kanri-chan
kanri-chan
Artworks & Oddities
39 posts
She/Her Artist 19 years old Picking up Stardust we leave behind . . . . You slip through my hands
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kanri-chan · 1 year ago
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https://twitter.com/_k4uo/status/1778757109603279286
chat what if i fucking cry
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kanri-chan · 1 year ago
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All love interests, together at last!
Play here | Forum | Ko-fi
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kanri-chan · 2 years ago
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read the demo here !
yes you read that right! i'm officially releasing the demo of the phoenix, with just the prologue.
this is my first time really putting my writing out into the world so any feedback would be much appreciated :] also i have precisely Zero beta readers so if there are any errors i deeply apologise and please send me an ask about them!!
in this demo, you can:
customise your mc, including their favourite cereal and family relationships
talk to your best friend/manager
meet your coach alex and have a quick training session
talk to a weird reporter and get a nickname
choose a sporting persona
read some tweets!
notes under the cut!
i'll be following #the phoenix if so if u want to post something about it use that :D
i changed the stats system from what i previously mentioned because i feel like this one works better
it's not the longest prologue in the world sorry :( i've been beating myself up about the wordcount A Lot. comparison truly is the thief of joy.
there is quite a bit of flavour text/easter eggs! i really wanted to make it replayable (so please replay it x)
wendymancers and minmancers get their moments in ch 1 ! so do alexmancers tbh, jamiemancers do not oops
if you liked the demo, you can donate here ! its completely optional and even just reading the story and supporting me is enough <33
hope you enjoy !! lots of love, sahara ♡♡
(i am unironically TERRIFIED releasing this LMAO)
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kanri-chan · 2 years ago
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CHAPTER THREE:
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PATREON EARLY RELEASE
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RAH! As of Today, my darlings! I have completed chapter three and the early patreon release is also today! I am utterly excited and happy. Getting this chapter out has taken far too long!
✦ CHAPTER THREE ✦
Public Release Date: July 16th 2023
Word Count: 37.0K
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✦ DEMO ✦ PATREON ✦ DONATE ✦
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kanri-chan · 2 years ago
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Talon’s End - Demo Launch
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You were never destined to marry for love.
As the third child of the Earl of Eastthorn, your purpose is to marry to your family’s advantage, but after one failed engagement already, your prospects are less than promising. So when the Crown calls upon you to infiltrate the lair of an Elven sorcerer in search of a powerful magical weapon, the offer is too good for your family to refuse.
But leaving your respectable home to marry an immortal being of immense power quickly puts you in uncharted territory. Between your secretive, disagreeable spouse and their labyrinthine spire infested with strange creatures, your mission to uncover their secrets is risky from the start. But as you come to know both your partner and your new home at Talon’s End, you discover terrors and wonders unlike anything you’ve known–and the true price of your mission.
Talon’s End is a fantasy interactive fiction game about transformation, growth, duty, and love in its many forms. The demo was made for the Transformation Game Jam on itch, but most of the transformation (literal and figurative) takes place in the post-demo part of the game since I overestimated what I could get done in 2 months! (Please report any bugs you find!) The current demo includes ~20% of a playthrough and will be a standalone story (not a series). It is written with an adult audience in mind and contains some darker themes, but the demo does not contain any explicit content and should be appropriate for ages 16+. The age rating may change for the full version.
Features:
Player character with gender, pronouns, romantic/physical attraction, etc.
Focus on the relationship between the player character and their sorcerous spouse (gender-selectable) that can be romantic, platonic, physical, or a combination
Options to explore the player character’s gender and attraction beyond initial choices
Local saves (can be exported to transfer between devices)
Planned Full Version Features:
Codex with unlockable character and lore details
Character stat and milestone pages
Option to remove references to societal bigotry (see below)
Please note: The first few scenes contain references to societal misogyny, homophobia, biphobia, transphobia, and aphobia. These references decrease significantly after the first few scenes, and no physical or verbal violence will ever be depicted. For the full version of the game, an option is planned that will remove all of these references for those who find them too triggering or uncomfortable.
The game includes a list of current and anticipated content warnings as well as a brief guide for players new to interactive fiction.
Play the demo here!
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kanri-chan · 2 years ago
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DEMO | FAQ | PATREON
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Get ready for the most captivating and unconventional reality dating experience ever witnessed!
Set out on a thrilling six-week journey that defies conventional beauty standards and dives deep into the realm of emotional connections. Prepare to be swept away to a secluded waterfront estate, where masked contestants will embark on a quest for love like no other.
In this extraordinary social experiment, aesthetic attractions take a back seat as the focus shifts towards forging genuine, soulful bonds. Each contestant will don a unique mask, concealing their physical identities, allowing them to explore the depths of emotional connections with their fellow love-seekers. Stripped of preconceptions based on appearance, they can truly delve into the essence of each person's character, values, and compatibility.
But here's the twist: as the weeks progress and relationships blossom, the contestants will have the opportunity to remove their masks and reveal their true identities. However, this choice comes at a cost. A portion of the $60,000 secondary prize pool will be deducted with each mask unveiling. This intriguing dilemma adds an exciting layer of tension, as the contestants must decide if the potential reward of revealing themselves is worth the sacrifice of the prize money.
The public will have the power to determine an array of benefits for their fan favorites as well as the winning couple who will claim the coveted primary prize of $500,000. Viewers will witness the rollercoaster of emotions, heartaches, and unexpected connections as the contestants navigate their way through challenges, group activities, and intimate one-on-one dates. Alliances will form, trust will be tested, and hearts will be on the line as they strive for a shot at love and the chance to win the grand prize.
Who will find true love and claim the public's admiration? Who will choose to unveil their mask and reveal their true selves? And ultimately, who will emerge as the last mask standing, securing the secondary prize?
Join Love Language: Masked and prepare for a journey like no other!
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Love Language: Masked is 18+. It contains disturbing elements such as mature language, drug/alcohol use, sexual themes, mental health issues(suicidal ideations, depression, anxiety, PTSD.), death, sexual assault, abuse, and more TBA. 
This list will be updated as the plot progresses. Read at your discretion.
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Please note that not all features will be immediately available. There are grand plans to continuously enhance the game, new and exciting elements will be added as the development progresses.
❥  Step into the world of romance, intrigue, and intense competition. It all begins with you—create a character that reflects your true self. Choose your name, gender, pronouns, and even customize your appearance, right down to the mask you'll wear.
❥  Romance is in the air, and you have the freedom to pursue any of the thirteen contestants. Whether your heart beats for a male, female, or non-binary partner, love knows no boundaries. But that's not all—there are exciting plans for polyamorous routes, ensuring you can explore all the depths of your desires.
❥  Unleash your personality and witness the thrilling reactions of the contestants. How you navigate the game's twists and turns will shape your journey. Will you be the messy rebel stirring up trouble, the kind-hearted hero everyone adores, or perhaps the sly strategist playing the game behind the scenes? Every choice matters, as not only do your relationships within the house hang in the balance, but also your popularity with the public. Walk the fine line between spiciness and blandness, because in this game, losing the prize or even getting eliminated is a real possibility.
❥  Prepare for an enthralling experience where the fate of your couple—and your own destiny—is waiting to be discovered. Multiple endings await you, each with its own unique path and surprises. Will love conquer all, or will unexpected twists lead you down a different road?
Stay tuned for updates on new features!
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TO BE ANNOUNCED...
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kanri-chan · 2 years ago
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.2
I know, I know. It took 2 months to write the second drabble from the poll but...this is not even a drabble anymore. Instead, it's more of a collection of scenes mostly because if I do write how Orion found and began managing the band it would be an entire chapter. I will say that I condensed this due to that, but if I ever do write the whole thing it might look a *little* different. I had to cut corners and shorten scenes for the sake of length. Still, hope you like it! (This is 4, 363 words btw. what is wrong with me) I should probably find a more efficient way to share such long works but whatevs. As always, ignore any mistakes or typos or wordy sentences or sentences that probably make no sense upon reading it a second time. I don't edit drabbles and I always just publish the first drafts. haha.
“…Love me and hate me, I don’t mind as long as you take me—”
A low grumble rises in Orion’s throat when the song pauses, the car falling into an unfamiliar silence just as it slows in front of a red light. His large hands tighten their grip on the wheel, and his eyes glide to his co-worker, Marty, just as he’s pulling his hand away from the PAUSE button on the console. 
“Is there a reason you’re touching my stuff?” Orion asks, his voice carrying its usual calm that holds a level of ice that has even his superiors shuddering when they think he’s not looking. 
Marty licks his lips, his face twisting into its usual expression of guilt. Orion softens his face for his friend’s sake.
Orion Quinn knows the impact he has on people. The rumors that plague him have reached his ears on multiple occasions; he’s a shell of what he once was, never having gotten over the one who got away. He’s detached, the merciless worker that the boss goes to when he’s in need of someone who can do the firing.
 He’s the one people are afraid of crossing or talking casually to in fear of letting something slip. People fear him more than they fear the execs. 
It wasn’t always like this, sure. Once, Orion used to smile freely, used to talk openly and wear vulnerability like a favorite coat. But then the divorce happened and sides were taken. Suddenly, the armor he didn’t know he had was reinforced, dented and bruised from a battle he didn’t expect to fight, but reinforced nonetheless. 
Never date your co-workers. 
“The song is terrible, man.” Marty sighs, running a hand through his oily brown hair when he plops back in the seat. The same seat he pushed back at a 120-degree angle. Admittedly, it makes Orion’s nerves flare up. He says nothing;  he has enough self-awareness to know that complaining about his seat is a bit too much, even for him. “I was doing both our ears a favor.”
The light changes and Orion absently drums his fingers on the wheel as he drives on ahead, eyes gliding outside to soak in the densely populated street underneath the rising sun. “Yeah.” The word comes out in a resigned breath. “I was hoping it’d get better.” 
“We were on the bridge,” Marty throws back. “The only way it could get better is if it ended.” Orion’s lip twitches and of course, Marty can’t let it go. ”Oh! That was an almost-smile.” He leans forward to poke Orion’s rib. 
Orion lets out a laugh before his face quickly drops.
Marty grins, plopping his elbow on the ledge of the car door. “All I’m saying is you’ve been listening to demos nonstop this whole month. Not once have I seen you even mildly excited for any of them.”
Orion grits his teeth. “I haven’t had anything substantial to show the team in ages. Our last artist pulled out on signing with us last minute. Our established artists aren’t selling as well anymore. The industry is getting oversaturated—“
“—and we need to be ahead of the curve. Yadda, yadda.” Marty rolls his eyes. “Do you ever just relax? Damn. That stick up your ass is ten-feet lon—“
Marty chokes on his words when Orion’s eyes cut to his. “Say anything else and I’m kicking you out of my car.” 
Marty pouts but relents anyway, choosing to change the subject. “What about dating?”
Orion keeps his eyes on the road but quirks a brow. “What about it?”
“You know…” Marty starts, gesticulating vaguely as he searches for the right words. “Maybe putting yourself out there could help you relax. Or even inspire you—“ 
“No.”
“What? Okay, but—"
“Not interested.”
“You didn’t even know what I was going to sa—“
“Don’t have to.” 
Marty huffs and says nothing for a long moment. Neither of them rush to fill the silence; normal for Orion but unusual for his infinitely more talkative friend. It’s only when he pulls into Carolina Records’ parking lot that Marty speaks again and Orion realizes his silence was really just contemplation.
“I know the divorce was difficult,” he starts, delicate, “but—“
Orion’s jaw clenches.
“— that doesn’t mean you should give up.”
Orion sits there a moment, fingers clenching into fists. “It’s not giving up if I never tried in the first place.” He swings open the door and steps out, the car door slamming with a hint of finality.
. . .
Carolina Records boasts a twenty-floor skyscraper made up of floor-to-ceiling glass windows and sleek, dark marble floor. Orion has been here since he graduated college; going from a measly intern to an A&R representative responsible for finding two of the most promising artists in the company. 
That was a year ago. Since then, the well of new talent has dried up and Orion doesn’t know what to do.
Of course, he was offered higher positions, all of which he quickly denied. Orion always had a knack for numbers and trends, discovering what new genre is going to come to the forefront, seeing what kind of music the general public is listening to. Music: he understands it better than people. His understanding is almost clinical: while people listen to it for enjoyment, Orion seeks the patterns, the feelings that every beat and scale and vocal run they invoke. He takes it apart and puts it together like a surgeon does a patient. It just makes sense to him. 
He could do so much more, he knows that, but none of that interests him.
The music—that’s what he likes. 
Discovering new talent is what excites him. Which is why this odd dry spell has him walking with gritted teeth and tension between his shoulders-blades. He has to do something.
“Mr. Quinn.” 
Orion nods at a woman who passes by the hallway, ignoring the way Marty does a whole spin when he tracks her retreating frame down the hall.
Another one. This time a man from the marketing department. “Good Morning, Mr. Quinn.” 
“Morning.”
Marty scoffs when the man continues walking, not sparing him a glance. 
“Am I chopped liver or something?” Marty complains.
“Mr. Quinn, hey!”
“Hi.” Orion nods his head once and presses the elevator button. When his eyes land on a frowning Marty he says, “You’re just not sociable.”
“Huh?!” Marty then lets out an embarrassingly high-pitched sputter of a laugh. “And you are?”
Orion frowns. “Yes.”
Another laugh. “You’re smart, dude, you know it’s more because of that”— he gestures vaguely at him—“than your social skills.”
The elevator doors open with a cheerful bell and they step inside. “What?”
“You know.” Marty shrugs. “Your face. You look like you should be on a billboard advertising overpriced cologne with your shirt unbuttoned and your hand in your hair talking about your luxurious life or something.”
“That’s…specific.”
Marty shrugs. “I read a lot of GQ.” 
Orion wrinkles his nose when they spin to face the doors. “While it is true I would be considered objectively handsome by societal standards—“
“Oh, fuck off.”
“—I don’t think that’s the case.” This time Orion lets out a small smile. “Or maybe it is?” He quirks a brow at his co-worker. “Should I send a gift basket to my parents? A ‘thank-you-for-the-superior-DNA gift?’”
Marty shakes his head.  “You know, when you do try to be funny you still sound like an asshole.”
Orion hums, the joke tickling him enough for him to let out his first smile of the day. 
The elevator doors sing their arrival and they bid farewell once they part to go to their respective offices. Orion strides to his corner office where another one of his co-workers, Kass, is standing with a box in her hands.
“This week’s demos.” Orion is just putting his arms out when she plops the boxes on them. “You should really stop requesting unsolicited demos. It’s such an outdated way of doing things.”
Orion ignores her and unlocks his office door, turning the knob and pushing it open with his hip. His office is barren but spacious, with high windows overlooking the city. Marty told him once that people would kill to have his office, but really it’s just like any other space. What’s an office without a productive person to work in it? Orion hasn’t done anything of meaning in weeks.
Sighing, he drops the box on the table unceremoniously, picking up the first CD on the top of the pile. GROUNDED IN REALITY reads the title, and it’s so apt that he almost chucks the CD in the trash on that very fact alone. Still, he’s nothing if not fair. Another sigh escapes him and he gets to listening. 
. . .
Helpless.
That’s how he feels.
After hours of listening, the music has long since blurred together in a portrait of uninspired melodies and generic, radio-friendly lyrics. Nothing stood out, nothing made him want to dig into the song in search for more, nothing made him feel.
Is it me? Am I the problem?
Jaw clenched, Orion fishes out his phone, the usual flinch coming to him when he sees the background. He forgot to change it, and it’s always an (unwanted) surprise whenever he sees a picture of them together. 
One year ago. The beach. Happy.
Shaking his head, he sends a quick text to his mother telling her that he’ll have to raincheck on their dinner. He still has half a box of songs left. Looks like he’ll be staying late.
“Yo, Orion!” A knock. “Let’s go! I want to driiink.”
Or not.
Marty strides in without waiting for an invitation, a grin on his face. “Tab is on me.”
“Do you ever work?” Orion asks, eyes half-lidded in equal parts annoyance and indifference. 
His friend frowns. “This is work.”
“I don’t think getting drunk is in the job description.” Orion looks down, absently clicking on the button of his mouse in an effort to busy his hands. 
“Wah, wah. Don’t be a fucking party pooper.”
 “Too late.”
Marty shoots him a look. “A few artists are playing tonight. Call this recruitment.” He uses spirit fingers. “Maybe you’ll even loosen up for once.” When Orion looks at him, a brow raised, Marty drops his hands. “Yes, I do my job sometimes. Don’t look so surprised.”
“It’s not that,” Orion starts. He doesn’t immediately continue. Instead, they simply stare at each other. Marty wiggles his brows as Orion narrows his gaze. “When you say the tab is on you—“
Marty whips out a black card. “Company card, baby!”
Orion palms his face with a long groan as Marty begins to moonwalk across Orion’s office. “I was perfectly fine staying inside.” Even though he says this, a moment later he stands and grabs his trenchcoat from the back of the chair. “And you’re driving.”
“What!” Marty stomps his foot as he follows him out. “Nooooo.” 
. . .
The bar sits in a livelier part of the city, a part that Orion doesn’t often find himself in. It’s less about the scene and more about the memories associated with every damn corner of this place. Orion can pluck a memory from his mind like a petal from a rose garden: the diner they went to and fought for fifteen minutes over who would get to pay the bill, the park they spent their lunches at.
The shop where he bought the ring.
“This place is golden,” Marty says, breaking Orion out of the string of memories he wishes he could erase forever, “it’s like a real gritty, underground hole-in-the-wall vibe.”
“Sounds like fun,” comes out of Orion in a dour tone that has Marty rolling his eyes. 
They stride through the neon glow of the brick hall until it opens up to a dimly lit bar. The space is humble; the sparse crowd is compensated by the energy of the performers on the stage. 
“Stacy, do you remember when I mowed your lawn…?”
“Is the band really covering Fountains of Wayne?” Orion says through gritted teeth.
Marty bites his lower lip, his obvious attempt to stifle laughter only making Orion’s faux horror flare even more. “Maybe.” Marty spins around, shimmying his shoulder. “You don’t agree that Stacy’s Mom Has Got It Going on?” Marty then realizes something and laughs. “You know, I dated a Stacy once. Weirdly enough, her mom wasn’t that bad looking—“
Orion sighs and quickly moves to the bar. “I need a drink.”
Whatever hope Orion had of finding new talent is gone in the face of the line-up. It quickly becomes obvious that the performers are composed of people who aren’t taking the ‘gig’ seriously or patrons that are half-drunk and stumbling on the small stage.
Worse that the place is pathetically empty; it’s only them two and three other stragglers eating stale fries and bobbing their heads to the music, more out of obligatory politeness than anything else. Orion is suddenly regretting taking Marty up on his offer. 
Orion drinks his lager through periodic gulps, his desire to forget this night growing with every person that performs. The memories of this area coupled with his lack of work lately make him dizzy. He wants to escape. Quit. Scream. All of it.
“Get me another,” Orion says, much to Marty’s delight.
More and more people perform until Orion has lost any focus on the stage. Instead, he entertains himself by watching the game on the TV, having long given up on finding any new promising talent in a place like this. 
“Next up we have”—the bartender stops, her eyes narrowing as she tries to read something off an index card—“er, [band]. Yeah. Give them a round of applause.”
With how few people are in attendance, the applause is less applause and more awkward clapping that quickly dies after two. 
The people on stage are younger. Immediately, Orion notices that they’re equipped with actual instruments instead of relying on the karaoke machine in the corner. A decisive point in their favor, he decides.
“You said this was a gig…” He hears one of them say to what appears to be the lead singer. The boy wears a red hat, as well as an assortment of chains on his neck. Three other band members set up their instruments, trying not to look too disappointed by the turnout. Still, even with the lager creating a slight fog in his head, Orion knows that look. The moment when hope dies, burning like a napkin to a flame.
“No,” the lead singer says pointedly as they adjust their mic, “I said this was a favor.” In that moment, the singer nods their head at the bartender, who shoots them an appreciative thumbs-up. “A paid favor.”
The boy shakes his head but snorts. “I guess.” 
Once they’re set up, the singer looks ahead, gazing at the bar. Their eyes briefly settle on Orion as they gaze at the few faces in the room. “Hey!” they say, chirpy. “We’re [band]. Thanks for coming out!”
A chorus of muttering replies.
Marty taps on the bar. “Wanna head out?”
Orion, unable to look away, shakes his head. “No. I want to see this.”
The next few minutes feel like a dream. Orion is in a daze as the song plays, the beats piercing through him. The voice sends goosebumps up his arms, the instruments weave together in a perfect harmony that has Orion’s heart racing. When the song ends, it’s too soon. He wants it to keep going. He doesn’t want it to end. 
He wants more.
“Thanks!” The singer says to a smattering of slightly enthusiastic applause. This is the most energy everyone has had all night. They turn, grab their things, and disappear through the curtain. Orion bursts up….
…spilling his drink on the table.
“Oh!” the bartender squeaks as Marty hisses.
“Aw, fuck.” Orion curses, and then flinches. “Sorry. Uh….sorry.” He doesn’t know what his apology is for. Dropping the drink, cussing, or speeding away before he could help clean it up in order to catch the band backstage?
“Hey!” Marty calls. “Where are you going?”
Orion ignores him. He has a one-track mind right now, one focused on finding the band that just made him feel like he hit the jackpot. This. This is what he’s been looking for. 
The door swings open, and the band stop mid-conversation to look at Orion, who busted through the door without so much as a plan or script in place. Instead, he simply stands there. 
“Uh.” One girl, flaunting bright blue hair, says. “Yeah?”
Orion reveals his card, feeling a bit like a robot. He moves on automatic, working through the many thoughts in his head to utter the rest of his words. “Do you have a manager?”
. . . 
“You want to manage us?”
The din of the coffee shop sings with the sound of plates and aimless chatter. It’s been two days since he heard them perform back at the bar, and Orion has been running through his pitch the way one does before an interview. He’s never been this…nervous? Uncertain? In his life. 
“Yes,” is Orion’s only response. He sits on one side of the table while the band sits on the other; an invisible wall between them. He can see it, their apprehension. He is not one of them. 
Not yet, at least. 
“Wait.” The boy Orion learned is named Rowan leans forward, fingers on the table. “How do we know this isn’t a scam?”
“I’m not asking for money. All I ask is for you to show up to play for my boss. That’s it.” Auditions are a lost art. Nowadays artists are recruited through viral internet songs and connections. Two things that always exhausted Orion. It hasn’t been just about the music in a long time. 
Their eyes widen. They all exchange looks, equal parts excited and wary. 
“Why?” [MC], who he learned is the sole singer of the band, asks.
Because you made me feel something. Because listening to you is the first time I felt human in a long time.
He imagines himself waving off those words like mist. “Because you’re the first band that has caught my attention. And it’s not easy to catch my attention.”
The band member named Iris snorts. 
“I’m not trying to be arrogant,” he says blandly, leaning back in his chair to fold his arms over his chest. “It’s the truth.”
“Where do you work?” Another member, Devyn, asks. 
“Carolina Records.”
Multiple pairs of eyes widen.
“Holy shit.” Jazzy laughs. “The Carolina Records?”
Orion nods, used to this kind of reaction. Starry-eyed artists are pretty much the same when it comes to Carolina. “Yes.” He leans forward, his heart racing. “Just one audition. That’s all I ask.” 
He watches as they all exchange looks; a silent language only they share. After an agonizing moment, [MC] turns to him and nods. “When?”
. . . . 
Orion has been pacing for the last half hour.
He stands outside Carolina’s humble theater space, chewing on his nails as he waits for his boss, Jacob Hill, and a smattering of other executives and shareholders that will be the final word in whether Orion can work with [band]. He hasn’t asked for something this big in so long that Jacob Hill immediately said yes, more out of excitement and surprise than anything else. Orion did produce two of their most profitable artists in the company. 
The elevator doors open and Orion stops in place, head whipping up to see them walking through the hall in a wave of black suits and greased hair. Orion brushes down his shirt, trying to dampen his nerves. Jesus. Nerves? Get a grip, Orion. 
He doesn’t know how to stand as he waits for them to approach. Hands in pockets? Arms crossed? Orion is so indecisive he just resorts to standing straight, arms at his sides. 
“Mr. Hill.” Orion shakes his hand, clearing his throat. He makes his polite greetings to the rest of the team and says, “Thank you for making time for me.”
“Always, Orion.” Jacob slaps a large hand on his back. “You’re one of my best. You should ask me for favors more.”
Orion lets out a small, slightly nervous laugh. “Ah, you know. I like to—“
“—do things on your own,” Jacob finishes, a soft smile on his face. “I get it.”
He slowly looks up, meeting Jacob’s eyes. In them he can see the familiar pity he’s gotten since the divorce. 
It’s Orion’s fault, really. If he didn’t isolate himself and turn into what he is now, people wouldn’t look at him and assume he’s broken inside.
Would they be wrong in their assumption, though? Am I broken inside?
“Shall we?” another executive says, and Orion bobs his head in a nod, pushing away the image of Jacob’s face.
Inside is a small theater, the stage just big enough for one artist. The seats are plush leather, the lights dim but blue. Jacob always likes the spectacle, and he catered this space to feel like a real performance for possible signees. Orion decides against sitting, too nervous to do anything but stand in the back, giving them the signal he taught them in his pep talk before they came.
[MC] nods. “Um. Hi. We’re [band]. I’m [MC] and this is Iris, Rowan, Devyn, and Jazzy. And um…this is [song].”
Orion flinches at the lackluster introduction. Doesn’t matter, he thinks, unfamiliarly optimistic, the music will do the talking.
And it does.
But not in the way he thought.
All throughout the song, Orion peeks at Jacob and his team. He wants to celebrate when he sees them bobbing their heads, wants to curse when they get on their phones. Orion has never worried this much in his whole career. He’s never wanted something so bad. 
He’s never allowed himself to want. Not after the divorce. 
He didn’t think he was deserving of getting what he wanted. 
The song ends, and Orion lets out a breath. There’s muffled chatter between the men, and on stage the band crowd together, hopping in place as they let out their remaining nerves. 
Jacob stands, the rest following. Orion speeds ahead, wanting to see the thoughts on his face. Instead, Jacob simply regards him with thin lips.
“They were…good,” Jacob whispers, putting a hand on Orion’s shoulder and guiding him out of the room and to the empty hall, “but I think we’re going to go in another direction.”
Orion’s positivity leaks out of him like an open faucet. “What.”
Jacob inhales through his nose. “Look, the singer is talented. They all are. I understand why you like them but…” He shakes his head. “I don’t think the guys see it. And plus,” he shrugs, “they don’t have what we’re looking for.”
Orion’s brows furrow. His stomach drops in itself and his mouth dries. “They have another song. They could play it—“
“Orion.” Jacob gives him that pitying expression again. Fucking hell. He wants to smack that expression off his face. “I know you’ve been…off, since the divorce. You haven’t been on top of your game, and I’ve been giving you your space. It’s not easy, especially since you worked together—“
“I’m fine,” he says tightly.
“—but you can’t…fixate on something to get over it. You need to do it the healthy way. The old Orion would’ve brought me someone with pizzazz. With that unique Orion touch, you know?” Jacob pulls him close. Orion is reduced to a scolded child, unable to do anything but listen. “This isn’t the Orion I know. You usually bring me diamonds.” 
“I—“ Orion swallows. “I’m trying.” And it’s the most honest thing he’s said in ages. He’s trying. And it’s not working. He’s been trying the day he signed that fucking divorce paper and signed the only life he’s known away. 
“I know you are,” Jacob says, squeezing his shoulder. “Sometimes we miss, and that’s alright.”
The rest of the group filter out and both Jacob and Orion step back, trying to hide any sign of their tense conversation. “I’ll see you tomorrow.” 
Orion nods slowly, the lump in his throat growing as he feels multiple eyes on him. His jaw is clenched, his eyes are downturned. He can hardly look at his boss.
He stands there, frozen, forced to listen to their careless chatter as they walk down the hall. The moment they stepped out of those doors, they forgot about the band. The same band that made him feel something, the first time since his divorce. The same band he can’t get out of his head. The same band that proved he is not broken. He can still feel.
And they don’t even fucking care.
“I quit,” Orion says, the words coming out of him before he could even think. Jacob and Co turn around, twin expressions of shock on their faces. Orion looks up, straightening, trying to look even an inch of the Old Him.
“What?” Jacob blurts. 
“I quit.” Orion swallows. “I’ll formally hand in my resignation tomorrow.” He bows, trying to muster up the little respect and professionalism he has in him. “I’m sorry.”
“Orion—“
He spins around, walking back inside. 
The band is still on stage, this time all packed up and ready to go. When the door closes, they all look up, their hopeful and wide eyes on Orion as he walks down to the stage.
He stops in front of it. He puts two palms on the stage, looking at the members of the band he will take to the top. He promised it to himself…two minutes ago.
“I’m going to ask again,” Orion says through his teeth, his heart racing with the adrenaline of his quitting. What the fuck is he doing? And why does it feel so good? “Do you still need a manager?”
When he looks up, the band stares at him in silence.  
He witnesses [MC] look behind him at the door, where Jacob and his team left. As if realizing something, they look back down. “Yeah. You okay with another artist in your roster?”
“Yes.” Orion nods. He’s okay with it. 
Because all he needs is one. 
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kanri-chan · 2 years ago
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What does the arab in your carrd mean? Is it like afab and amab?
.. i’m palestinian
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kanri-chan · 2 years ago
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Ngl sometimes I forget that I am supposed to post things on this account. 😅
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kanri-chan · 2 years ago
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An illustration of a friend's character. Didn't spend as much time as I thought when I worked on it.
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kanri-chan · 2 years ago
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kanri-chan · 2 years ago
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kanri-chan · 2 years ago
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kanri-chan · 2 years ago
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I Finally Have The Power
So I finally got polls snd it's time to put to the test.
So the winner of these polls, I will make a snippet of it so let's see who will take 1 place 🏆🏆
Although I already know who is gonna win 😂😂
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kanri-chan · 2 years ago
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I love art but I always enjoyed the process of rendering more than the lineart and sketching process, but this time I tried to do lineart very cleanly and detailed just to see what the hype is about.
It was an experience (a painful one) but I think doing it helped me think more about the details and not only the whole shapes
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kanri-chan · 2 years ago
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ADHD Tips for Writers, Take 2
Hiy'all, I'm back on my shit because my old "ADHD tips for writers" post is the like only post I still see in my notes at all times and there's a few problems with it so I'd like a do-over plz
Anyways, the obligatory disclaimer: I find ADHD tips are super useful for writers whether they have ADHD or not, so feel free to read & use the tips in this post if you find they apply.
Respect your fatigue. Here's the thing about ADHD. You get fatigued super easily. We know this. But when I say "respect your fatigue," I only partly mean it as taking breaks when you're tired. Before you decide you're too burned out to write, weigh this: people who have ADHD wear themselves out MORE when they have nothing to mentally chew on. Sometimes respecting your fatigue means respecting that you need to paradoxically put in more effort to do your writing, because that will actually slow your fatigue down in the end. Try it, if it doesn't work take a break.
Get ahold of the pressure level. Pressure is a tool for you to motivate yourself, you should NOT be under it at all times. How to do this? Adjust your goals, don't marry your outline.
Set the right goals. Stressed by wordcount but can work by hour? Can't focus for any stretch of time but can hyper-focus if you promise to get one scene done? And consider mix-and-matching. You can make a goal of getting a scene done in one day, but if that scene happens to go over 1k then it's reasonable to quit. If you set a goal that is actually attainable, it's safer to put pressure on it.
Confines begone. Seriously, don't try to make yourself do things in a Stupidly Specific Way. You do NOT need to draft in submittable manuscript format. You DON'T need it to fit your outline exactly. It doesn't need to fit a genre, it doesn't need to appeal to a specific audience, it doesn't need to be what it was in your head. If working with those things slows you down or makes you stressed, YEET.
Pavlov, Profit. I write on my bed with a scented candle while wearing a certain pair of pants. I use a specific playlist to cue me in to which WIP I'm working on. Maybe I pull out a specific stim toy I don't use otherwise. I write at a certain time of day and look at certain pictures while I do it. I drink water with lemon in it when I don't if I'm not writing. The words flow like a crystalline river and I don't even know how.
No I'm serious I cannot emphasize enough how powerful Pavlov is, literally it is the BIGGEST hack of my life. You train your brain to identify what "writing mode" is and afterward if you just set up the trappings of "writing mode" brain goes "OH OK NOW WE WRITE." I can't even
Throw slumps off with word wars and writing sprints. As always, word of caution for those who have trouble with their self-expectations: if you can't make the words sprint, that's ok! This is super useful to me and others for kicking off a writing session, but if you struggle to focus for any length of time then don't stress! But I do seriously recommend trying out word sprints at whatever time limit works for you, because after you've done it the words happen so. Much. Easier. I'll personally rev up with 5 mins, 15 mins then 30 mins. That 30 gets into the "this might actively burn me out" territory, so be cautious. It really might not work for you.
Don't underestimate minor changes. Font! Color! Screen blue-light! Using a different word processor! Tweak and change, hack the brain.
Journal about it. When I get stuck on a project, I will literally open a new file and just ramble into the file like I'm explaining the project to someone. It's rubber duck decoding, except it exercises the same muscles you use to do the actual writing. Makes for a great warm-up or dust-off.
Identify if/when you need outside support. Sometimes you need to ramble to a friend in order to kick a slump, sometimes you need community support for a WIP through the whole process. It might change for each case.
External incentives generally don't work. Honestly, I find external incentives don't work for me point blank, let alone to get myself to write. Maybe you can drag yourself across the ground like that sad cat on a harness by promising yourself a bowl of ice cream, but you're just not going to do your best work like that. You need to foster genuine motivators.
External motivators are different from incentives. If you're writing because someone is waiting to read it, that's not an incentive, it's a motivator.
Internal motivators that can be useful: fostering excitement for WIP elements (not by saying "if I write x words I get to make another moodboard, more like going ahead with the moodboard and using it to increase ur excitement), making a bar chart of progress and watching it grow, de-pressurizing writing so much that it can be used as a wind-down.
Are you a pantser who lives in a constant state of writer's block? No you're not you're not, you need to develop some sort of plan if you're getting stuck constantly. It doesn't need to be a super locked-in plan (I don't recommend those in general), but using lighthouse planning or developing some guiding element is important.
Contrarian hack: have someone who isn't a writer write the thing your're stuck on for you. (Consider: have AI write it for you.) Read it. Dislike it and use the motivation to write yourself. Profit.
Struggling to get started because the WIP is too daunting? Don't work on the whole WIP. Work on This Scene. This Scene too daunting? Work on This Small Part of This Scene. This Small Part too big? Work on the next sentence. Work on opening the WIP. Break the steps down as small as you need to.
SO. Be mindful of what you expect from yourself, do NOT let others decide how your process works, and do NOT hold yourself to any standard that inhibits you. Do what feels good both in the moment and after, because that is a good indicator you're doing healthy, sustainable writing.
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kanri-chan · 2 years ago
Text
ADHD Tips for Writers, Take 2
Hiy'all, I'm back on my shit because my old "ADHD tips for writers" post is the like only post I still see in my notes at all times and there's a few problems with it so I'd like a do-over plz
Anyways, the obligatory disclaimer: I find ADHD tips are super useful for writers whether they have ADHD or not, so feel free to read & use the tips in this post if you find they apply.
Respect your fatigue. Here's the thing about ADHD. You get fatigued super easily. We know this. But when I say "respect your fatigue," I only partly mean it as taking breaks when you're tired. Before you decide you're too burned out to write, weigh this: people who have ADHD wear themselves out MORE when they have nothing to mentally chew on. Sometimes respecting your fatigue means respecting that you need to paradoxically put in more effort to do your writing, because that will actually slow your fatigue down in the end. Try it, if it doesn't work take a break.
Get ahold of the pressure level. Pressure is a tool for you to motivate yourself, you should NOT be under it at all times. How to do this? Adjust your goals, don't marry your outline.
Set the right goals. Stressed by wordcount but can work by hour? Can't focus for any stretch of time but can hyper-focus if you promise to get one scene done? And consider mix-and-matching. You can make a goal of getting a scene done in one day, but if that scene happens to go over 1k then it's reasonable to quit. If you set a goal that is actually attainable, it's safer to put pressure on it.
Confines begone. Seriously, don't try to make yourself do things in a Stupidly Specific Way. You do NOT need to draft in submittable manuscript format. You DON'T need it to fit your outline exactly. It doesn't need to fit a genre, it doesn't need to appeal to a specific audience, it doesn't need to be what it was in your head. If working with those things slows you down or makes you stressed, YEET.
Pavlov, Profit. I write on my bed with a scented candle while wearing a certain pair of pants. I use a specific playlist to cue me in to which WIP I'm working on. Maybe I pull out a specific stim toy I don't use otherwise. I write at a certain time of day and look at certain pictures while I do it. I drink water with lemon in it when I don't if I'm not writing. The words flow like a crystalline river and I don't even know how.
No I'm serious I cannot emphasize enough how powerful Pavlov is, literally it is the BIGGEST hack of my life. You train your brain to identify what "writing mode" is and afterward if you just set up the trappings of "writing mode" brain goes "OH OK NOW WE WRITE." I can't even
Throw slumps off with word wars and writing sprints. As always, word of caution for those who have trouble with their self-expectations: if you can't make the words sprint, that's ok! This is super useful to me and others for kicking off a writing session, but if you struggle to focus for any length of time then don't stress! But I do seriously recommend trying out word sprints at whatever time limit works for you, because after you've done it the words happen so. Much. Easier. I'll personally rev up with 5 mins, 15 mins then 30 mins. That 30 gets into the "this might actively burn me out" territory, so be cautious. It really might not work for you.
Don't underestimate minor changes. Font! Color! Screen blue-light! Using a different word processor! Tweak and change, hack the brain.
Journal about it. When I get stuck on a project, I will literally open a new file and just ramble into the file like I'm explaining the project to someone. It's rubber duck decoding, except it exercises the same muscles you use to do the actual writing. Makes for a great warm-up or dust-off.
Identify if/when you need outside support. Sometimes you need to ramble to a friend in order to kick a slump, sometimes you need community support for a WIP through the whole process. It might change for each case.
External incentives generally don't work. Honestly, I find external incentives don't work for me point blank, let alone to get myself to write. Maybe you can drag yourself across the ground like that sad cat on a harness by promising yourself a bowl of ice cream, but you're just not going to do your best work like that. You need to foster genuine motivators.
External motivators are different from incentives. If you're writing because someone is waiting to read it, that's not an incentive, it's a motivator.
Internal motivators that can be useful: fostering excitement for WIP elements (not by saying "if I write x words I get to make another moodboard, more like going ahead with the moodboard and using it to increase ur excitement), making a bar chart of progress and watching it grow, de-pressurizing writing so much that it can be used as a wind-down.
Are you a pantser who lives in a constant state of writer's block? No you're not you're not, you need to develop some sort of plan if you're getting stuck constantly. It doesn't need to be a super locked-in plan (I don't recommend those in general), but using lighthouse planning or developing some guiding element is important.
Contrarian hack: have someone who isn't a writer write the thing your're stuck on for you. (Consider: have AI write it for you.) Read it. Dislike it and use the motivation to write yourself. Profit.
Struggling to get started because the WIP is too daunting? Don't work on the whole WIP. Work on This Scene. This Scene too daunting? Work on This Small Part of This Scene. This Small Part too big? Work on the next sentence. Work on opening the WIP. Break the steps down as small as you need to.
SO. Be mindful of what you expect from yourself, do NOT let others decide how your process works, and do NOT hold yourself to any standard that inhibits you. Do what feels good both in the moment and after, because that is a good indicator you're doing healthy, sustainable writing.
4K notes · View notes