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Hey, don’t cry. Free online database of Japanese folk lore

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Doujinshi scan sample - NARUTO / Naruto x Sasuke (太陽の住処 2) / 10-RANKAI - Residence of the sun

on PUBLIC LISTING on otakurepublic and other public listings sites.

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The only one I knew was "aglet," and of course, "tines."

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Dioooooos

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Welcome I am Osama from Gaza. I was greatly affected by the war. My house, my toys, my school, and also my dreams were destroyed. Now I am striving to survive. I hope for your help to live in peace. Thank you from Gaza

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This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

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— danagray

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Love should calm the storm inside of you, not provoke it.

k.b. // drowning, resurfacing: notes on heartbreak & healing by frankie riley

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Eid Mubarak!

Have you found any resources I shared on this blog useful or insightful? Then consider donating to any one of these donation drives below (or all four)!

HelpGazaChildren

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Reblog and share even outside of tumblr, please!

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"I love you , I'm glad we're friends"

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Translation: What a shitshow. This years Eurovision has gone to hell. And it's first and foremost the EBU's fault.

Also, excerpt from the same article:

Throughout the course of the Eurovision Song Contest, the EBU has acted as if they live in a parallel universe. Eurovision is one thing, the world outside something else. The EBU has stuck its head in the sand. Shoved the problem under the rug. Held their hands over their ears and shouted LALALALALA. They appear to have done everything they can to pretend it's possible to hold an apolitical event in a world that's on fire. We have come together to be "united by music", they say, but the sharpshooters on Malmö's rooftops have nothing to do with us! In its struggle to remain apolitical, the EBU has become like a small fascist state in itself, where the artists' space for expression and action has been reduced as much as the undergarments of the Spanish dancers. It is reprehensible.

Reminder again to BOYCOTT EUROVISION 🇵🇸

Don't watch, don't vote.

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What's some advice you wish you received much earlier

"When people come to you to establish a boundary or a need or to express hurt feelings, that's a compliment, not an attack. That is them wanting to develop the relationship and trusting you to listen and care to do better. And no matter how sad you are about accidentally hurting them, it's a GOOD thing that they cared to have a hard conversation with you"

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i hate it when game devs put “fixed several issues” in patch notes 

no. tell me what you fixed. i wanna know what the glitch was.

you know those patch notes that are like “fixed an issue where if the player sat in a bush for too long, they’d become the size of a skyscraper” 

i wanna read those. tell me those.