we were all monsters, we were all bastards, and we were all beautiful. story development. helmed by hesione.
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“Gabriel Hounds.”
使用ツール:Medibang Paint Pro
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Highlighting Wildlife in Crisis, ‘The New Big 5’ Celebrates the Diversity of the World’s Animal Denizens
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on their minds phone & tablet wallpaper sizes // prints
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when camus said the literal meaning of life is whatever you're doing that prevents you from killing yourself
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A couple of pieces I’ve done this year (Available on inprint!)
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Noir Kei Ninomiya SS23 by Mok Jungwook for Eyes Magazine
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Friedrich Kunath's "I Don't Know The Place, But I Know How To Get There"
Currently on view at Blum & Poe in Los Angeles, California is artist Friedrich Kunath's solo exhibition, "I Don't Know the Place, But I Know How to Get There."
Kunath utilizes a personal style of romantic conceptualism, layering poetic phrases with poignant, often melancholy imagery. The work embraces comedy and pathos, evoking universal feelings of love, hope, longing, and despair. The artist’s personal journey from Germany to Los Angeles plays a key role in his work, incorporating German Romanticism and western popular culture, with still life, cartoon imagery, commercial illustration, nature photography, and lyrical references.
THE SUPERSONIC ART SHOP | FOLLOW ON INSTAGRAM
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Caleb Worcester on Instagram
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Thom Browne 2023
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A pierced bull’s heart. PITT RIVERS MUSEUM/UNIVERSITY OF OXFORD
Bull’s Heart Pierced With Spike, Age Unknown
As gnarly as this object is, it actually represents an attempt at counter-magic—protection from dangerous witches. This was found in the 1860s in the chimney of a house at Shutes Hill Farm, in Somerset, England. Often objects like this one would be planted at the vulnerable exits and entrances of homes to keep witches out.
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Untitled, watercolor
Prints available
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Source: reekloose
Eva Jospin’s Enchanting Forests Crafted Out of Cardboard
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Ice cold © tag christof
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quiet shores
follow my instagram !
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Grace Bol, 2017 | © Jackie Nickerson
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