jacktomhogan

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[jacktomhogan]

Installation views of I Thought I Hates U, Moon Snail in No Necessary Correspondence Whitney Museum Independent Study Program Studio Exhibition Photo 1 by Jack Hogan Photos 2–5 by Daniel Terna Photo 6 by Sim Chi Yin Performance photo by Sukhdev Sandhu

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Screening, August 25, 2022 at 7:30 PM. Tickets are $5 and all the money goes back into running Spectacle, my fave film co-op. It’s a dream to show my work in this cinema, having seen so many films that have influenced my art and impacted my life there. Advance tickets available here.

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Installation views of Cows and Flies in Everything is common at Artists Space Photos: Steven Cottingham

artistsspace.org/exhibitions/everything-is-common

Catalogue: https://whitneymedia.org/assets/generic_file/2002/Everything_is_common.pdf

Screen-readable catalogue: https://whitneymedia.org/assets/generic_file/2003/Everything_is_common_screen-readable.pdf

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Installation views of Cows and Flies in Bronx Calling: The AIM Biennial at Bronx Museum of the Arts Photo: Argenis Apolinario

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Free public screening at Brown University

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Keepers; 2020

Keepers is about me and my friends, and common ubiquitous miracles of love and sharing. I didn't make it because I think you've never seen relationships like it, I made it because I know you have.

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The clothesline is a piece of artwork; Collaboration with Silvia Federici; 2022

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Under the covers, the waves! (excerpts); 2021 in collaboration with Trakal 76-minute 2-channel HD video installation Commissioned by the Athens Biennale

More Installation images may be seen on Athens Biennale’s website: https://eclipse.athensbiennale.org/en/artists/jack-hogan-trakal

Unexclusive behind-the-scenes bonus features may be see in their online almanac: https://eclipse.athensbiennale.org/en/almanac/under-covers-waves

This piece explores the sociality of dreams through collective cinematic production. In a score of exercises, dreams are dispossessed of their original dreamers and shared with a group of participants to be staged for camera. Playing with the roles of director, assistant director, script writer and actors the film set becomes a site of cinematic-performative dream interpretation.

Dreams are always already shaped by cultures of dream sharing, interpretation and representation. As personal cinematic experiences they inform how we view and make cinema.

Installation views of Under the covers, the waves! at the 7th Athens Biennale 2021 “ECLIPSE” Photos: Nysos Vasilopoulos

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Every cow is a map of a world; 2019

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Yeah I know (with Sarah Doheny); 2020

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Call; 2021

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Poster to accompany Philipp Gufler’s installation in Tomorrow’s Language, Gebert Stiftung für Kultur, *ALTEFABRIK, Rapperswill, curated by Fanny Hauser and Viktor Neumann

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to writing in the forever-wet cement of good worlds to come, to drawing in the forever-wet cement of good worlds to come and brains in pleasure hold water; original texts inscribed in pavement; 2019

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brains in pleasure hold water and to drawing in the forever-wet cement of good worlds to come in Kara Walker Presents: The Colossus of Rutgers; Brooklyn Army Terminal; 2019

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