innocuouswanderer

[innocuouswanderer]

Still playing around with it, but here’s my Hermes design!!!

And something extra BEJSHEJ //hits play on Wouldn’t You Like

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I wasn’t crazy about this piece so I wasn’t intending on publicly posting it again, but it keeps getting stolen every five minutes so I figured I’d put it here so people at least know who to attribute the original thing to lmao

[Digital illustration, Procreate App, 2020]

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Artist Oscar Vega drew characters from Smash Bros Ultimate with modern fashion

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I haven’t seen anyone post about this but here’s jerry’s original dialogue vs the remake!

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the circle of life

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The best way I can describe Barty’s intelligence but lack of common sense, is that he probably has a plant that he has done double the research he needs to on, gives it everything it needs to flourish, and probably could tell you everything about it and how it grows.

But the plant is fake, it’s plastic

Evan bought it and told him it was real to fuck with him.

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*James, bringing Regulus home to meet his parents*

Regulus, seeing Monty and realizing James will always be hot no matter his age: thank the lord

Effie, seeing the same look she had when she met Monty’s parents for the first time: amen

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Regulus: i've only said i love you to three people. my brother, Pandora, and James when he got hit by a bladger and was dying from the head injury . I only regret one of those.

Remus: which one?

Regulus: James. he recovered like 2 days later so I just looked like an idiot

James: we're married

Regulus: still.

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james: i’m seeing someone

lily: is it serious?

james: no, it’s his brother

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your adopted sons are about to rat you out

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Friends:  Do some D&D art! Me:  Like this? 

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So to catch you up to speed

Luigi Mangione is an innocent man who has not been confirmed to have been involved in any crime.

We have police documents confirming he was not DNA tested or fingerprinted, and confirmation no usable DNA or fingerprints were recovered at the crime scene due to incomplete prints and immense DNA contamination of New Yorks streets.

No evidence has linked him to the crime.

No facial recognition has even remotely come close to identifying the cctv suspects face as that of Luigi. His own family and friends do not see a resemblance. Most people agree the features in the cctv do not match the very well documented features of Luigi Mangione.

Luigi Mangione has no history of violence nor with firearms. He is a vegan pacifist with no history of mental illness and an aversion to killing even bugs.

He is still only a SUSPECT and all involvement in any crimes are merely ALLEGED at this time. Alleged by the most corrupt police force in the entire nation; the NYPD who do more organized crime than they've ever stopped.

Luigi Mangione's attorneys confirmed they have been shown absolutely nothing that even places Luigi at the scene of the crime.

People have repeatedly tried to recreate the entire timeline of events and found it is not physically possible to do what was alleged in the time frame police gave. Especially dubious for Luigi Mangione to have done given his recent, crippling back injury.

Luigi Mangione in his own words has said police planted evidence on him and are not being honest about his arrest or what he had on him at the time.

There is no body cam footage of Luigi's arrest.

There is no autopsy report for Brian Thompson.

Luigi has so far been:

Stripped of his hat, jacket and shoes and forced to walk in the cold in December wearing wet socks.

Forced to urinate on himself where police then took and published humiliation photos of him.

He was then stripped of his shirt pants and socks and put in a blue psychiatric gown and strapped to a chair inmates called "the torture chair" and left for prolonged periods of time. To the point the entire inmate population at the prison protested in anger.

He was slammed unto a brick wall, choked, and shoved by various police officers for no reason.

Was marched through nyc at gunpoint by officers with military firearms, forced to wear chains

Was called a murderer by the mayor of NYC on national television.

Was then placed in solitary confinement for weeks. Something extremely damaging psychologically to be exposed to for even just a few days. Something usually reserved for cannibals.

He is now being forced to sleep on the floor despite again, a crippling back injury.

Again, he has not even had trial yet. He is an innocent man by the very definition of the law. He has nothing tying him to any crime. And even the crime itself was a nobody being shot in a city where nobodies are shot everyday, seven days a week. And those shooters don't get this treatment. Cannibals don't get this treatment. Serial killers don't get this treatment. Why are they doing this? Because we entered an oligarchy and they want people who are rich to matter more than people who are not. The NO ONE, no name, insignificant person that Brian THOMPSON always was and WILL ALWAYS BE is more important because of his net worth, to the fascist oligarchy we've entered into, than the innocent man, data scientist and robotics engineer with a promising future that is Luigi Mangione.

The NYPD doesn't want him to be innocent. They are torturing him gleefully and postponing his trial because they know he's innocent. They just want to scare the public into understanding that the ultra rich, even those who's names will never be remembered as anything other than markings on a never visited tombstone, are the only persons who matter now. Not yours. Never yours. You're poor. They'll torture you without a trial too. Your life means nothing to them. Your children dying in school shootings means nothing to them. Pinning a crime on an innocent man they can beat to scare the public out of class consciousness is the only thing that matters to them now. Depose them.

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Can’t believe Zhongven can be reduced to a dumb DnD joke of « bard rolling nat 20 to seduce dragon ». They so silly fr fr

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Narrative Town

Summary: You don’t ever want to be the main character. In your town, that’s deadly. Someone has to warn the new kid. 

——–.

Someone has got to tell the new kid in town the Rules.

“Hey,” you say.

The new kid looks up at you. He’s sitting at his desk in the back corner of the classroom, right next to the windows. It’s a chilly day, but he’s got the window open so that the breeze ruffles his curly, black hair. “What’s up? Fern, right?”

“Don’t call me by my name,” you snarl. Then, realizing what you’ve done, you look over your shoulder. The other teenagers are still looped around the teacher’s desk, trying to get Ms. Slauson to move the test date so they could organize a welcome part for the new kid. “I need to talk to you. Privately.”

The new kid leans back in his chair and studies you. You know what he sees – a completely average high school girl in jeans, a sweatshirt, and a ponytail. There’s nothing remarkable about you. He tilts his head. “You don’t look like a bully.”

You frown. “I’m not.”

“You’re being awfully threatening,” he says in a drawl.

The accent is going to be a problem. It’s southern and sounds really cool. Honestly, it might be too late for him already.

But you still have to try.

“Meet me on the rooftop—no!” You press the heel of one hand against your eye. Fight it, you tell yourself. Fight it! “Meet me at the supermarket on Western Street. The dairy aisle. After school.”

“Okay…?”

You spin on your heel, head throbbing. Meeting on the rooftop is against the rules. You glance up at the ceiling uneasily. You’re not usually affected by the compulsion so badly. Are you being targeted?

If you were smart, you wouldn’t show up to the meeting. You’d just let the guy get sucked into the madness on his own.

But you also really need to buy some milk.

Continuar lendo

[innocuouswanderer]

Humans are unstoppable…Until they aren’t.

I’m not the most eloquent writer, but I’ve had this idea kicking around for a while and figured I’d put it out into the universe.

A lot of the basis for the��“humans are space orcs” stuff is the idea that we’re pretty durable compared to many species, yeah? When it comes to physical trauma, we can bounce back from most things that don’t kill us outright, especially given the benefit of hypothetical space-age technology, and adrenaline is one heck of a drug when it comes to functioning under stress. 

But that doesn’t make us unkillable, and even though we can survive debilitating injuries and not die from shock, it doesn’t mean it’s fun. Dying of shock sucks, but at least it’s probably quick.

So - Imagine a ship, adrift in space, slowly being drawn into a star or something. In order to save the ship, someone has to repair the hyper-quantum-relay-majig on the hull or in the engine or whatever. Bit of a problem though- there’s a ton of deadly, deadly radiation (Wrath of Khan style) or poisonous fumes or, I dunno, electrical current, between the crew and the repair. Like, enough to kill most species instantly, so the crew is just like, ‘welp, guess we’ll die then’. But then.

BUT THEN

They ask the human. Because everyone’s heard the stories - you’re basically unkillable, right? Could you survive long enough in there to fix it? And their human goes real quiet for a second, but still says ‘Yeah, I could fix it’. And the rest of the crew is like, ‘Whaaaaaa, it won’t kill you?’ and the human repeats “I can fix it” (which isn’t an answer, but no one catches that, not yet at least), so they send ‘em in. And the human fixes it, they come back, the ship flies to safety, and the crew is thrilled to survive. If the human is a little quiet, well, they’re entitled after pulling off a miracle. Everyone else is just excited to get to the nearest station’s bar to tell their very own human story, cuz, ‘those crazy humans, amiright?’.

The good mood keeps up until the human is late for their next shift. At first it’s just faint unease, but- but they earned a bit of a lie-in, right? No reason to begrudge them some extra rest, even if it is a little weird for them to oversleep. They’ll be fine. Humans are always fine. 

(Right?)

(…Wrong.)

- What is… help. Help!-

- ake up! You have t-

- been days. You need sleep, you-

- nother transfusion. We could-

- out of sedatives!-

A week later, the crew finally reaches the station. They stumble into the bar, haggard and haunted. And over the next months and years a new rumor about humans starts to make its way through space. A rumor unlike any before.

‘Be careful with your humans’ it whispers. ‘Their strength is not always a blessing. Be sure they don’t do something they can’t come back from, because when a human dies… they die slowly.’

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Here’s a story about changelings: 

Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch. 

She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage.

Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings. 

“Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child. 

Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin.

“I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.”

“I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.”

“Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.”

Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine.

“We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…”

“Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.”

Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has.

“Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.”

Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project.

She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still.

“Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once.

Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.”

Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.  

They all live happily ever after.

*

Here’s another story: 

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