this is my journal where I tape together the scenes & words that capture my heart.
Don't wanna be here? Send us removal request.
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#namida ame to serenade#kawachi haruka#josei#every time i read namida ame a piece of my soul leaves me
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Paris, a Rainy Day, 1877, Gustave Caillebotte
Medium: oil,canvas
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Commission of Velcro for Brianne, who keeps eating their plants.
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dead boy detectives 1.05 // miranda july, the first bad man
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If I ask nicely will people reblog this and tell me what their most common breakfast is? Not your favorite necessarily, just what you have for breakfast most frequently? 🙏🏽
#rice with whatever leftover I have from the day before#dutch pancanke (the one that you just have to heat up in the microwave)#bapao (the frozen ones from supermarket)
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I miss you dearly, my home.
Illustrations of Vietnamese food. Credit to Le Rin.
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every now and then i think about how asagiri literally said bsd was made for people who aren’t good at living. like he was onto something with that
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Howl’s Moving Castle - Fan art by Julia Tveritina
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That post that's like "stop writing characters who talk like they're trying to get a good grade in therapy" really blew the door wide open for me about how common it's become for a character's emotional intelligence to not be taken into consideration when writing conflict. I remember the first time I went to therapy I had such a hard time even identifying what I was feeling, let alone had the language to explain it to someone else. Of course there are plenty of people who've never been to therapy a day in their life who are in tune to their emotions. But even they would have some trouble expressing themselves sometimes. You have to take into account there are plenty of people who are uncomfortable expressing themselves and people who think they're not allowed to feel certain ways. It also makes for more interesting conflict to have characters with different levels of understanding.
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thinking about this excerpt from giovanni's room as i lay in bed staring at the ceiling endlessly
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now i’m thinking about how men are like “hmm. i don’t get it” in regards to Barbie and how women spend their whole lives listening to men’s stories and learning how to relate to them abstractly because they’re not made for them. now the roles are reversed and instead of men being willing to find themselves in a story about women and motherhood and daughterhood, they shut down because they’re not forced to empathize the way women are.
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