're confident in one moment and clearly less in another, the readers are able to sense any unexpected changes in things in your character's tones, expressions, and actions.

It's important to keep your character in, well, character. Still, there's going to be a few moments that break it, but it shouldn't be in any unnatural way.

If your character is flirty, then let them act flirty. If they mess around a lot, then let them mess around. Don't limit their actions or words just because you think some people might find it cringe!

Alright, that's it for me! What do you think? Are they valid or unreasonable?

Happy writing~

3hks <3

[kapenkoiwrites]

You will not use AI to get ideas for your story. You will lie on the floor and have wretched visions like god intended

[kapenkoiwrites]

How to Stop Hating Everything You Write

1. Don't be afraid of making mistakes.

Quit judging yourself for every mistake you make along the way. Whether you're writing fiction, fanfiction, or nonfiction, just write. If you can't correct your errors as you go, that's okay. When I don't have the brainpower to multitask, I focus on the writing stage one step at a time. Just write!

2. Don't aim for perfection.

"It's not ready if it's not perfect." That's a lie. When you're in the process of writing, it's best to concentrate on getting your thoughts on paper.

3. Seek feedback and learn to receive it.

Join lively communities with active writers or forums that host events inviting writers to share their work for critique. Not every critique is constructive; learn to discern which feedback to take on board and which to ignore.

4. Read, read, read.

You can't give what you don't have. You learn a lot from reading similar pieces in your chosen genre. Reading is also a source of inspiration that fuels your writing process.

5. Cut yourself some slack.

Writing is no small feat. It takes talent to formulate a story with your mind and skill to visualize it for others to see. Do you love writing? Then keep doing it because it takes practice.

Looking for a supportive community dedicated to helping you grow as a writer? Join the Writers Universe server and thrive!

[kapenkoiwrites]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,��� try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[kapenkoiwrites]

If you guys are like me, and you struggle a little with describing locations, can I suggest…

as a lifesaver.

[kapenkoiwrites]

Editing Your Novel Part 1: Before You Edit

New Year, new edits! Editing is a big task to tackle, no matter how you go about it. Chunking it into several parts gives you a much easier set of goals to meet, methods to track those goals, and ways to make an impossible project more manageable.

The First Rule of Editing: Love Your Draft.

If you hate everything you wrote, you are not ready to edit it yet. If you feel as if you'd rather drive off a cliff than reread the work you've just done, put that book away for a few more weeks. If you can't stand your work, you aren't going to be able to give it the care it deserves. That feeling will go away, trust me. You just need to give it some time to rest.

Pre-Editing Prep Steps:

Change the Format - Changing your font will help you see your wards in a new way and the most common tip is to use comic sans. You might resist this tip. You might refuse on the basis that it is a silly font meant for silly jokes. But just try it out and see if it works for you. You can always switch to Arial like a coward if you want.

Read it Out Loud - No, you don't have to listen to the sound of your own voice (though if you're a theater kid, they might be a great way to work out kinks in your dialogue). There's plenty of decent screen-readers out there that will help. NVDA Screen Reader is a free program anyone can use. Google TalkBack is pre-installed in most Android devices, and Microsoft Word has a feature called Read Aloud that will drive you crazy after awhile, but works.

Outline What You Have - If you wrote your first draft based on nothing but feels or had an outline that took a sharp left turn at Timbuktu, re-outlining what you're looking at can help you work out how to tackle your edit. Now, you don't have to go all out - I'm a big fan of using flashcards to track scenes. They're easy to swap out and update when you change things, and you can lay them out in any organization to get good overview of your plot.

Take some time to get organized, and check into the next post when we talk about the plot pass!

[kapenkoiwrites]

Hi, this is a really specific situation, but I'm at a loss. I had an accident that left me with lasting brain issues, and my writing has taken a hit. I went from being able to churn out a 3k word chapter in a day to needing an hour to write 50 words. I have so many ideas but can't express them, and I hate writing as a result. I know practice and just pushing through are going to be the main pieces of advice, but do you have any other suggestions or resources for someone who is having to re-learn how to be a writer?

Hey there! First off, I’m so sorry this response took me so long. Your Ask really stuck with me, and I wanted to give it the thought and care it deserves.

I can’t imagine how frustrating and heartbreaking it must be to go through such a big shift in your writing process. Losing that ease and flow—especially when you have so many ideas—is a huge adjustment. It’s a testament to your creativity and drive that you’re still thinking about how to keep writing despite the challenges.

You’re absolutely right that practice and pushing through are often the go-to advice, but I think it’s equally important to give yourself permission to grieve what’s changed. Writing can feel like such a core part of who we are, and when it’s harder than it used to be, it’s natural to feel a sense of loss.

Here are a few suggestions that might help as you navigate this:

1. Try Different Mediums: If typing feels like slogging through mud, maybe experiment with dictation software or voice-to-text tools. Speaking your ideas aloud could help you capture more words without the same strain.

2. Focus on Smaller Goals: Instead of trying to write full chapters, set tiny, manageable goals—like jotting down a single image or one sentence that excites you. Those little wins can add up and feel more achievable.

3. Explore New Ways of Outlining: If you’re struggling to get the words out, focus on the ideas instead. Create bullet points, mind maps, or even doodles to capture the essence of your story without the pressure of fully fleshed-out prose.

4. Be Kind to Yourself: This is the hardest one, but it’s so important. Writing isn’t just about the final product; it’s about the joy of creating. Even if the words come slower, every step you take is progress.

And don't forget to give yourself a ton of credit! Re-learning how to write in a way that works for you now is an incredible act of resilience. You’re still a writer, and your stories are still worth telling, even if the path looks different.

Hope this helps!

Bucket

/ / / / / / / / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

[kapenkoiwrites]

hey kids who read fic, listen up

it’s annoying to me as a Fanfic Elder that y’all don’t understand how consent works in regards to reading fanfic

last night I saw a fic that had EIGHT of my favorite tags included and a great summary BUT it also contained a tag for a topic that bothers me. I weighed the pros/cons and decided NOT to read the fic because the ONE tag I disliked was something that could trigger a panic attack if the scene went into any sort of detail - it wasn’t worth risking the eight good tags.

from the first moment I noticed the fic to the moment I decided not to read it, the entire experience was MY RESPONSIBILITY. the author tagged the fic correctly, I knew what my limits were, and I respected them.

if you find a fic with tags you don’t like, JUST DON’T READ IT 

don’t harass the author, don’t post a big whiny rant about it on Tumblr, just keep scrolling

that is your job as a reader. 

[kapenkoiwrites]

I wish all my writers a happy new year. May all your stories finally be written, sentences be completed, emotions be evoked with beautifully crafted words, readers be moved to tears, the urge to create be satisfied.

[kapenkoiwrites]

[kapenkoiwrites]

The three distinct types of found family:

Commits crimes together.

Fights crimes together.

Constantly switching back and forth between the other two at a horrifying speed.

[kapenkoiwrites]

I cannot emphasize enough how much you need to read thoroughly through the terms of any publication before you send your writing to them. It is mandatory that you know and understand what rights you’re giving away when you’re trying to get published.

Just the other day I was emailed by a relatively new indie journal looking for writers. They made it very clear that they did not pay writers for their work, so I figured I’d probably be passing, but I took a look at their Copyright policy out of curiosity and it was a nightmare. They wanted “non-exclusive, irrevocable, royalty-free, perpetual, worldwide license and right to use, display, reproduce, distribute, and publish the Work on the internet and on or in any medium” (that’s copy and pasted btw) and that was the first of 10 sections on their Copyright agreement page. Yikes. That’s exactly the type of publishing nightmare you don’t want to be trapped in. 

Most journals will ask for “First North American Rights” or a variation on “First Rights” which operate under the assumption that all right revert back to you and they only have the right to be the first publishers of the work. That is what you need to be looking for because you do want to retain all the rights to your work. 

You want all rights to revert back to you upon publication in case you, say, want to publish it again in the future or use it for a bookmark or post it on your blog, or anything else you might want to do with the writing you worked hard on. Any time a publisher wants more than that, be very suspicious. Anyone who wants to own your work forever and be able to do whatever they want with it without your permission is not to be trusted. Anyone who wants all that and wants you to sign away your right to ever be paid for your work is running a scam.

Protect your writing. It’s not just your intellectual property, it’s also your baby. You worked hard on it. You need to do the extra research to protect yourself so that a scammer (or even a well meaning start up) doesn’t steal you work right from under you nose and make money off of it.

[kapenkoiwrites]

You're the healer of the group. The rest of the party has always treated you like you're made of glass. You were content to stay out of their way and let them do their thing. Until they all got downed leaving you the only one standing. That's when you show them how deadly healing magic can be.

[kapenkoiwrites]

Your friend keeps giving you very random gifts at completely random times. It seemed like an odd but nice gesture, until you realise each gift has saved your life from any sort of incident some time after accepting it.