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kaisa-sillygooseuniversity · 1 year

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Unknown / Nth analysis

My post got some notes so now you must all read my Hozier lecture. You have no choice.

SOME DISCLAIMERS: I am currently in the process of reading Dante’s The Inferno so most of the information about it is pulled from the internet/prior knowledge that might be completely wrong. Feel free to correct me/add to the post with more information that I left out because I am sure I will leave out something. Also, most of this is my own personal feelings on the matter, art is subjective!! And if you disagree, I would love to hear it, discussion is what makes art and music and fandom fun. With that, onto the lecture.

BACKGROUND: As Hozier himself says in this interview, the song is about Treachery, the ninth circle of hell as Dante describes it in his Inferno. It depicts feelings of betrayal, loneliness, and longing as told from the perspective of God freshly betrayed by the one he most trusted, Lucifer. This is where most of the imagery in the song comes from. (I think that is super cool). I’m also gonna talk about my own interpretation of the song from when I first listened to it, since even without the background knowledge it’s such a powerful song. For convenience, the person singing the song is gonna be called “the speaker” and the person they’re singing to is gonna be called “the betrayer.”

You know the distance never made a difference to me – right off the bat Hozier is crushing our souls. This first line establishes so much love and longing its almost painful- feelings that have persevered despite past obstacles and will continue to persevere for the foreseeable future. The speaker has been separated from the betrayer before (past tense MADE implies this is not a new struggle to them), and the betrayer knows that.

I swam a lake of fire, I’d have walked across the floor of any sea – again, the speaker is proving their devotion by professing the things they have done, and what they are willing to do in the future (I SWAM a lake of fire, I’D HAVE WALKED across the floor of any sea; past tense to future). What I realized after Hozier talked about the inspiration for the song is: this line is referencing how Lucifer got into hell. The “lake of fire” refers to the punishment/imprisonment he received for his betrayal and what he has already endured by being separated from God, the literal and metaphorical hell that he had to go through in order to be in the position he is in. The “floor of any sea” refers to the frozen ocean he is trapped in, the one he is constantly trying to escape. God created this prison, and yet he would have been willing to traverse it.

Ignore the vastness between all that can be seen/and all that we believe/so I thought you were like an angel to me – This line is talking about the reality of the situation versus the image the speaker has in their mind of the betrayer. If they ignore what is actually happening (all that can be seen), they can still remember the betrayer as an angel (all that we believe). Incorporating the divine a little bit, this line could also be talking about the distance between heaven, the mortal realm/earth, and hell.

Funny how true colors shine in darkness and in secrecy – Pretty straightforward as far as the verses in this song go; a slightly ironic tone that acknowledges a betrayer’s tendency to never fully reveal themselves until it’s too late.

If there were scarlet flags, they washed out in the mind of me – Though again ironic and slightly self-deprecating, the message is heart-wrenchingly simple. The speaker loved the betrayer so much they couldn’t see the warning signs of their deceit/ chose to ignore it in favor of looking at all of their goodness. This line begins a phenomenon that I like to call “the Humanization of God.” God is supposed to be all knowing/all-powerful/whatever else you attribute him with. Yet he didn’t see the warning signs of betrayal from his closest friend, something painfully human.

Where a blinding light shone on you every night/and either side of my sleep/where you were held frozen like an angel to me – The “blinding light” this is referring to could mean three things (or all of those things at the same time): 1)it represents a pedestal/spotlight that the betrayer was put upon by the speaker, which is why red flags were so easily ignored. The speaker looked up to the betrayer so much they couldn’t fathom them possibly being anything other than perfect. OR 2) In the third installment of the Divine Comedy, Dante is enveloped by a “blinding light” that raises him up to heaven and allows him to see God. Therefore, the blinding light could reference the divinity Lucifer held before his betrayal, something that God thought would mean he was stuck as (FROZEN, even) an angel, and therefore unable to betray him. OR 3) this verse is talking about Lucifer after he’s already been trapped in hell, with the “blinding light” being the surface he’s trying to escape to. This interpretation would be especially sad because of the line “you were held frozen like an angel to me”, implying that even after his betrayal, God still sees Lucifer as an angel, not as a sinner or a demon. Even without the biblical context, the speaker still holds good memories of the betrayer after all is said and done, choosing to remember them as an “angel” rather than reflect on their horrible acts.

CHORUS TIME- there’s a quote that I always think about when I listen to this chorus: “To be loved but not known is comforting but superficial. To be known and not loved is our greatest fear. But to be fully known and truly loved is, well, a lot like being loved by God.”

It ain’t the being alone/It ain’t the empty home baby/You know I’m good on my own - the speaker has very clearly been alone before, which is sad because it implies that the betrayer is the one who alleviated this loneliness, providing company where there previously was none. Now that they’re gone, they’re back to being alone. Also the implication that the speaker confided in the betrayer about this past loneliness (YOU know I’m good on my own) makes their abandonment so much more heartbreaking.

Sha-la-la, baby, you know, it’s more the being unknown – Something new to the speaker, though, is the feeling of being unknown. God has always been placed on a pedestal, with no one to keep him company except his angels. Lucifer was the first angel, known as the angel of Light, and was someone God trusted and confided in. God thought he knew Lucifer, just as Lucifer knew him, and now with his closest friend gone, he must return to that lonely position of power, unknown to any other angel or worshipper as anyone other than God- distant, all powerful, unapproachable God. And maybe this betrayal is what forced God up into heaven in the first place, doomed to never again be known as he was by Lucifer. In a way, that’s almost exactly like the punishment he’s given to his betrayer.

So much of the living, love, is the being unknown – This line reads surprisingly hopeful to me. It’s an acknowledgement of the situation, sort of saying “oh well, that’s life” to the most famous betrayal of all time. The most important part about this line is the tone; there’s no bitterness, no resentment of the circumstances or the people that have led them to this situation.

You called me angel for the first time, my heart leapt from me – This line is talking about the first time the betrayer and the speaker met, and how that interaction affected the speaker. It also speaks to how much one person can be changed by another’s affection. As soon as the speaker was called angel, their heart was no longer their own, trusted entirely to the betrayer to use as they will. It also seems the decision was at least a little bit unwilling on the speaker’s part (the phrase “leapt FROM ME” implies unwillingness; the speaker didn’t GIVE their heart away, it jumped from their grasp). Point is, the speaker was definitely in denial about how close they were to the betrayer. Another instance of humanizing God in the context of the story, for though he is often depicted as loving, you never really think of him as having a heart to be broken or to be given away to his most trusted.

You smile now, I can see its pieces still stuck in your teeth – the imagery in this line is insane; the speaker’s heart was literally chewed up and spit out by the betrayer by their act. The fact that literal scraps are seen in a SMILE shows the betrayer still deceiving, trying to placate/make friends with the speaker even as their heart is in literal pieces because of their mouth. This is also another reference to the Inferno- Lucifer is described as a three-headed demon, with each of his mouths chewing on the bible’s/history’s greatest betrayers: Brutus, Longinus, and Judas. Brutus and Longinus are being punished for their role in Julius Caesar’s assassination by being stuck feet-first in Lucifer’s mouth. Judas receives the worst punishment of the three; his head is being chewed on while his back gets scraped up by Lucifer’s claws.

And what’s left of it, I listen to it tick/every tedious beat/going unknown as any angel to me – This. Line. Oh my god. Even in the teeth of their betrayer, torn to shreds, the speaker’s heart is still beating and alive, just as their love for the betrayer is. And after thinking it over (“listening to their heart”), they realize that maybe they don’t know their own heart as well as they thought. Because what heart would love a betrayer? (A HUMAN ONE, PROBABLY. HUMANIZATION OF GOD.) Also, the use of angel, not as a term of endearment as it was previously, but in reference to a group (unknown as ANY angel, rather than MY angel or THE angel) indicates both God’s realization that he didn’t know Lucifer as well as he thought and a resolution to never trust or hold another angel as close ever again.

AND NOW FOR MY FAVORITE PART!!!!!!!! BY FAR THE BEST PART OF THE WHOLE SONG IN MY OPINION. Setting aside the lyrics and the meaning of the song, just the pure power of Hozier’s voice in this section gets me every time. So much of a change from the easygoing guitar that’s made up the rest of the song- there’s like a heavenly chorus behind him, he’s singing at the top of his lungs louder and higher than any other part, it’s just so…. I don’t even know how to explain it. It’s so good.

Do you know I could break beneath the weight?/Of the goodness, love, I still carry for you – Personally, I think the “goodness” that is being described here is the speaker’s hope that the betrayer is still a good person, deep down inside. It’s a hope that is futile and slowly “breaking” the speaker, because the deed has already been done, yet the speaker still carries it. In addition to that, I like to think that the responsibility of heaven was shared between God and Lucifer before his betrayal, and now without him, God is forced to carry the weight and pressure of being the divine creator of the universe all alone.

That I’d walk so far just to take/The injury of finally knowing you – Referencing the line earlier in song (I’d have walked across the floor of any sea) and again stressing the lengths the speaker is willing to go for the betrayer. The best part about this line is, again, the acknowledgement of pain by the speaker. They specifically say “the INJURY of finally knowing you”, meaning that fully, truly knowing the betrayer as they want to would cause lasting harm. Also, the realization that, as things currently stand, the speaker DOESN’T know the betrayer (hence the use of the word finally, implying future), and to know them completely would mean to know the reasons WHY they betrayed the speaker, which would certainly cause “injury.” Yet the speaker DOESN’T CARE. They don’t CARE how hurt they are by the betrayer, how much it WILL HURT in the future, they just want to be with them and if that isn’t the saddest thing-

The closing chorus is mostly the same as it was before (it ain’t the being alone/it ain’t the empty home baby/you know I’m good on my own/sha-la-la, baby, you know, it’s more the being unknown) except for the final line.

And there are some people, love, who are better unknown – my initial reaction to this line was that it sounded surprisingly hopeful considering the rest of the song, much like the line in the first appearance of the chorus. I took it to mean that the speaker accepted the fact that the betrayer was bad for them, and maybe it’s better off that they don’t know them. But looking back at all the analysis about how far the speaker would go, all the injury they are willing to put themselves through, that just doesn’t make much sense (Plus the fact that the speaker still says “love”). No, that wouldn’t be the Hozier way. Instead, I think this line is the speaker blaming themselves. Saying that THEY are the ones who are better unknown, because they’ve tried the whole love and trust thing and look how that turned out. Consider the character of the speaker that’s been built throughout the entire song: someone who gone through hell and is still willing to go farther for someone who clearly won’t do the same, someone who ignored red flags in favor of focusing on the good, someone who trusted their heart to a person who chewed it up without a second thought. This is definitely a person to take betrayal personally, to turn on and blame themselves rather than get angry at the betrayer, the actual person at fault. The rest of the chorus and previous analysis supports this too (speaker is ok with being alone/on their own, but they are NOT ok with being unknown. So, to inflict that on themselves is a fitting punishment). Also, the speaker being the self-blaming person they are, this line could be read as sort of an apology; if they hadn’t let themselves be known, let themselves open up to the betrayer, maybe neither of them would be hurting this much in the first place. It might’ve been better if the speaker had STAYED unknown and alone as they were before knowing the betrayer.

This whole analysis is a cumulation of all the thoughts that have been fermenting in my brain for the past month, so if it’s a bit nonsensical I do apologize. Also, huge shoutout to my friend for listening to my insane ramblings and also helping me edit this, she doesn’t have a tumblr but I appreciate her immensely.

That’s all I got for now, if this gets some traction maybe I’ll post my thoughts about some other Hozier songs (because holy shit are his songs amazing). If you got this far down thank you so much for reading! It feels really good to put all the words down and actually organize them, and knowing that there are people who actually want to read it is so cool.

people who asked to be tagged: @freddykicksasses @allegedlyunmagical @iwillgotoheavenforyou

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