junegirl06

[junegirl06]

When writing always remember… a character flaw is only a flaw until becomes useful. 

Is your protagonist manipulative? Well that’s awful… until they manipulate the antagonist into making a decision that saves the lives of their friends. 

Is your protagonist a skeptic? Well that’s not good… until someone tries to lie to them. 

Is your protagonist overprotective? That sucks… until someone they love is in danger. 

Is your protagonist remorseless? Well that makes them pretty unlikeable… until a hard decision has to be made. 

[junegirl06]

i don’t want characters with healthy coping mechanisms, actually. i want them to yearn and weep and suffer and have their brutal worldviews informed and/ or altered exclusively by their unyielding love for like. one other person. sorry

[junegirl06]

Do you guys want to see something dumb I made at 1AM last night

Keep reading

[junegirl06]

sometimes it's not even enemies to lovers. sometimes you get handed the leash of a snarling, barking dog against your will and realize with dawning horror that you are now responsible for teaching it not to bite

[junegirl06]

real unedited footage of baby saiki kusuo

[junegirl06]

I love a character raised to be a weapon as much as the next guy. But what really gets me is a character raised to be a shield. Who can’t fathom being needed—or even being wanted— beyond keeping others safe. Who believe they are alive only to insure someone doesn’t die. no matter the cost. Characters who self-sacrifice not because they think they deserve it, but because no one else does deserve it, and it’s their job to protect.

Characters who’ve been told that’s why your important. Your worth something because this other person/ thing is important, and you are here solely to keep them safe.

Bonus points if it’s not a legitimate job they’ve been given. Maybe at one point it was, but now that they are free from it, they haven’t given up that mentality. No one is forcing or asking them to do this, but they need to. They need to in order to be deserving.

[junegirl06]

Girl stuck in stupidly large basement with a guy with anger management issues

[junegirl06]

Saiki K. characters as Project Sekai chibis

Posting them here too.

Been adicted to project sekai recently so I wanted to make this.

[junegirl06]

The Disastrous Life of Saiki K: Extra Stories of Psychics (Light Novels)

Chapter Masterlist

Written by: Hinata Shou (ひなたしょう)

Translated by: Corredor1230 – Juan Pablo Corredor

>>> Translation Complete <<<

Extra Stories of Psychics Volume 1

Chapter 1: Try to guess the ESP cards!

Saiki Kusuo’s Interlude No. 1

Chapter 2: Get them back! The Lost Memories

Saiki Kusuo’s Interlude No. 2

Chapter 3: All you can eat! Hinoki Ramen

Saiki Kusuo’s Interlude No. 3

Chapter 4: Tell us! The Black Wings

Saiki Kusuo’s Interlude No. 4

Chapter 5: Avoid it! The Worst Ending

Extra Stories of Psychics Volume 2

Chapter 1: The Disaster of Toritsuka Reita (This chapter was translated by @uten4!)

Intermission Guest Chapter 1: That person right now

Chapter 2: The Disastrous Life of Teruhashi Kokomi

Intermission Guest Chapter 2: The Detective’s Melancholy

Chapter 3: The Disastrous Life of Saiki Kusuko

Intermission Guest Chapter 3: The Disastrous Life of Saiki Kusuo — The Regular Person

Chapter 4: The Disastrous Life of Saiki Kusuo

[junegirl06]

Character flaws

Just gonna go on a tangent about this for a second, because like

Part 1: Why they don't work and never have

The number one piece of advice people get about writing is to give their characters flaws. Your characters can't be too perfect. Flaws will make them interesting, dynamic, compelling, more real! Flawed characters make for a perfect story! But then someone will ask how to give their characters flaws, and the response is almost invariably something along the lines of

"Just don't make them perfect. Give them a scar or a disability or something."

This is some of the worst writing advice I've ever heard, right up there with "NEVER use adjectives ever" and "Nahh, you don't need to make backups of your work, it'll totally be fine and nothing bad will happen." It's also the single most common piece of writing advice I've come across. This is bad advice.

Because like… Scars aren't a personality flaw. Disabilities especially are not a personality flaw. Both these things have their uses in writing characters, but they aren't flaws. Honestly it's a little shocking that people think it's okay to outright say they think a disability is a character flaw to begin with, because like. Excuse me?

The next problem with this is that, even if these were somehow character flaws, most people don't want to make literally all their characters scarred and disabled. That's like saying that good characters are required to have blonde hair and bushy eyebrows. A character or two with those traits isn't an issue, but telling someone all their characters need one or both of these two traits? That's incredibly limiting.

Lastly, it encourages people to think up a character and then tack on the 'flaws' after. It's why we ended up with an era of perfectly smart perfectly beautiful perfectly skilled characters that had a disproportionate amount of angst about some tiny barely noticeable scar on their back. It's how we get characters that are 'clumsy' (in no way that actually matters to the story), or who have the sole flaw of being too perfect.

People made characters they liked, and they liked them exactly that way. Then afterwards, they had to tack on some 'flaw' they didn't actually want to be part of the character. So they of course make that 'flaw' as small and unimportant as possible. To go back to the "all characters must be blonde with bushy eyebrows" comparison, it's the writer trying to work around this unwanted restriction by giving everyone rainbow hair dye and eyebrow trimmers.

So, how do we fix that?

Part 2: How to fix that

… Or one way, anyway. There are infinite ways to solve this problem, most of which start by completely throwing out the standard scar/disability advice. Everyone has their own way to write characters. But just saying "idk, everyone is different, there are lots of ways" is ridiculously unhelpful. So, here's one way to do it that I really like to use personally. You can use it too, if you want.

instead of a flaw, I like to give my characters an Unshakeable Trait.

What is an unshakeable trait? It's the term I like to use for something that will always be true about a character. Something core to them, something that will never leave them for as long as they live. It is, most importantly, not a flaw.

Let's come up with a quick character as an example. Meet Alaric, who always keeps his word. Anything Alaric says he will do, he will do it.

This is Alaric's greatest strength.

Alaric says he will save all the orphans from the burning orphanage. People doubt him, but he does it. He said he was going to do it, so there was nothing that could stop him from doing it.

Alaric says he will catch the thieves hiding in the mountains. Many have tried and failed to do this, but Alaric says he can do it. And thus, Alaric does it.

Alaric says he will move a mountain? He wouldn't say it unless he could and would make it true. We've seen him do amazing things before. We don't know how yet, but we know that mountain is about to move.

One day, Alaric says he will slay the dragon. We know, for certain, that nothing will stop him from slaying that dragon.

… Not even if it turns out the dragon wasn't really bothering anyone.

… Not even if something goes wrong and Alaric ends up without the important tools he'd prepared for this task.

… Not even if the battle is likely to kill his entire party. Not even if killing the dragon will only make way for more dangerous monsters to move in. Not even if his friends beg and plead with him, Alaric you must stop, this is a death sentence to us all!

Alaric said he would do this, and he will.

Because this isn't just Alaric's greatest strength. It's also his greatest weakness.

The hearts of the readers are heavy as they realize what is about to unfold, but they are not surprised. By now they know Alaric and they know who he is. They know the dragon will die, no matter the consequences.

In the battle, the entire town and all the people who once lived in it is burned to the ground. Every last one of Alaric's friends die in battle. When the dragon falls, only Alaric is left alive.

… And that makes for a really interesting story! Gosh darn! That's way more fun than a story where some cool guy just always solves everyone's problems all the time! And now that we've seen the terrible consequences of Alaric's actions, we can take it even further! How exactly does Alaric react to what he's done?

Is he unable to cope with his terrible mistake, and twists himself into something awful trying to justify his actions?

Does he plead with the ashes, begging the charred town for forgiveness he cannot have?

Does he vow to take back what he's done? Drive himself to madness in pursuit of an unobtainable goal, every action an even greater mistake than the last?

Does he grow, and change his ways? Because he absolutely can do that. An unshakeable trait is always there deep down inside a character, but it is possible for them to learn to overcome it. It will be a battle they'll fight every day for the rest of their lives, and it is a battle they will not always win, but it is possible. Filled with regret, there may be a day where Alaric says he will do something… and then consciously makes an incredible effort to avoid doing it, because he realized it would be a mistake. Today, he was able to overcome his weakness. That trait isn't going anywhere though, and tomorrow is still unsure.

That is my favorite way to write a flawed character.

The most fun part is, this unshakeable trait can be anything. It can be that they always finish things very quickly. It can be that they love their friends more than anything else in the universe. It can be that they're always multitasking. It can be their child-like wonder, or their scientific mind, or even something as silly as their love of sweet potatoes. When made central to their character and taken to extremes, absolutely anything can function as this dual greatest strength and greatest weakness.

That being said, this is again just one way to do it. To say this is the only way to write a flawed character brings us back to "but they must all be blonde and have bushy eyebrows." And sometimes? Sometimes you don't even want to write a flawed character. Sometimes you want an invincible Superman, and if that's what you want then go for it!

This is one place you could start if you're feeling lost or unsure, but at the end of the day it's just a tool in your pocket. It's up to you to choose your favorite tools for the job.

Writing should be fun! Write what you love. Write what interests you, most of all.

[junegirl06]

I need to know: how you think bill would be in chat if he ever got the priviledge to get a phone or use a PC?What social networks would he use?

Types in all caps at all times. Punctuation optional. If someone asks him to turn off caps he instead doubles the font size. He can do this even on sites/apps that don't allow you to change the size. He won't say how.

Considering this is 2013? He's probably a pioneer in spreading misinformation and bullshit on twitter. He's one of those "MANIFEST LOVE and $$$ get your DREAM JOB through the POWER of the LAW OF ATTRACTION" cultish New Age grifters making money off a website selling self help PDFs. He's building an internet cult.

Anyone who knows him IRL gets to hear him laughing about how stupid his followers are. However it sounds like he kind of buys some of his own New Age BS to a degree that worries people.

He gets in stupid drama and then spends all night digging up something to cancel his opponent over and sic his followers on them, not because he thinks he's justified, but sheerly for the thrill of the hunt. It makes him feel powerful. His twitter has been banned four times. People run webpages dedicated to documenting his heinous bullshit. He reads them regularly.

He's waiting til 2014 when bitcoin prices drop to like $50, buying as much as he can, spending six years waiting, and selling them in 2020 for like $69,000. He runs a blog telling people to buy crypto. He can actually foresee when the prices are going to peak and fall. He doesn't share this info. He makes bank himself and gleefully ruins everyone else's finances with no regrets. (He would encourage Mabel to buy and tell her exactly what day to sell.) (He would not tell Dipper when to sell.)

He hangs out in doomsday prepper forums so that he can make up new conspiracies and see if he can make everyone even more paranoid.

He's got a youtube channel that's a mix of all of the above BS. New Age self-help buy-crypto buy-gold our-universe-isn't-real access-the-higher-planes doomsday conspiracy mishmash. You can imagine the viewers he attracts. He disdains them all and tries to make them worse on purpose. Never shows his face, every video is a slideshow of psychedelic & pseudo-religious art (mostly stolen) with a voiceover and mystical-sounding music.

Mabel gets him on tumblr, because if Mabel has any social media of course it'd be 2013 tumblr, and probably a deviantart. She's posting her art and really badly photoshopped gif edits of her favorite cartoons and musicians, and generally acts like a normal person online.

Bill's tumblr is completely divorced from all his other horrible online activity. All he posts is cryptic rhyming couplets and terrible local photos of things that fascinate him. The photos could be anything from a car with a really sweet flaming paint job to a stunningly beautiful double rainbow over pine-covered mountains to a literal pile of dog shit because he thought it was interesting how it was drying out unevenly. Once he gets investigated for arson because he posted a picture of the house in flames within three hours of the crime. (He was, in fact, guilty, but he wheedled an alibi out of friends before they knew what he was being investigated for.)

He has like eight followers. The only content he reblogs is Eye of Providence images and pyramid images, which he tags #LITERALLY ME and thinks he's hilarious for; and also every single thing Mabel posts without exception until the end of time.

[junegirl06]

Help why did I immediately think Ray when I saw this-

(The full cover slapped tho)

[junegirl06]

Writing Advice For Fanfics or Novels

Hello, my dears! As requested by @ilay-snt I thought I’d share my writing process with you all! I’m going to split this post into two sections of general advice and then how I personally construct a story.

Disclaimer: I’m no professional by any means. I’m basing this solely off two creative writing classes I took in college and what I find to be personally helpful so if it doesn’t work for you, that’s totally fine! Everyone writes differently!

General Advice:

1. First and most importantly: You Have to Write for Yourself.

Write the story that you want to read. Not only will it keep you motivated to keep going but it frees you to try whatever you want without being worried how it will be received by others. As long as you’re happy with your work, that’s all that matters. Your audience will find you.

(Hello audience! *waves excitedly*)

2. Write Everday

This one might sound a little daunting, but it doesn’t need to be a lot or necessarily “everyday”. It’s just a way to consistently practice, to help you find your author voice, and create a habit.

Writing everyday could be a poem or a paragraph or a whole chapter! It’s whatever you choose to make it just as long as you get something down. It doesn’t necessarily even need to be good. You can always go back and edit, but if you only write when inspiration strikes, you might never sit down to do it in the first place. Practice finding your way through the words to get at what you want, rather than waiting for the words to come to you.

If you’re REALLY really stuck. Then might I suggest you-.

3. Get Feedback

As a chronic second-guesser, I can’t tell you how helpful it is to have someone read your story and help structure the plot. I’ve had a lot of instances where something I’d been struggling with for days was resolved by getting coffee with a friend and having them look at it with new eyes.

Get yourself a beta reader or just someone who has good taste whose opinion you trust to help you work out problems. Two heads are often better than one!

4. Analyze media you admire

A lot of people like to limit it to reading authors you love and looking at the way they create stories, which is very helpful, but don’t neglect other forms of storytelling like movies and TV shows or even videogames! Think about what you like from your favorite things and why you like them.

As an example, one of my favorite pieces of media is the Mass Effect Trilogy. Mostly because it subverts the narrative of the Lone Hero archetype present in other franchises like Halo and Assassins Creed. The protagonist Shepard relies on their teammates abilities and support throughout the game to complete missions and eventually save the universe. Similarly, I like stories where there’s a cast of interesting and diverse characters surrounding the main protagonist who are essential to the plot.

Go dig through your own favorites and figure out what kind of characters you like, tropes you enjoy, and overarching themes that speak to you. From these, you can draw inspiration for your own stories and figure out what you want to write.

4. Take Breaks and Be Present

Writing doesn’t happen in a vacuum! If you feel like your inspiration is running dry or you’re in the middle of a block, go out and do things you enjoy or, better yet, try new things!

Be fully present in the moment and look at the world around you as if for the first time, talk to people you run into, or draw from your friends/family for inspiration. There’s a whole world of possibility out there just waiting to be written down or reinterpreted. Don’t be afraid to take breaks and have fun! Writing should never become a chore!

Now that that’s out of the way, let’s dig into my own personal process:

My Writing Process

1. Everything Begins with the Outline

When I have an idea for a story, I try to do a rough outline first of the big plot points: the beginning, the middle, and the end, then fill in as much as I can in between.

My chapter outlines are never very well defined up until I reach the point where I sit down to write. It’s only then I begin to flesh out what I want to do. I take everything from the previous chapter and what I know is coming up to shape what needs to happen in the moment. I work better with flexibility so I can wander off the path a little rather than rushing from point A to point B.

2. After the Outline, The Character Sheets

Character sheets are probably the most important part of my writing. I like to give my characters as much agency as possible and allow them to steer the story rather than the story steering them. Unfortunately, the only way to accomplish this is to know them inside and out.

Most of my character sheets start with the basics: what does this character want more than anything, what do they actually need, and what do they fear. From there, I can identify their goals for the story and for each chapter, their personality traits, their likes and dislikes, how they respond to conflict, etc.

When I’m writing, the character sheets are my own personal holy book. If I can’t make them move around the scene anymore, a quick look at that will normally get me back on track.

3. Structuring Each Chapter

Normally, I have a goal in mind (or several) I want to reach. Whether it’s progressing the plot or just one character’s arc, I allow those goals to drive the action, then set the characters loose like rats in a maze.

Often, I try to think “what can go wrong here?” and then how that character would react to the set backs or interact with each other based on that.

In a few cases, the characters just do what they want and then entirely new scenes develop I didn’t plot out beforehand from following after that instinct.

On the whole, I allow the characters A LOT of free will to shape the story while holding up the basic structure for them to work within and I’ve found it really makes the story come to life.

4. The Point of It All

Generally, everyone I’ve met who’s a writer has something to say and the story is the medium for that. The most important thing when I’m writing and I’m buried neck deep in the twists and turns of the plot is to not forget why exactly I’m writing it in the first place. So I have a little manifesto of sorts at the top of my outline, only a couple sentences at most, that strips the entire story down to the one central idea I’m trying to convey or an overarching theme.

For example, if I had to sum up the central idea of House in the Cerulean Sea by TJ Klune (Great book by the way, can’t recommend it enough) it’s that true family accepts you for who you are and can come from unexpected places. Also, it’s essential to stand up to unjust systems in defense of others.

I try to find my own my own theme like this to keep in sight for my story. So I don’t veer too far from the purpose of it.

Anyway, that’s my advice for any other writers who are starting out, hope this was helpful in some way! All of you have a good day! 💖💖

[junegirl06]

Messaging people for the first time is so hard. What am I supposed to say? Like, "You seem really odd and your blog intrigues me. Do you want to have philosophical conversations or perhaps talk about fictional characters?" What! Whatever. I will just follow you back and stare at your blog with my big beautiful brown eyes.

[junegirl06]

When your Character...

Gets into: A Fight ⚜ ...Another Fight ⚜ ...Yet Another Fight

Hates Someone ⚜ Kisses Someone ⚜ Falls in Love

Calls Someone they Love ⚜ Dies / Cheats Death ⚜ Drowns

is...

A Child ⚜ Interacting with a Baby/Child ⚜ A Genius ⚜ A Lawyer

Beautiful ⚜ Dangerous ⚜ Drunk ⚜ Injured ⚜ Shy

needs...

A Magical Item ⚜ An Aphrodisiac ⚜ A Fictional Poison

To be Killed Off ⚜ To Become Likable ⚜ To Clean a Wound

To Find the Right Word, but Can't ⚜ To Say No ⚜ A Drink

loves...

Astronomy ⚜ Baking ⚜ Cooking ⚜ Cocktails ⚜ Food ⚜ Oils

Dancing ⚜ Fashion ⚜ Gems ⚜ Mythology ⚜ Numbers

Roses ⚜ Sweets ⚜ To Fight ⚜ Wine ⚜ Wine-Tasting ⚜ Yoga

has/experiences...

Allergies ⚜ Amnesia ⚜ Bereavement ⚜ Bites & Stings ⚜ Bruises

Caffeine ⚜ CO Poisoning ⚜ Color Blindness ⚜ Food Poisoning

Injuries ⚜ Jet Lag ⚜ Mutism ⚜ Pain ⚜ Poisoning

More Pain & Violence ⚜ Viruses ⚜ Wounds

[these are just quick references. more research may be needed to write your story...]

[junegirl06]

When violent characters are gentle and tender & when gentle characters are violent and unhinged

[junegirl06]

Just recently played through Homicipher - it was a good game. The whole mechanic of slowly piecing together the language was really fun, and the characters are simple- but pretty cool and interesting for having dialogue hindered by a language barrier and seemingly broken speech even when largely deciphered. Mr. Gap is probably my favorite at the moment.

Though I think it says a lot about me that I immediately thought of Zack when I saw Mr. Machete- and the fact that I’m now rapidly thinking of crossover scenarios…

If they did meet- to Mr. Machete, Zack would just be a smol human, an oddly respectable one that can stab and yell funny. And Ray would just be an even smaller human. Really boring though. Shame the funny man doesn’t seem to let him stab her.

Mr Crawling would immediately make it his goal to make Ray genuinely smile/have fun as soon as he sees the dead corpse energy she exudes. But he quickly realizes that that might not be as daunting as as task he originally assumed to be as Ray is morbid as all hell, and all he needs to do is trail her for a bit before she sees something in this horrid haunted place that piques her interest and he encourages her to have fun with it. (Zack watches with a disgusted look in the corner as Ray teaches Mr. Crawling to sew dolls with her)

Of course Ray would be the one actively making an effort to understand the language - and Zack would probably reluctantly pick up a few words here and there if only from the fact that he’s forced to overhear Ray and Mr. Crawling chatting it up all the time.

Zack would hate Mr. Gap specifically with all his heart- I can feel it in my bones.