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Carnival of Souls (1962) dir. Herk Harvey
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i would move heaven and earth to avoid hearing one single advertisement
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at times something happens and i stop dreaming of the house and the pine trees of my childhood around it. then i get depressed. and i can’t wait to see this dream in which i’ll be a child again and feel happy again because everything will still be ahead, everything will be possible...
the mirror (1975) dir. tarkovsky
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happy anniversary to louis’ confession scene that would have gotten jacob anderson multiple Emmys if we lived in a perfect world
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“—and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by.”
— Shirley Jackson, The Haunting of Hill House
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Most serial killers keep some sort of trophies from their victims. I didn't. No. No, you ate yours.
THE SILENCE OF THE LAMBS (1991) Dir. Jonathan Demme
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Its honestly so annoying when a show isnt well made like. Why didnt they just make it better
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“There’s this process by which anything girls love becomes disdainful, clichéd, sad, in a way that the things boys love never do. Boys can love pulp science fiction and westerns and comic books, and they become greater, they become epics and serious films and graphic novels. But for every girl who ever loved Sylvia Plath in high school, for every one who watched that crocus of a girl slipping away into the earth and saw herself, there is a invisible choir of derisive laughter, there is an instant satire of that love—just another one of those sad, dirty girls, another goth girl who thinks she’s special, how can anyone bear that emo poetry, how can anyone take a girl seriously who loves Morgan le Fay and Persephone and ankh-wearing Death, just like all the other girls?”
— Catherynne M. Valente, My Dinner With Persephone
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"Was Bergman A Carrie" - the greatest thread in the history of forums, locked by a moderator after 12,239 pages of heated debate,
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people will bring up the fictional murder as if i had anything to do with it or could stop it. like i’m not aware. “you know this freak KILLS people right?” man what do you want me do about that. i’m not his keeper. he’s funny to observe. and also not real
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the way god has set me up to be the loneliest girl in literally any room group environment or dynamic
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Have we so much to be ashamed of, I wonder? Let's find out. DARLING — 1965 dir. John Schlesinger
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Thomas Mann, from “Death in Venice”, originally published c. 1912.
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