Welcome to my blog! This is were I post and reblog random sh*t about me. I'm a bookworm and a fangirl at heart. Also a psychology broke college student.
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i dont consider myself a 'fashion guru' by any means but one thing i will say is guys you dont need to know the specific brand an item you like is - you need to know what the item is called. very rarely does a brand matter, but knowing that pair of pants is called 'cargo' vs 'boot cut' or the names of dress styles is going to help you find clothes you like WAAAYYYY faster than brand shopping
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These options all had me crying. When I picked mine (the 3rd option), I had to sit for a moment to let that sink in.
Dragon Age Inquisition was the first game I ever played that had representation for me. Krem left me with so many feelings that I remember cutting my hair to match his the day after I met him for the first time and hearing what Iron Bull said about him.
I've been so excited for how this stuff would look for Veilguard, and it's better than I thought. I can't wait for more to come of it as the story goes.
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Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]
They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]
My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…
Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...
In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...
The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]
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Eda the Owl Lady 🦉for @drawtober prompt shapeshifter!
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Hey guys! Let's put my art to good use!
Dr. Mohammed Al-Deeb ( @mohammedaldeeb ) reached out to me on my personal blog looking for help spreading awareness and getting donations for his fundraiser to get himself and his family out of Gaza & support themselves in Egypt once they get there. He is #212 on nabulsi and el-shab-hussein's Vetted Evacuation Fundraiser spreadsheet.
I'm doing drawing requests for anyone who donates at least €5 to his GFM and sends me a screenshot of their receipt. They can be sent to me here or @petitelappin. You can request a guy from your shows, your OC, your cousin Kyle, and I'll make a little drawing for you.
Match my own donation of €20 and I'll add color!
Let's see how much we can raise!
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[ Danmei in order of appearance: "Heaven Official's Blessing," "Grandmaster of Demonic Cultivation," "Scum Villain's Self-Saving System," "The Husky and His White Cat Shizun," "Remnants of Filth," "Thousand Autumns," "Peerless," "Stars of Chaos," "Guardian," and "Ballad of Sword and Wine." ]
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Devastating news today. Sorry to have to post these drawings in these circumstances 🥺
I love her a lot, she will be deeply, deeply missed 😔
Dame Margaret Natalie Smith CH DBE (28 December 1934 − 27 September 2024) ✨ Rest in Love.
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Lucifer: For some reason, Detective Decker makes me vulnerable. Linda: Also known as “intimacy.” Lucifer: No. No, she literally makes me exsanguinate.
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“Acting is not about anything romantic, not even fantasy, although you do create fantasy.“
— James Earl Jones
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“Now cracks a noble heart. Good night, sweet prince, and flights of angels sing thee to thy rest”
RIP James Earl Jones: Actor, Man, Myth, Legend. The iconic voice of Darth Vader, Mufasa and multiple other roles, and is known for acting in movies like Field of Dreams, The Sandlot, The Hunt for Red October and of course Star Wars, has sadly passed away at the ripe old age of 93. Thank you for everything Mr. Jones. You were an inspiration, a father figure, and a cinematic legend.
You will be sorely missed but your legacy will never die.
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